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00:02 | And is she on from far Ok, good. What kind of |
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00:08 | do you guys far away have? they see the, and um, |
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00:13 | , Jessica, I'm, I'm leaning uh Utah's laptop. Ok. |
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00:25 | but now nothing for now. thanks. That was for you. |
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00:31 | , good, good. How about ? You? All right out |
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00:37 | I know how you. Ok. right. It's what one in the |
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00:42 | ? What time is it? Um is sorry, you can hear my |
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00:45 | . It is seven o'clock, seven . Yeah, that's not bad. |
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00:52 | . Time to drink beer out of coffee cup. Good. All |
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00:57 | Um So on the screen, uh , I think it was maybe Nathan |
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01:03 | asked me this question because he was confused and the reason he was confused |
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01:08 | marred was confused and I will uh this update to Utah and he'll give |
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01:14 | to all of you folks. But the structure or in filtering um |
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01:22 | what I wanted you to do is know in the exercise you ran it |
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01:26 | Sigma X and Sigma Y equal to . And then you use the |
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01:32 | you got one answer and you saw lot of stuff thrown away and then |
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01:38 | I had you set it to a value, 0.5 vertically. Then I |
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01:43 | you to cascade using the three by and a five by five filter. |
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01:46 | , Patrol is not parameterized that That's the other software that I |
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01:52 | So the to, to make that patrol speak, we would use |
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02:01 | uh a window that's maybe 1.5 by and, and then 0.5 like we |
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02:09 | , but then cascade it, do two times that way. So take |
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02:12 | output of the first pass as input the second pass. OK. And |
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02:17 | compare that to uh I still don't it right? But I didn't send |
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02:25 | to you yet. I would probably this, I'm gonna take a |
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02:34 | I'm gonna make a three just so see what it does? OK. |
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02:40 | make it bigger. So the question , do we want one big filter |
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02:44 | gonna be on a plane or do want two smaller filk? Now, |
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02:50 | , I think I tried to get the idea that the smaller filters, |
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02:54 | only are they gonna be tapered and structure better, but they're also more |
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03:04 | . And that was just the numbers gave you was for an average |
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03:08 | a mean filter. If you did median filter where you have to sort |
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03:15 | , now it's even a bigger So to sort what the median is |
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03:21 | of 25 is much harder than the out of nine. Right? And |
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03:27 | get the exact numbers. I'll have go see how does a bubble sort |
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03:32 | ? And you've forgotten about bubble Like you probably never learned bubble |
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03:37 | Did you ever learn a bubble sort to sort data efficiently? And from |
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03:42 | to smallest even UT is not in of bubble sword, but you can |
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03:48 | bubble sword. So you know, so that's one clarification. So we'll |
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03:58 | to the next lecture. Then there's be two more lectures today here we |
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04:18 | . Who's that? The information that uh I'm glad. OK. |
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04:37 | . So the next one then is attributes that map continuity and texture. |
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04:45 | we're gonna have the coherence family of , amplitude gradients and something called gray |
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04:51 | cour matrix textures. Um coherence Varian a type of coherence measures faults, |
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05:00 | edges, cars dewatering, uh poor of the noise as well. Amplitude |
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05:07 | are very sensitive to thin channels and fractures and uh textures are mapping more |
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05:15 | versus smoother reflector patterns. So I'm skip the words and coherence is going |
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05:25 | compare the waveforms of neighboring traces. the picture on the left I have |
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05:33 | target trace and then I'm gonna compare waveform with the one to the right |
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05:40 | the one cross line direction. And combine them. And this is |
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05:45 | we started with coherence back in And then a little later on, |
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05:52 | later in 1995 we realized, we'll get a more accurate result if |
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05:57 | use five traces, nine traces, traces and come up with different measures |
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06:03 | continuity. And I'll go through through . So the first one which is |
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06:08 | easy to understand that you could program in Excel but that nobody uses |
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06:15 | But it was where we started. gonna take my first trace. And |
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06:19 | right here, I'm gonna, let's , look at the in line trace |
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06:22 | to it. I'm gonna take a millisecond window and I'm gonna calculate the |
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06:27 | correlation coefficient, the Pearson normal cross coefficient. OK. And I'll get |
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06:34 | number between minus one and plus So here it is uh phase advanced |
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06:39 | four milliseconds, 20 phase away by . And then I plot the cross |
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06:49 | coefficient and find a ha its strongest now to get a little bit more |
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06:55 | answer. It's not surprising that we don't want just phase away by |
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07:00 | mill or two millisecond intervals. We wanna go with half millisecond per quarter |
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07:07 | . But that's a, that's kind an implementation. Here is a um |
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07:14 | from the uh Gulf of Mexico, they call a uh a spec |
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07:19 | So Western Geophysical collected this survey processes the idea they'll sell it 1020 |
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07:27 | And if you're a uh interpreter, you all are now, you will |
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07:33 | , oh, I got these onion kind of reflectivity patterns, peaks and |
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07:39 | . So this is my uh kind a sedimentary layers and it's either an |
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07:47 | or a thin cline. It'll turn it's a withdrawal salt, withdrawal |
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07:52 | Then you haven't seen salt in this , but you've certainly seen volcanoes. |
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08:01 | . So here I got no coherent kind of low amplitude. This is |
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08:07 | a salt dome looks like. Then see that little pieces of channels, |
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08:13 | part of the channel here, uh some bulbs, et cetera. So |
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08:21 | go do this cross correlation thing. the image we got, OK. |
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08:26 | it overnight on a big computer, computers. Uh 1995 weren't that |
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08:31 | Your cell phones faster. Uh incoherent part of a channel, part of |
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08:38 | channel, part of a channel, smaller channels. And then a lot |
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08:44 | folks over here, right? And uh out of the salt, we |
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08:50 | radio faults coming out of the We'll talk about radio faults next |
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08:55 | Why do I not see the whole ? Well, remember the channels were |
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09:01 | down in kind of sort of a environment. Ok. Might have been |
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09:07 | little bit of a slope but kind sort of a flat environment on the |
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09:12 | . And then as I built the , the the mini basins down the |
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09:18 | came up. So now that at time flat horizon with the channel on |
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09:24 | is now deformed. And when I a time slice through, I see |
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09:28 | of the channel. OK? It's simple as that. OK. Let's |
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09:34 | at this little channel I got in pink box and in 1995 an attribute |
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09:43 | used and you'll see this in the of possible attributes in uh uh in |
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09:50 | uh average absolute amplitude in a 40 window. Uh So probably you're all |
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09:58 | comfortable with the idea of root mean amplitude. So I take if I |
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10:03 | four millisecond data and I have a millisecond window that gives me 11 |
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10:07 | I take these value square, it them up divide by 11, take |
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10:13 | square root. That's the R MS absolute absolute average absolute instead of being |
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10:21 | squared norm mathematically called an L two , it's an absolute value norm called |
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10:27 | L one norm. So we just the absolute values in average. So |
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10:33 | we've got an anomaly here and another anomaly there, here's three trace coherent |
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10:39 | I see more stuff. OK? see more stuff. I actually see |
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10:45 | . Now let's go look at the a nine trace semblance algorithm. So |
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10:53 | is now very similar to it is the same as Varian. OK. |
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10:59 | this is a nine trace semblance algorithm we see these three channels very, |
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11:04 | nicely. OK. So the difference the image on the bottom here and |
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11:09 | image on the bottom, I'm using data using nine traces information in nine |
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11:16 | instead of three traces. That's the difference. If I look at line |
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11:21 | , a prime, I see a once, twice, three times, |
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11:26 | , twice, three times. what's this guy? Oh, that's |
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11:31 | channel down here. OK. And I had before was this area all |
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11:39 | had with the uh absolute amplitude was part of the channel uh was maybe |
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11:48 | with gas and thick enough that I see it without that. Now, |
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11:54 | have to think like a geologist This channel was not flowing with |
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12:07 | I don't want you to use the channel three conduits at the same |
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12:12 | What we're seeing is what's preserved in seismic data. So, again, |
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12:18 | a deep boy, what's preserved? . Geology. The boy thinks what's |
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12:27 | . What's the other one? You're geologist? You're my geologist right at |
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12:31 | hand. What do you say oh, what's the source of the |
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12:38 | ? Oh, you got to say in a deep voice. You never |
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12:41 | it in cocktail party conversation. What's the Providence? Right? You |
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12:48 | that? Write it down. You to know it if you're gonna be |
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12:52 | geologist, what's the provenance is? the provenance of the sediment? Is |
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12:57 | gonna be? Are you gonna expect , you're gonna expect gravel, |
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13:03 | You need to know where things are from. Ok. So that's a |
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13:07 | thing in Strat gray and sentimental. . So I'm just gonna say this |
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13:15 | was uh maybe done inside 100,000 years this channel. And this one was |
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13:25 | years after this last channel. And three of them cut down into the |
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13:30 | layer and they were all preserved. ? In other places, there was |
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13:35 | channel and they all got eroded. . So what you see is what |
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13:40 | preserved, OK. Now folks will up nicely on the seismic amplitude time |
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13:52 | if the fall cuts the fabric of seismic reflection. So here this is |
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13:59 | Texas um uh in the cotton valley . And yeah, I've got a |
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14:08 | kind of doble feature over here and can say, oh there's a fall |
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14:12 | there, there's a fall cut in , there's a fall cutting there. |
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14:16 | , there's probably one here, probably here then over here, maybe something |
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14:24 | . Here's the coherence image. And some of these folks I see like |
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14:30 | two folks I could see on the amplitude and the ones down here. |
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14:38 | one and this one I could see the seismic amplitude. But these like |
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14:46 | here real hard to see hard to here. This one's real hard to |
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14:52 | . I'll take it off. I see that ball. Why? Because |
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14:58 | this time slice it's parallel to the . So the peak draw pattern I |
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15:03 | , I can't differentiate it. And then there are a whole bunch |
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15:07 | other f on the coherence that you see on the amplitude data. |
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15:16 | what you need to keep in mind the coherence image on the left is |
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15:22 | computed from the amplitude image on the . It is computed from the amplitude |
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15:29 | on the left from on the right five slices above and five slices |
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15:38 | So 11 samples in pare their default 15 samples of team. OK. |
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15:45 | now if you were to look through 11 samples and animate, you'd see |
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15:51 | kind of a difference and you might able to pick it out. But |
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15:54 | think about oh man, it's already enough to pick faults. Now I |
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15:58 | anime through every slice and then figure where things are and try to pick |
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16:02 | . Oh OK. So the coherence that out and the reason is that |
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16:07 | looks so nice is it's using more than you can look at it in |
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16:12 | single slice. OK. So we five common ones out there cross |
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16:21 | No one uses that anymore. Uh variance is one minus semblance. Manhattan |
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16:28 | is the absolute value based semblance. then Eigen structure gradient structure tensor plane |
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16:36 | destructor. OK. So let's look semblance. I've got five traces. |
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16:40 | drawing it in two D because I draw two D. Usually you do |
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16:44 | in 3d. By the way, does work perfectly well on two D |
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16:48 | on two D grids and seismic I'm going a long structure. How |
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16:52 | I know that? Well, I my dip thing as I did in |
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16:54 | previous lecture. Then gonna calculate the of the input trace. First name |
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17:01 | those 11 samples, I got 11 and five traces. I got 55 |
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17:07 | . I'm gonna gonna square their values add it up. That's the |
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17:12 | And I'm gonna calculate the average trace summer along five samples divided by 55 |
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17:22 | divide by five. OK? There's average trace and I'm gonna say uh |
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17:27 | coherent part of the data kind of by the average the smooth value. |
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17:33 | I'm gonna calculate the energy of the traces. OK? So I've replaced |
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17:42 | original traces with the average value kind a filter. And then the coherence |
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17:47 | the sum of the, the ratio the those two energy measures. |
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17:53 | That's what we have. Now, may not remember semblances this way, |
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17:58 | might remember it as this formula where ? I gotta go on dip. |
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18:03 | my P, there's my crossline But you might remember I take these |
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18:10 | , I divide I sum them I divide by J which is maybe |
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18:15 | or nine however many traces that's my , then they square it and then |
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18:22 | is the squared value of each I add those up and I divide |
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18:31 | by one or five or nine. however many traces I use, that's |
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18:36 | average energy of all the traces. I'm gonna smooth vertically over, let's |
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18:44 | 11 samples and patrol 15 samples by . And that's gonna give me my |
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18:51 | . That's the formula. Now. Manhattan distance. I used to live |
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19:02 | . This is a city hall where get your driver's license. Uh |
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19:06 | you show up for court if you're trouble. OK. That kind of |
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19:11 | . And we have two distances. New York, we got the Manhattan |
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19:18 | . So I walk along uh Fifth and then 100 and 10th street and |
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19:25 | that's the Manhattan distance or you got Pythagorean distance. But in New |
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19:31 | we didn't say Pythagorean. That's the words as the crow flies, the |
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19:37 | , you know what a crow It's a Floyd the boy. So |
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19:43 | crow flies in a straight line. ? That's the normal distance. We |
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19:47 | X squared plus Y squared square rooted distance, absolute value of X absolute |
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19:52 | value Y why in Manhattan can't walk the buildings they're in the way. |
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19:58 | ? Landmark use this as a way get around the patent that AMCO |
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20:02 | OK? And then um pare Varian said, well, we're not doing |
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20:09 | , we're doing variant and then you the equations. Well, how do |
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20:13 | calculate variant? And I in my , because I was involved in some |
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20:17 | the patent things, John Castano was one who actually went to the |
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20:21 | And I looked at my my she teaches nursing and on the back |
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20:26 | her panel of basic statistics, how calculate variants fast. Ok. You |
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20:34 | the energy and then minus the square the mean and there's the variant right |
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20:39 | . So, and that shows that is one minus template. So why |
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20:44 | we have these different things because of and copyright? So you got three |
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20:50 | names of almost the same thing. here's the Manhattan district just take an |
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20:57 | value instead of squares. Ok? , another thing we got to worry |
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21:03 | is if you make the window too and in patrol, this is exactly |
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21:09 | you would get. If I make window, let's say three samples instead |
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21:14 | 15. Then when I'm coming across zero crossing, my signal and the |
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21:21 | ratio is going to be greatest at peaks and the troughs gonna be least |
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21:25 | the zero crossing, especially if my is zero. And so you're gonna |
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21:30 | these kind of stripes around there. yellow lines are vaults and the curvilinear |
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21:40 | . Well, those are zero Well, you guys are pretty |
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21:43 | you say, oh, we'll do , why don't we calculate the variant |
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21:48 | the quadrature the Hilbert transform? And my zero crossing then becomes a peak |
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21:54 | a trough and I'll have a better and noise and that's true. So |
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21:58 | could do that, but then the in the truck would come back. |
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22:01 | what you need to do is do of them. So you're gonna add |
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22:06 | semblance of the data and a Tober and then you gotta normalize it. |
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22:12 | in this picture, my buddy Chopra and Alberta, here's all this |
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22:19 | As you go across the zero crossing of the real trace. Here's a |
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22:24 | of the complex traits or the analytic the data and its over trans |
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22:31 | So it gets rid of a lot those artifacts. Now, the next |
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22:37 | is uh associated with eigenvalues and Again, Ali's best friend, |
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22:44 | I have friends and eigenvalues are one them. OK? So we're gonna |
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22:50 | the energy of the input trades going calculate the wavelength that best fits the |
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22:56 | within the analysis window. We're gonna the coherent component of the traces. |
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23:04 | are we gonna do that? We gonna do this with eigenvectors and |
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23:08 | I have to go back a calculate the energy of the coherent component |
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23:14 | the trace. Take the ratio right , seismic data. We used to |
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23:24 | this data set in this lab. And here's time slice through the |
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23:30 | There's some salt in here. Uh a Paleo Mississippi River coming right through |
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23:41 | . OK? And then you see onion rings of the tipping reflectors about |
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23:45 | salt. Let's calculate the energy of data. So nine traces 40 |
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23:51 | so 11 sample. Thanks. And uh I used a, a funny |
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24:00 | bar to show very high energy, low energy. Then I'm gonna filter |
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24:04 | data using this Eigen structure filter. I'll have to go back and explain |
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24:10 | and see it's a little different and gonna take the ratio of these two |
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24:15 | and they get coherent. OK. exactly what we're doing. So we |
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24:20 | call it Eigen structure coherent. We call it Engen ratio. So mhm |
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24:33 | Unless you ask me about, I structure coconut the details. I won't |
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24:37 | into it if you ask me, go into some detail. Oh It |
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24:42 | says hell no. All right. we've got three different algorithms. We've |
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24:52 | a cross correlation algorithm based on three . These two were used, I |
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24:57 | we used 11 traces because the spacing uh 100 and 10 ft by 220 |
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25:05 | . They were decimated. And so I see the sal film, a |
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25:10 | of a blurry canyon. A couple folks, the semblance, I see |
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25:14 | Soul film Canyon is a little better more continuous but a little thicker than |
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25:23 | . Why? Because I'm using more and then I'm starting to see some |
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25:28 | . And then here's the Eigen structure see these channels, they show up |
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25:32 | nicely now and then my canyon is clean as well. OK. Next |
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25:44 | we had this gradient structure tensor. gonna take the derivative of the day |
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25:48 | the amplitude mhm in line cross line . I'm gonna cross correlate those derivatives |
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25:56 | each other atom at a location. I'm gonna have at every location I'm |
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26:02 | have a little three by three cross maker. I'm gonna average that over |
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26:08 | traces by five traces by seven And get this gradient structure tenor. |
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26:15 | gonna push a button. The first tells me the normal for the |
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26:23 | the eigenvalue. So how much of data is represented by a plane I |
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26:35 | use that to compute chaos, So they're gonna use all three |
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26:42 | But anyhow, here is a vertical through amplitude in the in line direction |
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26:50 | the cross line direction and the time then here's the gradient structure tensor |
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26:56 | let's call it chaos because that's what is gonna call it. And then |
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27:00 | is a dip scan coherence maybe using . So Baker doesn't say um the |
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27:07 | thing is, well, this one higher resolution why using less traces probably |
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27:12 | nine traces instead of 25 traces. you wanna compute coherence along structural dip |
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27:21 | a couple of you used the default and uh patrol, their default is |
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27:27 | the compute variant on structure di computationally longer, but you're gonna have a |
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27:33 | of smearing artifacts in there. So I calculate on a time slice, |
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27:42 | default and patrol, I am going correlate a drop with a zero crossing |
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27:49 | a peak with a zero crossing with . I'm gonna have a low |
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27:54 | OK. If I go along structure across 408 of peak with a peak |
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28:01 | a peak with a peak with the , I have high co so that's |
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28:05 | you wanna do. Here's an example Alberta with quite a bit of structure |
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28:12 | it using along a time slice. what you see is something that looks |
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28:19 | lot like contour and it does look contours. Because if you think of |
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28:24 | onion pattern on when you cut seismic data, what you're doing is you're |
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28:30 | those chops and peaks of the onion each other, you're not going a |
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28:34 | structure. Here is a long Now, I have something that geologically |
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28:40 | very reasonable. I have a bunch an echelon pa Hi. Now your |
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28:48 | analysis window makes a difference and this uh from oh a low quality seismic |
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28:59 | volume. So we're gonna look at window that's just one sample thick, |
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29:04 | milliseconds thick and then there's steps and , now things are starting to come |
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29:18 | 18. Yeah, it looks pretty . Then if I go to 24 |
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29:25 | 3036 they start to get washed I even go to 42. |
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29:34 | So the idea the question is so days, the sampling per was six |
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29:40 | and it was one of the earlier ocean bottom cable acquisition in the Gulf |
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29:48 | Mexico. OK. And they well, we don't have high |
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29:53 | no ocean bottom nodes. Actually, ocean bottom nodes. We don't have |
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29:57 | frequencies. We only have so much at the ocean bottom. Let me |
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30:04 | every six milliseconds instead every two milliseconds I don't have greater than 90 Hertz |
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30:09 | . OK. Well, that's what did. Now, a good rule |
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30:16 | thumb, if you were to ask , what's the best window to use |
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30:20 | coherent for variance? Never going to the default. OK. The |
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30:28 | So if you ask me, which the best one, what you can |
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30:32 | is look at your target, what's peak, the peak distance and |
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30:40 | What's the dominant period in the And if the dominant period is 20 |
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30:49 | , that's the window you wanna use you build up. You're adding better |
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30:56 | as you go from 2468, up 20 milliseconds, you're gonna build up |
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31:03 | statistics, you're gonna get rid of stuff and look at more geological |
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31:09 | And below that, you're already mixing reflectivity with the seismic wavelet with, |
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31:17 | um now Anthony's favorite operation convolution. willing to share that with them, |
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31:31 | ? OK. It was Zach's favorite week. He loves convolution. |
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31:37 | So, convolution. So, you , I'm gonna, if I have |
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31:41 | bunch of little reflectors and I'm doing copy paste operation, I'm already mixing |
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31:47 | with my seismic wavelength, you So, yeah, I can, |
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31:51 | be able to improve it a little by, by going bigger. And |
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31:56 | I can go find her, maybe get a little more discrimination of thinner |
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32:01 | channels and so forth. I I'd it if you've got good signal, |
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32:06 | you're greater than the dominant frequency, what you're doing, you're mixing other |
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32:12 | . OK. So you're not And that's why in this image. |
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32:17 | here are the dominant periods uh probably 18 milliseconds. All right. And |
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32:25 | I go a bigger window things, start to see other channels from shallower |
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32:31 | deeper come in and just mixing And I think I'll have a, |
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32:35 | another image of the same data volume some point though. Then the vertical |
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32:40 | window comes into play as well. This one happens to be from, |
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32:46 | Mexico. And uh here and this here's my wave list. So I |
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33:00 | actually peak, drop peak. So it's gonna take this anomaly and |
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33:09 | it here. This, this strong is gonna give me a vertical |
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33:16 | And so is this one? So I cut it, I'm gonna see |
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33:23 | orange fault is gonna be right on green slice and this magenta fault is |
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33:28 | to be shifted to the side. what happens on the time slices through |
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33:34 | or variant? It's kind of annoying the faults move a little bit and |
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33:40 | has to do with which wavelength is the calculation of the wavelengths not centered |
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33:47 | your time slide, it's gonna shift to right in and out as you |
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33:52 | really deep and the ball becomes more . Well, now I see the |
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33:58 | Paul three and four times and I total garbage. So the uh coherent |
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34:05 | down for faults that become more and horizontal. OK. So in |
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34:13 | coherence is an excellent tool for delineating boundaries in good false lateral stratigraphic |
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34:20 | In your exercises, you're seeing you're saying edges of bright spots, |
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34:28 | seeing turbos and all channels inside the , OK? It allows accelerated evaluation |
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34:37 | large data ions just by animating through like you did. OK. You |
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34:41 | a real good idea of what that um volcanic sequence looks like provides quantitative |
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34:48 | of fault or fracture presence. If dark black, I'm real sure there's |
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34:53 | fault there. If it's light well, maybe a fault there, |
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34:57 | it's not. If you hand pick , you're saying it's there or it's |
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35:03 | . I mean, if you pick or you don't pick it, it |
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35:07 | Strat democratic inter information that's otherwise difficult extract. So we can see |
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35:14 | it seems to be watering features, sees TSH collapse, all kinds of |
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35:18 | that are pretty easy to visualize. hard to pick. You always want |
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35:24 | calculate a more structural depth. They local balls that have dragged or poorly |
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35:31 | or separate two similar reflectors don't appear to be discontinuous, won't show up |
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35:37 | coherent form. So you gotta be of that. And in general, |
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35:42 | want to use stratigraphic features are best on horizon slices structural best analyzed on |
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35:48 | slices. OK. So that's coherence , that's family. The next part |
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35:59 | amplitude gradients soble filters and second derivatives amplitude which I'll call amplitude curvature. |
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36:08 | our wedge model again, high low impedance, high impedance, positive |
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36:15 | on the base negative reflection on the peak chop peak trough, peak |
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36:23 | OK. And then I'm here's my term resolved punning unresolved. So if |
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36:33 | were to look at the draft heat and plot that, notice that here |
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36:42 | it's unresolved, the trw peak, the thickness is near constant, we'll |
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36:48 | to that next picture. OK. around a little bit near constant. |
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36:54 | is it wiggling around? Oh the lobes are modifying the thickness a |
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36:59 | OK. Then below resolution notice the gets by smaller and smaller and it |
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37:11 | out that I have here's the uh my layer is capital delta T thick |
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37:22 | I have a reflector that's capital delta over two above capital delta T over |
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37:28 | below and one of them is one of them is negative. Then |
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37:35 | recognize from first year calculus I take one to the right minus the one |
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37:41 | the left divide by self fatigue. my derivative ex so that's my |
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37:52 | So this thing here on the left by delta capital T is the definition |
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37:59 | a derivative. So what happens is interference pattern is going to be instead |
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38:08 | a uh a trough peak trough is to be a trough peak that's gonna |
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38:14 | rotated 90 degrees. And the amplitude going to pay linearly with thickness. |
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38:24 | . That's what we have. So linear decay with thickness. OK. |
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38:30 | here's a Soble filter edge detector that's canvas, all the you know Photoshop |
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38:37 | the different uh you know, graphics , photograph processing stuff. So uh |
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38:43 | was a phd student here and he one to me because I was younger |
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38:49 | . And here's my edges. I spider eyes and chicken legs like you |
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38:54 | the river numerically and delta X goes zero. That's the definition of |
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39:01 | And the Soble filter is I take derivative and in line and cross line |
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39:07 | in this case, horizontally and vertically from each Adam a square root that's |
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39:14 | filter common edge detector. Other ones picture three by three median five by |
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39:25 | median North south gradient, East west in Boston, you know all those |
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39:30 | filters that um these guys applied to . OK. So we looked at |
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39:37 | difference between two traces instead of cross , let's calculate the square difference between |
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39:44 | trace on the left and the target . And this is work that uh |
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39:48 | at all when he was a Chevron done and but spot the minimum difference |
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39:58 | then we got to normalize it. I'm gonna take the difference in line |
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40:02 | cross line and I gotta normalize by end of this. So I get |
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40:05 | between zero and one. Here's an using Chevron's algorithm that they call edge |
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40:14 | . OK. And it's a sole . And then this image by a |
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40:18 | called Aoba offshore Nigeria and I was shallow. He's got some mud |
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40:26 | he's seeing some channels, some more , uh more channels over here. |
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40:33 | got a mudslide uh except I don't any faults at this level. |
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40:42 | So now what value should we use the soble filter? Well, normally |
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40:49 | just calculate the one to the right one to the left, right. |
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40:53 | I could have used one that's three the right and three to the left |
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40:57 | five to the right and five to left and seven it to left, |
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41:01 | to the right and seven to the and just take a nose derivative. |
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41:06 | then here is a nice amplitude And here I'm using 57 away and |
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41:15 | five away three away one way, ? And as I become closer and |
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41:25 | , one of you mentioned, you the tangent. So here, I'm |
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41:29 | chord Cho RD and here I approached tangent which is the definition of the |
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41:38 | . OK. Well, how about ? Here's a longer wavelength event, |
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41:44 | smoother. All of those are pretty . Let's add up an average. |
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41:52 | And if I add up those oh, last week we talked about |
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41:57 | Hilbert transform, what these guys are is taking the Hilbert form horizontally. |
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42:06 | . And using that as an edge to OK. Well, they're gonna |
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42:14 | it by smoothing it a little bit winning it the original and then they're |
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42:19 | do it. And uh at Saudi they'll call OK. All right. |
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42:27 | here's a example then of a cartoon zero, negative amplitude. Uh So |
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42:37 | , I've got low amplitude and then strong negative amplitude here is my uh |
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42:43 | part, here's my cut bank, the flood point. So I've got |
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42:47 | two point operator and by the this is kind of the amplitude as |
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42:51 | go along looking through. All So now I got a two point |
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42:57 | and I'm gonna go across there. am. OK? Give me that |
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43:05 | , right. So I got a sharp change here at the cut bank |
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43:09 | kind of a more gentle smear change the point part. So they're gonna |
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43:14 | this Hilbert transform, which is a out operator. It's actually a longer |
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43:22 | operator and they're gonna take that guy cross Cory and now they balance it |
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43:33 | bit. OK. So we then it a little more. So that's |
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43:39 | they're doing. Here's an example from Arabia seismic amplitude times sliced kind of |
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43:49 | . I can structure time slice. technique that I really like my |
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43:53 | maybe three by three traces are just don't say here's the generalized Hilbert |
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44:00 | So from where you are, I you can say yeah, pan show |
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44:03 | this. OK. So now we to think well, why, why |
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44:08 | the channel show a better on their pills of transform? Well, their |
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44:16 | is bigger. OK. Might have traces in it instead of nine, |
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44:22 | gonna get better statistics. OK. of all, I've got all these |
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44:29 | problems and stuff my channel edges might smeared. So my response is going |
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44:36 | be a smeared edge instead of a edge. So a long wavelength |
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44:43 | it is going to enhance that a better than the other one is. |
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44:49 | , I'm using Eigen structure coherence. structure coherence is gonna be sensitive to |
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44:56 | wavel shape, not the amplitude. it may be that here I'm at |
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45:02 | below tuning those channels have an amplitude below tuning. That will be the |
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45:09 | with decay is one over the If you're below tuning the wavel, |
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45:14 | is the same, that peak to distance was the same. So the |
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45:17 | algorithm might, might fall apart when get very, very, they don't |
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45:22 | to be really thin, they have be thin with respect to a |
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45:25 | OK. So a couple of reasons to why, that's why. But |
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45:30 | , a nice algorithm OK. Vertical window here plus or minus 24 milliseconds |
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45:41 | and then Soble filter plus or minus milliseconds. A little better resolution plus |
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45:47 | minus six. Not bad. Then look at here. I've got a |
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45:54 | uh animation question M is zero milliseconds . Well 18. Yeah, maybe |
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46:05 | or 18 works the best. Then start to mix again. So the |
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46:09 | thing happened, happened with coherence that make too big a window. I |
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46:15 | to mix, mix uh photography. . How we doing Stephanie is still |
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46:30 | with us. That's good. All . Now don't throw your head |
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46:35 | You look like you're being pummeled. . Got the seismic AM amplitude. |
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46:43 | got an envelope. Let's take the of the envelope. This one, |
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46:47 | approach is very easy to understand. why I'm gonna do it. The |
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46:51 | art Barnes did. I'm gonna take in line derivative of the envelope divide |
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46:56 | one over the envelope cross line derivative the envelope one over the envelope. |
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47:01 | of doing it on a map. . Here it is uh crossline |
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47:09 | So uh in this direction, he's a salt dome here, a salt |
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47:15 | here. This is offshore in I start to see some channels. |
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47:19 | doing it on time slices. So he crosses the onion cut of |
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47:25 | he's got some anomalies there. So gonna filter it with a vertical median |
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47:29 | and this is what he will Yeah, it looks pretty good. |
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47:36 | ? And now I see some nice in here. So this was a |
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47:40 | paper. It never really got deployed in landmark. So we can do |
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47:48 | the same thing. We're gonna take structural in filter data, take the |
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47:53 | line energy gradient cross line energy Got it eigenvectors. OK. So |
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48:01 | going to be the principal component filtered of the data. And then I'm |
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48:05 | to take it derivative in line through cross line, right? So what |
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48:15 | did with the eigenvector analysis we can you hear me tell you what |
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48:28 | asked to take a break and I'm go back when we come back in |
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48:33 | minutes and cover four or five slides what I get and we got 200 |
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48:41 | three. OK. Let's take a minute break, come back and pretend |
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48:47 | competing. All right, I uh had skipped this section figuring you guys |
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48:57 | look at it on your own because had it voice over and because I've |
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49:06 | talking about Eigen structure coherence and things this. Let me just spend a |
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49:12 | of minutes to finding different filters in for structural or new smoothing. You |
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49:18 | one filter and only one filter you've a mean filter to calculate the |
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49:23 | they call it structural smoothing. There's other filters. So on |
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49:29 | the mean filter, if I have samples, OK. A long |
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49:34 | the mean it's just the average. I can sort those nine samples in |
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49:42 | with the biggest sample amplitude to the amplitude value and they can be positives |
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49:47 | negatives. That's fine. If I the middle one, that's the median |
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49:53 | . Ok. Um then the and guys like uh I'm here works for |
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50:07 | oil company. You know, they'll about, well, look at our |
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50:11 | versus who's your big, who's your Exxon, let's say Exxon salaries. |
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50:18 | . Look at our salaries versus Exxon . Here's, here's our mean salary |
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50:24 | there's their mean salary and he's mean is higher. Well, hang on |
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50:30 | is highly biased by how much money executives make. So the main, |
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50:37 | main salary is, is doesn't mean getting more, it means the executives |
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50:42 | getting more and skewing everything towards higher median is what you wanna look |
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50:46 | Ok. Meum by median housing that's reasonable than having the big mansions |
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50:53 | Ok. So that's the median Now the alpha trim me, we |
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50:58 | this a lot in processing and we'll the same thing. We'll sort the |
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51:05 | . But we're saying, yeah, if I have spikes in it, |
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51:09 | know, I wanna get, I have some of the statistics of picking |
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51:13 | average, but I wanna get rid outliers. So I'm gonna pick, |
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51:17 | say 20%. So I'm gonna sort nine samples. I'll take the top |
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51:22 | , throw them away, I'll take bottom two, throw them away. |
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51:26 | take the remaining five and average That's the al paternity on the bottom |
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51:33 | lower, upper middle filter. So got my data. They're, they're |
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51:39 | a grid. OK? So in case, I'm thinking of a nine |
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51:42 | grid. I got my analysis. , I've got my analysis point and |
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51:47 | others put it that way. So I'm gonna sort them and I'm |
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51:53 | , if that analysis point is greater the 80 percentile value of the sorted |
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52:04 | , make it the 80 percentile. it's less than the 20 percentile |
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52:09 | make it the twenties percentile if it's between, let it alone. |
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52:15 | That's the uh lower, upper middle filter. So here's one that Antonio |
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52:23 | at EN I uh did and you see the data are kind of |
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52:28 | So he's not throwing away anything and he's got a 30% L UN |
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52:38 | Much eas I think you'll agree. picking will work a lot easier on |
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52:42 | and 40% and 50% turns out to immediate filter if I throw 50% upper |
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52:49 | away and 50% lower ones away. always, I'm making it the |
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52:53 | OK. OK. Yeah. Now principal component filter or the Khoon and |
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53:03 | filter is looking more for patterns. back to my friend, Alicia, |
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53:12 | don't always pick up, they don't pick on you. I am biased |
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53:15 | the front row because I can look in the eyes and anyhow. All |
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53:20 | . So I got my drone from drum. I'm flying over here campus |
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53:29 | a picture. 7 a.m. 89 1011 , 123456. Ok. So I |
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53:38 | 12 pictures photographed from my draw. still up a battery. Great battery |
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53:43 | 12 P. Um people are walking and from classes, clouds are moving |
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53:51 | , clouds are moving out. Uh are moving in cars moving out. |
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54:01 | us, car got bowed. That's of the pictures. Ok. And |
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54:08 | , you know, lots of different . Uh Oh, and it's, |
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54:13 | bright at one o'clock, kind of at seven, getting darker at |
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54:17 | So there's different intensities of the But if I look at those 12 |
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54:23 | with all this movement of people and and clouds and stuff like that, |
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54:28 | the pattern best represents 0 12 the one well location, but give |
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54:42 | something specific of this. We're all the same location. I'm taking a |
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54:46 | from the same location. Down cars moving, people are moving clouds coming |
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54:51 | . Now, what pattern in that is the same or can best |
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54:56 | But, ok, so I'm taking picture when you just take one |
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55:06 | What do you see? Ok. in the area? Show me the |
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55:11 | , people, cars, what Street, what else? Buildings? |
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55:20 | . So what's not changing or what's of the same for all those |
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55:26 | Yes, on the stationary. So streets and the building. Ok. |
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55:29 | that's pattern of the streets and the and fences. If she were to |
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55:37 | , correlate it with those 12 you would get the best cross correlation |
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55:43 | of any other pattern. We will that an Eiden picture. It is |
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55:50 | friend. It best represents it. with like the one, the normal |
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55:55 | represents the direction of most change. . Now we're taking pictures which one |
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56:03 | represents those 12 pictures. That's the picture if we were picture faces and |
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56:11 | can face another thing they use at courses. Uh So we're looking at |
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56:16 | pattern, that's what we're doing. ? And then that if I were |
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56:21 | leave square subtract, fit those data that picture and then we square subtract |
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56:29 | and then fit it again. And would be the second Eigen phase and |
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56:33 | would keep doing it until I had of them. And the last one |
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56:36 | have very, very little information So on this slide, I've got |
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56:41 | traces and I've got a pattern. use the, the mouse so that |
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56:49 | far away can, can see. I got uh amplitude one, |
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56:56 | one, amplitude, one, amplitude , amplitude two kind of store. |
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57:01 | got a wavel got noise on Gonna take 55 samples. I'm gonna |
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57:08 | 11 samples in time five traces. ? And I'm gonna ask, |
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57:15 | what's the pattern? Well, I 11122 um kind of minus one maybe |
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57:29 | 0.75 minus 0.75 minus 7.5 minus 1.5 1.5. Uh one half, one |
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57:40 | , one half, 110, crossing . You see laterally, I have |
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57:48 | same pattern. Now it can be down or positive but it's the same |
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57:54 | of getting we three weak ones and strong ones. OK? That's what |
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58:00 | eigenvector is gonna look like here or Eigen pattern or the Eigen map. |
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58:06 | . So I get that pattern. we're gonna apply it to the five |
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58:12 | . There are my five traces and red is the mean filter and in |
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|
58:22 | is the median filter. Um in , I'm sorry, is the median |
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|
58:28 | and in green is the principal component . So you see, I'll go |
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58:33 | the next picture, see how the and the medium filter they overshoot. |
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58:41 | not representing as well as the principal filter. Now, what we have |
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58:47 | the main filter for this center point based on five samples. I take |
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58:55 | average of those five samples. The filter of that center point, it's |
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59:01 | on five samples. I take the of those five samples. The principal |
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59:08 | filter is a little bit more I compute the pattern from 55 |
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59:15 | So I have more statistics. I a cross correlation matrix. We call |
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59:20 | a covariance matrix. I calculate the . That's the pattern. I cross |
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59:26 | that pattern with the data itself. five point pattern with the five point |
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59:33 | get a cross correlation coefficient multiplied by multiply the pattern by the cross correlation |
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|
59:42 | . That gives me the first principle . That's what it's called. You've |
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59:47 | heard the word principal component here and . OK. So that's what we're |
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|
59:52 | and that's why it gives a better . So if you have normal |
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59:58 | the principal component or Cohoon and well after two people filter is the best |
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60:04 | to use. If you got spikes the data, it's probably the worst |
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60:08 | to use. Do you want to a median or alter being filter? |
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|
60:12 | . And here's one using principal component from Antonio. So original data. |
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60:20 | I don't know why I'm missing that data. Yeah, I know what |
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|
60:26 | need to do. I need to animation of OK. So, so |
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60:41 | , I probably had them on separate . After. Yeah, I it's |
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60:47 | the way it really preserves amplitude quite . OK. All right. Oh |
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60:55 | on. Here's your data quorum. . Before, after it gets rid |
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61:04 | a lot of cross cutting. So you're gonna look at that this |
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61:20 | . Pardon? That's a structure or . Yes, sir. Yeah, |
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61:24 | a structure or filter. And um that, that, that version of |
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61:29 | and filtering is not in control. . So now here's my data gonna |
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61:42 | this principal component filtering or Khoon and filtering. And we're gonna represent the |
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61:48 | curve by the the magenta curve. the magenta curve noticed got the same |
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61:56 | but different amplitudes. So that's how different than semblance semblance. I'm using |
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62:01 | mean replacing all five traces here, maintaining that pattern and amplitude. Then |
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62:09 | can look at that pattern and I changes in amplitude from uh three stronger |
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|
62:16 | to two weaker ones. I can a derivative of that. So I'm |
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62:20 | do that. If I have three three, I can compute the derivative |
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|
62:28 | this pattern, which is the first , the first Eigen map if you |
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62:35 | . If we're a photograph, I it an Eigen photo and put first |
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|
62:38 | map in the X direction in the direction. How much energy does it |
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|
62:44 | ? Um first eigenvalue measures the OK. So here is uh data |
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|
62:53 | gulf of Mexico happens to be depth . And here is the gradient of |
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63:01 | eigenvector multiplied by the energy. And this this uh the west to east |
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|
63:07 | . And I see this change uh change in amplitude. And I've been |
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|
63:12 | this uh sand pan over here, the details of it. And then |
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63:18 | I can, I can co render with the I can value if you |
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63:24 | or the energy associated with it. then I kind of now it looks |
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|
63:28 | shaded relief ball. OK? I you this picture earlier on coherence. |
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|
63:35 | on a time slice here it is the horizon slice, it's the Paleo |
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|
63:40 | River. We'll come back to that week and here is the amplified gradient |
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|
63:47 | left to right. So what do see different? Well, I see |
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63:52 | South acquisition footprint which is due to sale lines. Uh you know, |
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63:58 | geophones, the hydrophones moving in and of the line because the currents, |
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64:02 | cetera. OK. Then the things the yellow arrows. Well, I |
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64:08 | this little guy wiggling here, don't see it on coherence. I see |
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64:16 | little guy wiggling here. Don't really that incoherent. So when I fall |
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64:27 | resolution tuning thickness, so the thinner are gonna be I'm sorry, the |
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64:33 | channels will statistically be thinner. I my coherence Eigen structure coherence change, |
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64:41 | I still have an amplitude change because the amplitude changes with respect to |
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64:46 | So I can see those changes. one from uh West Texas Central Basin |
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64:56 | . I see some pieces of channels here. Uh It's a Devonian 31 |
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65:01 | of church. And then I see of these channels you got meandering channel |
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65:07 | this happened to be the targets, these targets show up very nicely on |
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65:12 | amp gradient. They don't show up on coherent. There's one from South |
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65:18 | Oklahoma, a coherence image. I see a little bit of it |
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65:22 | now I can follow it better. follow this one, all these as |
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65:28 | . And then uh one from South Island, I can look at the |
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65:33 | of different angle that as I'm So it 45 uh 90 degrees. |
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65:41 | of course, when I look at perpendicular charter, thanks, gonna skip |
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65:50 | one just for historical reasons. I it in. Let's say you've got |
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65:57 | horizon you've got most of you are um pretty well with the horizons. |
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66:02 | I wanna say one thing I noticed with Zach here that unbeknownst to |
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66:11 | he hit the auto picker and the picker. Damn, did a pretty |
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66:17 | job on this horizon. And this not, I've used this one, |
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66:23 | survey for eight years at least. this year I decided, let me |
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66:31 | the structure in a filtering early in beginning because it's gonna sharpen up the |
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66:35 | . It's gonna make the picking easier like, wow, his horizon was |
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66:41 | . Your past, you got to it almost all by here. So |
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66:45 | so this is good. Nothing, nothing wrong with things being easier, |
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66:51 | ? You still got a quality control it, but nothing wrong with being |
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66:54 | . So now you're gonna have this and then let's say you're gonna pick |
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67:00 | MS amplitude on the, you're gonna R MS. Not. Well, |
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67:05 | me take the derivative in the in direction of R MS amplitude. I |
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67:08 | look at uh I think that Carlo he he's doing reservoir kind of |
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67:14 | So he wants to look at a sub changes inside of his reservoir. |
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67:19 | let me see. Well, what's change in R MS Ams or maybe |
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67:23 | has a friend who did a plus ratio calculation? What's the change in |
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67:30 | north direction of GUS ratio? The in the east direction of plus's ratio |
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67:34 | his restaurant? That's the first derivative can take a second route or |
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67:39 | OK? Just on a map get . So those are the kind of |
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67:44 | here. The original amplitude, 1st derivative could be arms amplitude could be |
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67:50 | could be plus ratio P MP OK. That means we can take |
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67:57 | and compute second derivative biometrically. So I've got a coherence image carbonates |
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68:08 | in Alberta got these little bagel shaped . So these Winnipeg Gsis age |
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68:16 | I think they're sour in age. have a nice carbonate reef with a |
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68:21 | of porosity in the middle and then gets crunched down in the middle. |
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68:25 | , structurally, it looks like a and porosity wise, it looks like |
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68:29 | bagel. Ok. So all your is in the ring so you can |
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68:35 | them reasonably well. Here they all . Um, it's b itch. |
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68:44 | when things come together, another power in geology with my, my |
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68:51 | Hey, you're my geologist. When stick things together and they grow on |
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68:56 | of each other, what might you that in geology? Ok. When |
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69:02 | eat too much candy as a kid Halloween for 20 years and your teeth |
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69:09 | apart and they keep putting fillings on of fillings. What do they call |
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69:14 | kind of fillings? You don't have feeling. No, somebody here has |
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69:24 | fills. No, they call them . Put the fillings on top of |
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69:27 | fillings on top of the filling. . Go look up the word |
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69:31 | Anyhow, amalgamate is the carbonates grow top of other carbonates or they grow |
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69:38 | each other? Ok. So that's of the words we use a lot |
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69:41 | the carbonate world who have amalgamated uh buildings they just build on top of |
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69:47 | other. Why they build on top each other? They wanna be close |
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69:50 | sunlight. They're gonna try to grow high as they can they're gonna step |
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69:54 | top of each other as they OK. So here the in line |
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70:00 | , I see a little bit cross dip. Here's the curvature. |
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70:06 | I kind of see these little holes the, the structural curvature. |
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70:12 | So here I've got structural dip and curvature. They're OK. But they're |
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70:19 | , the coherence is better. Oh at the amplitude dip. Ah that |
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70:24 | pretty good. It, that gradient the East West Korea looks pretty |
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70:30 | Really stand out. Then I can the amplitude curvature and look at it |
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70:35 | more. OK? Here's one chopra up in Alberta. Normally you don't |
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70:43 | fractures sometimes you do. OK. here's amplitude and here most positive amplitude |
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70:53 | short wavelength, long wavelength. So what what you have here is |
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71:00 | carbonate and the carbonate has fractures in but those fractures for whatever reason have |
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71:08 | significant seismic cross section. OK. they can scatter they're scattering data. |
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71:18 | they're they might be filled with they might be digenetic altered. But |
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71:24 | though they're probably pretty thin, you , like maybe as thick as my |
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71:29 | , I can still see them Uh an example for Utah who is |
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71:37 | local ground roll expert. OK. ground roll for seismic data at 20 |
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71:46 | , you're talking 220 ft and back 220. Where's my buddy who has |
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71:55 | ? Why? Why? 2110, ? So 220 is a common number |
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72:00 | that's common for ground roll, you , 5000 ft per 2nd and 20 |
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72:08 | . And you wanna have your geophones . So that stuff going sideways, |
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72:12 | of the array is reading the the other half is reading a |
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72:15 | It cancels out. Well, that roll, even though it's 220 |
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72:21 | When I stick a telephone pole in ground, I have a hole. |
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72:25 | does two things. One, it the stress around it so it |
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72:32 | even though the hole is maybe 1 , it's released stress for at least |
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72:38 | or 20 ft around it. And two, it acts like a tuning |
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72:44 | . So that wave comes there and bounces right off of those telephone |
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72:50 | You can see it even though they're , you see them all the |
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72:53 | They have a drill hole. You'll that on seismic data. Even though |
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72:57 | the drill hole, eight inches, inches. It's, it's because it's |
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73:03 | the stress around it. Well, the word we use is scattering cross |
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73:08 | . Ok. And like bubbles in marine environment, they use that to |
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73:14 | submarines when somebody's firing a torpedo at . Uh, airplanes either. Did |
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|
73:21 | watch any of the suspense movies? always some buff president, you |
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73:26 | in an airplane and he's releasing Jack that the heat seeking missile can't find |
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73:32 | that improves this. Yeah. you're thinking 34 movies, right? |
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73:35 | all the same. Anyhow. Uh cross section. Oh, and they're |
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73:41 | old and buff like me, No. All right. Anyhow, |
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73:47 | isn't even smi I give you a . OK. So, um that |
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73:54 | cross section is what you're seeing even the those things are very, very |
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|
73:58 | . OK. All right. The one in this lecture is texture |
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74:05 | So that's like furniture. Do you an apartment with furniture in it? |
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74:20 | it all IKEA? No. Oh, it's random. OK. |
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|
74:25 | can you name any of this any of them? Oh, you |
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|
74:31 | on your screen? OK. You're . All right. So these are |
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74:34 | woods in North America. All So, um black walnut, |
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74:44 | I think this is faithful. This oak cedar. That's the boss's desk |
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74:55 | . It's a tropical wood. So , you can see wood, you |
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75:00 | recognize wood by the pattern of the . OK. Like this is the |
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75:08 | of thing you see in ski OK. The on the, on |
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75:11 | lower right. Uh at my house got wood for, so I got |
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75:17 | oak wood for. So, you know, I can see these |
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75:19 | then, you know, I build houses out of pine and stuff like |
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75:24 | . Ok. So that's got a . So texture analysis defined by and |
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75:29 | have a reference in there go up the University of Calgary. Uh She |
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75:34 | take your finger and rub it on surface. So kind of a little |
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75:42 | . I'm rubbing it on the Oh, that's very rough on my |
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75:47 | . Uh, a little smoother. . Put my f uh, Jessica |
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75:54 | . She doesn't know. I got really good shave. There's more like |
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75:57 | a baby butt, really, really shave. Ok. So you're measuring |
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76:03 | asperities in a window? We're gonna the same thing seismically. You gonna |
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76:09 | a window, let's say five by samples. A long structure. How |
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76:13 | that amplitude change? Ok. How it change? Now, I showed |
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76:18 | two measures I could take that soble and I could take a directional |
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76:23 | but there's other measures you can make well. And uh yeah, here's |
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76:29 | uh it's really commonly used in remote . OK? If you wanna fly |
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76:36 | an area and see what's the health a tree, you might look at |
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76:42 | color. If you wanna look at age of a tree, you're gonna |
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76:44 | at the texture. If you wanna is the farmer growing corn, soy |
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76:52 | , uh sorghum, medicinal marijuana. things you can tell by the |
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77:01 | Ok. So it's used really commonly forestry and agriculture or taxation. So |
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77:07 | of Indiana, a lot of taxes corn and soybean. How many acres |
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77:11 | soybean this year? How many acres corn? Let's go figure out how |
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77:14 | money we have to spend. So this one from Russia and they |
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77:20 | worried about uh people um just going the forest and building a dacha, |
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77:27 | know, a nice little home in . So, satellite imagery then they |
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77:33 | compute textures from the satellite data. then they're even gonna do something |
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77:38 | They're gonna uh cluster it and to what it is, they're gonna go |
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77:44 | and have ground truth. So they somebody on a U TV out there |
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77:48 | say, oh this is forest. This is wetland, this is agricultural |
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77:53 | . Uh This is the river, cetera. OK. So in seismic |
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78:02 | , we've got one texture up another texture down there, another texture |
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78:07 | here. So we're gonna generate these matrices. I'll define them here in |
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78:14 | second to better understand it. We're comfortable with 32 bit data. |
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78:22 | know what eight bit data are. , we know it's dangerous but we |
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78:25 | what eight bit data are. in this picture, I'm gonna use |
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78:31 | a little over three bit data. gonna go from 1 to 9, |
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78:37 | . Three bit would be eight. gonna go from 1 to 9 and |
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78:42 | is gonna be a trough and nine be a peak and uh five will |
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78:46 | a zero crossing, right? So I'm gonna look at a little pattern |
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78:52 | uh traces here. We are, got five by five. So I |
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78:57 | a pattern of fours, sixes fours and fours and I might call that |
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79:03 | stripy pack. Ok. It's gonna Stripe North. South. Stripe. |
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79:08 | what I do is I take each and say how often does the number |
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79:13 | lie to the right? And the four and I go once twice. |
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79:18 | , 80. Ok. Eight And I'm gonna put the number eight |
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79:27 | actually, this is just right 10 . And then I'm gonna say how |
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79:32 | to the upper right? Once, , 3456788 times about four to the |
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79:44 | left of uh or four to the to the right of six. |
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79:49 | Well, I've got eight there and there and then in the upper left |
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79:52 | gonna be eight. So how often it, how often does the number |
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79:59 | R to the level of number No time? So I have a |
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80:03 | of here. Ok. And I a 12 in here. How often |
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80:09 | the number four lie above the number ? Well, 123456789, 1011 12 |
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80:24 | the 12 there. And here I've four times. The number of six |
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80:27 | above six. Thank you. So that's what we're doing. All right |
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80:32 | for every box. So if we a matrix that's nine by nine, |
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80:37 | a lot. Normally we're gonna use 33 by 33. So too much |
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|
80:42 | we need some statistics. So we've a couple of mes measures out |
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80:47 | Uh We got a contrast measure, got a dissimilarity measure. We have |
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80:52 | homogeneity measure uh correlation entropy. So ones that are most useful as attributes |
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81:00 | you're gonna have these in the OK. They're in the tr the |
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81:04 | that are most useful are going to homogeneity. How smooth is the horizon |
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|
81:11 | entropy? How chaotic is a horizon ? Yeah, they're gonna be correlated |
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|
81:18 | . If it's really smooth, it's gonna be chaotic. And if it's |
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81:21 | chaotic, it's not gonna be but they're a little different. And |
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81:26 | one, the energy, the name unfortunate but it's a basically measuring how |
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81:32 | is the is the measure, the ones are out there. But variance |
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81:40 | gonna be superior for measuring contrast and a picture of a rock and the |
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|
81:49 | on your camera. It's going to 0 to 255 for each color. |
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|
81:55 | . So here are the values. we're gonna look at a little five |
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81:58 | five window and we're gonna look at gray level co occurrence to the |
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82:05 | to the upper right, to the , to the upper left. And |
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82:10 | we're gonna have five pixels, 256 levels, four attributes. Here's contrast |
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82:19 | energy homogeneity. So that little catch that picture, right? And then |
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82:23 | can go and move it around everywhere and then here's my photo, here |
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82:35 | the contrast at 90 degrees. Here come between 8090 degrees. Now, |
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82:40 | don't mean much to most people. just like measuring patterns where it, |
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|
82:47 | most common use is you're gonna put into a clustering algorithm. A machine |
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82:53 | algorithm. OK. So think of , we use these as interpreters. |
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|
83:00 | probably use these words to each other you're saying, OK. You see |
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83:07 | ugly P Os. That's what you be picking, right? The |
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|
83:15 | You got this P Os. You use that word P OS. That's |
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|
83:20 | technical term I learned from my Anyway, like that car you have |
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|
83:24 | drive pop at the P OS. of figure it out. OK. |
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83:30 | you're going along and you're picking and saying at Amaco, we would say |
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|
83:35 | would use animal nature and say this ratty pick that ratty reflector. That's |
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83:41 | tarp of the top of the Uh uh this wormy area. Oh |
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83:48 | inside basement. Uh this area. ma oh That making fun. You |
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|
83:54 | , so we would use pejorative a dog's breakfast. That dogs be |
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84:02 | , horizon pick that and to each , that would mean something. I |
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84:07 | , you can pick stuff like Now how do we quantify it? |
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84:12 | we can put it in the clustering ? So yesterday in the exam you |
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84:19 | , oh let's pick what we don't . All right. So maybe what |
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84:24 | most representative of a dolemite is not strong reflector. It's some ratty looking |
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84:32 | in an otherwise nice clean carbonate. we wanna quantify it so we can |
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84:40 | visualize it. OK, either through plotting or whatever. So this one |
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84:46 | to be from machine learning using a called self organizing maps. And we |
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84:52 | that kind of four clusters. We for 255 it comes up with |
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84:56 | And if you look at the OK? I got solid rock, |
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84:59 | got broken rock. I got some , I got some cracks. That's |
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85:05 | it found, you know, green, red, yellow, |
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|
85:10 | Energy ratio coherence using eigenvectors. Got nice picture of uh very complicated uh |
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|
85:23 | and some faulting nice smooth shelf And here's homogeneity, OK. High |
|
|
85:32 | on the shelf edge, high homogeneity the fault box, low homogeneity along |
|
|
85:39 | bulk, low homogeneity in the cus and some parts of the shelf. |
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|
85:48 | . Let's look at uh energy how , very constant on the shelf in |
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|
85:54 | of the fault blocks. Definitely not . He let's look at entropy, |
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86:02 | entropy in the CSIS, high entropy the shelf for some reason here, |
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86:08 | entropy along the wall. So you see what they're measuring what it's |
|
|
86:12 | OK. Now, uh Deng Leon , uh he worked at Marathon |
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|
86:21 | Now, he's at University of West and he has one of these GLCM |
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86:27 | volumes how constant it is. And then went into Voxel Geo picked the |
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86:32 | point and said, hey, go pick everything that looks like that kind |
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|
86:36 | energy level auto pick this up Pretty cool, like 21 years |
|
|
86:43 | Here's another one the way he he's a geologist. So he describes |
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86:50 | different faces. So he'll let's look number C A chaotic hummocky moderate |
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86:58 | low continuity. To me, this , looks like a mass transport |
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|
87:03 | OK. And then um you low moderate amplitude who have moderate |
|
|
87:10 | high amplitude, high continuity. So interpretation, uh we'll use these kind |
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|
87:18 | descriptive words to define the geology. , can we put a number on |
|
|
87:24 | ? That's what we're gonna do. here, the same fellow working in |
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|
87:28 | Africa, offshore West Africa, an volume homogeneity contrast randomness. When I |
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87:40 | at this, I say, oh at the TH function and oh point |
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87:45 | is lighting up point bar is lighting , point bar is lighting up. |
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87:49 | one point bar is lighted up, bar is lighting up. I can |
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87:53 | to make sense out of this. measuring things in the data. |
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|
88:00 | Well, control helps a lot. more textures, a salt texture, |
|
|
88:06 | gas sand texture, marine shale a slump mass transport texture overbank deposit |
|
|
88:15 | . So how does he know how define those we've got well controlled? |
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|
88:19 | he knows what the textures mean geologically you can go in and start to |
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|
88:26 | volumetric geo bodies by using those OK. So that's where we were |
|
|
88:33 | . We're still going this way OK. We still got a long |
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|
88:36 | to go. So, uh lateral and coherent amplitude, they're mathematically independent |
|
|
88:44 | EIG instructure coherence di aus and OK. So those latter three attributes |
|
|
88:51 | sensitive to amplitude at all. Lateral in the total energy is measured by |
|
|
88:56 | soble filter. They're sensitive to thin pruning and changes in the waveform. |
|
|
89:02 | And then the thin bed tuning thickness us see channels and paleo topographic features |
|
|
89:12 | the tuning thickness. So uh a of places in the world were looking |
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|
89:16 | paleo topography and then that paleo topography represent where the accommodation space is |
|
|
89:26 | for sand, right? And then attributes, quantify lateral patterns in the |
|
|
89:33 | hard to describe but can be used subsequent machine learning based basic classing. |
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|
89:41 | you'll see this quite a bit. I'm worried. Ah I test |
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89:50 | don't look at the answer. you already look. All right. |
|
|
89:55 | the answer? Uh Loyal theorem. , good, good. OK. |
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|
90:02 | what's the answer to that? He's on the computer all? Hey, |
|
|
90:19 | remember Loyal theorem. Uh the the local, what's the answer infinity? |
|
|
90:35 | Roy Tower. But now you guys geoscientists, geologists in particular, we're |
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|
90:40 | about pattern recognition. There's two answers be that could be that. All |
|
|
90:54 | now. He's got it now. right. So let's, um, |
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|
90:59 | do another lecture about 430. And then we'll work on the |
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|
91:04 | I'll walk around. Veteran. San. Um, no, the |
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94:40 | topic uh, we wanna cover is decomposition and let's make sure it's |
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94:48 | it's on the right channel. Number . Ok. Is that working? |
|
|
94:55 | ? Hello. I can't hear it now or? That's what I'm waning |
|
|
95:07 | . Maybe I need to go. . Mhm. Ok. I'll try |
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|
95:24 | say something. Is that working? . Didn't work. I can turn |
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95:36 | off and turn it on again. my side on one, going on |
|
|
95:48 | , turn it on now it's Ok. Had to reboot. Do |
|
|
95:57 | ever have a problem with the Everything defrosting. So it'll happen. |
|
|
96:04 | call up the company, what do do? It says unplug your |
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96:11 | plug it back in. So what do you mean you got to |
|
|
96:16 | it? So in the refrigerator is modern refrigerator. You know how you |
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|
96:20 | into the appliance store and you can open the light, turn on the |
|
|
96:25 | , come on. They have something display mode. So that in the |
|
|
96:30 | appliance store, like Home Depot, it's not using all that electricity to |
|
|
96:36 | things cold so that can happen to refrigerator, that's what happened to my |
|
|
96:42 | microphone. Had to reboot it. . That and Kim Yi is watching |
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|
96:51 | through my microwave. So the last is uh spectral decomposition. Thin bed |
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|
97:00 | . Usually you're gonna look at spectra in the context that the bed |
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|
97:04 | Yeah, you if they're also gonna sensitive to the presence of gas instead |
|
|
97:08 | other pain like this is. So Victor era used to be the guy |
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97:18 | the trial. He was tired of no oh September and you take this |
|
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97:25 | wavel here and I've got spectral components from uh maybe fiber fibers. If |
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|
97:34 | look where the peak, I just I have all the peaks of the |
|
|
97:42 | uh cosine lining up. So he's a cosine transport. And then over |
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|
97:49 | where there's a trough, well, lot of the troughs line up, |
|
|
97:54 | all of them. So it's a weaker than the pain. And then |
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|
97:57 | here um I get destructive experience all peaks and troughs. OK. So |
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|
98:04 | got amplitudes and phases and one way looking at 48 components is uh putting |
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|
98:14 | through trees and breaking it into a frequency, middle frequency, high |
|
|
98:22 | There's our thin bed tuning problem resolved, turning unresolved. So we |
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|
98:32 | about this uh last week, about uh limits to resolution about order wavelength |
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|
98:43 | half a wavelength if it's a depth volume, if it's two way travel |
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98:48 | , order wavelength. And uh if thinner than that, it's unresolved. |
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98:54 | what happens is the amplitude still changes though we're unresolved. So we're sensitive |
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99:02 | the thickness, but we can't tell thick it is. We can't separate |
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99:08 | top from the bottom, but we map lateral changes the thickness. So |
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99:15 | a little bit of irritant you showed before reflection on the bottom 28 delta |
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99:23 | reflection on the top by a sign front of its negative advanced delta T |
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99:29 | two. And this is the amplitude gonna have OK. So it's gonna |
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99:36 | with respect to the thickness when you're drink components. And in the time |
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99:47 | , my seismic wave width has a spectrum view of omega. The riveted |
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100:00 | a spectrum, same spectrum, you omega but now times high omega. |
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100:06 | we rotate each frequency by 90 degrees you increase the high frequencies and decrease |
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100:12 | low frequencies. And now it turns then even though we can't tell the |
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100:22 | between the top and the bottle, we're less than a quarter wavelength, |
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100:27 | can still see the amplitude change. if I have a horizon slice, |
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100:34 | pick the horizon and there's a channel that horizon and it's meandering or it's |
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100:45 | , it's a channel. Even though can't, I can still see that |
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100:49 | on the seismic amplitude response, I can't tell you how thick it is |
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100:54 | well control. OK. So there's difference between detecting and resolving. So |
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101:01 | means I can see it, I can't tell you how thick it |
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101:04 | OK? All right. So we've like all these things. We've got |
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101:10 | ways of skinning the cat. So the one that is uh most |
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101:18 | to seismic processors is called a short for a transplant. And in |
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101:26 | what we do is we come with cosine waves in blue or sine waves |
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101:34 | orange and then I put a little on. OK. So here I'm |
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101:39 | for, I'm gonna have 100 millisecond wake up. So I go from |
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101:44 | 0.5 to plus uh minus zero 0.05 plus 0.05. So here's my little |
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101:54 | and, and then for 20 I have a 20 Hertz carrier frequency |
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102:01 | a window. And for 40 I have a 40 Hertz carrier frequency |
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102:06 | , and a window. So what do then is in the time |
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102:11 | we take the blue and the orange and we slide down the wavelet slide |
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102:19 | the seismic trace and we cross What's the cross correlation coefficient? And |
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102:25 | plot it sometimes it's a positive sometimes it's then a negative number. |
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102:30 | that tells me what the spectral components for that little wavelength in the frequency |
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102:39 | . I'm going from 0 to 100 . This one is centered at 10 |
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102:45 | , this one's centered to 20 this centered at 40 then the same width |
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102:51 | in 48 theory. If my analysis is the same size, the frequency |
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103:00 | is the same. OK. That's of the things you're ordering a signal |
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103:06 | . So here's how uh we do decomposition. Wow. For how we |
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103:15 | uh how much possible, how we spectra balancing in a processing shop. |
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103:21 | we do, we're gonna just look different frequencies. So now I've got |
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103:26 | reflexivity from, let's say a whale we kind of assume or it's a |
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103:36 | assumption to say I have a random of reflectors of random amplitudes. |
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103:54 | Some positive, some negative and therefore magnitude spectrum would be white and by |
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104:04 | , we mean all the colors of light rays coming from the ceiling lights |
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104:09 | this room are the same. So have a red light and a |
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104:13 | red, green and blue light. they're all equal, I'm gonna get |
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104:17 | light. So when we say we a white spectrum, we're saying, |
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104:21 | , all the frequencies are gonna be same because I don't know much |
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104:25 | Now, can we have a colored ? Yeah, sometimes on a big |
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104:32 | , we can have it but it's rare. A co a common colored |
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104:38 | are cyclo and like with that. you ever hear of a cyclo |
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104:54 | So anybody so sea level rises, rises, fall rises, fall |
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105:00 | fall, coal forms, buried, forms, buried, coal forms, |
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105:05 | coal forms, buried. So in Europe, like Great Britain. Eastern |
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105:13 | States, we have cold shell, shell, cold shell, cold shell |
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105:19 | they're kind of periodic. It has to do with melanated cycles and things |
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105:23 | that nature. So that, so do have some s sometimes we will |
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105:28 | cyclic uh patterns in the seismic, the, in the geologic record. |
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105:38 | this special, OK. Since nobody ever heard the word psych with them |
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105:44 | before, I mean that's how common are. OK? But, but |
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105:48 | do. So we're gonna assume that random. Uh and white spectrum we're |
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105:55 | to assume for now my sore spectrum white or flat but band limited. |
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106:02 | I go 10 to 80 Hertz. I got some noise in the time |
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106:10 | . I take my little spikes, my wavelet and I couldn't b it |
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106:19 | pare and not pare powerpoint every time have a spike, I'm gonna copy |
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106:24 | little wave with paste and copy, it up and paste it up and |
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106:28 | and I get my seismic threes in complex frequency domain. I have a |
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106:34 | spectrum. I have a phase I've got a zero phase source. |
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106:38 | with it turns out you don't have convolve in the like you do in |
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106:44 | tango man, you multiply in the Ch lane. OK. So I |
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106:49 | this by this spectrum and I get band up at the white spectrum. |
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106:55 | ? So this is what we do a processing chunk once we make |
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107:01 | Now, also in a processing our seismic data don't have this wide |
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107:10 | . They simply, we don't, might have more 20 Hertz data in |
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107:15 | ground than 30 40 50 60 We've got attenuation in the shallow surface |
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107:21 | the weathering zone. A lot of going on the weathering zone, we |
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107:25 | to, we have to deal with . So here's my power spectrum in |
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107:31 | . So P is the magnitude power magnitude square. And one way of |
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107:36 | balancing which I went through in in the one recorded lectures is I'm |
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107:43 | to take my average spectrum for the at a particular time and I'm gonna |
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107:50 | at it in th and the noise might be the cars and trucks on |
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108:00 | 45. OK? Or the wind the waves. So I'm gonna calculate |
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108:06 | times the maximum and then I'm gonna it in this little bitty formula and |
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108:10 | it does, everything that's above this is gonna move up, everything below |
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108:15 | is gonna move down. And I a spectrum that's a little flatter, |
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108:23 | ? So for a survey within this is how we would compute |
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108:29 | That's just the formula we use in balance. Now, we've done |
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108:34 | we've taken care of our spectrum. it's a little flatter and we're gonna |
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108:38 | at parts of the spectrum that have do with geology, not with the |
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108:45 | wavelength because the source wavelength doesn't tell anything about the subsurface. So if |
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108:53 | just take a little window 100 millisecond reflectivity is no longer gonna have a |
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109:00 | specter. A there's the uh reflectivity the entire survey. I've got 4000 |
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109:12 | of data and a sample every two . So I've got maybe 2000 reflection |
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109:18 | . 2000 is a big number uh I might have a wide spectrum. |
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109:24 | if I only have four little reflectors there, it's kind of like taking |
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109:27 | coins out of my pocket and throwing on the ground. Well, I |
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109:32 | have four heads, I could have tails. I don't have to have |
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109:37 | and two all the time. So I have these different uh |
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109:44 | So any particular realization, any particular is not gonna be white, the |
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109:50 | will be colored. So it's gonna like this. Now through spectral |
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109:57 | I've taken care of my source It is indeed flat. And then |
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110:03 | is my uh spectrum that I would . So I could do this in |
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110:10 | time domain. Take these little guys the wavel, get this little piece |
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110:16 | a wavel or I could go into frequency domain and compute this window |
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110:23 | Now how are we gonna analyze the of these, these little wavelengths or |
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110:28 | look at a magnitude at 1020 30 50 6080 Hertz just gonna animate through |
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110:36 | . OK. So here we we've picked the horizon, then we're |
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110:41 | add 100 milliseconds to it. I've got, so I've windowed the |
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110:49 | typically along a horizon of interest and I'm going to cross correlate with sines |
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110:55 | cosines. And I'm gonna have, it's 100 millisecond window, I have |
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111:00 | be careful with how I cross, gonna be truncated. OK? So |
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111:06 | just cross correlate them and find out the cross correlation coefficient is. So |
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111:11 | take that signs and cosines cross correlated each trace just like you folks are |
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111:17 | uh comfortable cross correlating a resistivity log a self potential log. OK. |
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111:24 | you're gonna cross correlate and you're gonna the cross correlation coefficient. Here's the |
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111:29 | correlation coefficients. We're gonna look at . OK. So we're gonna animate |
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111:35 | what's the cross correlation coefficient at 10 1520 25. So here's a cartoon |
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111:43 | uh folks at Landmark Kenny A and , a cartoon of a vertical slice |
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111:51 | a channel. I've got the channel and then I have a flank of |
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111:57 | channel, another flank on the other . And let's call it a longitudinal |
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112:02 | in the middle. It has tuning the green for these thin parts of |
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112:10 | channel at 30 Hertz and for the parts uh at 15 Hertz where it's |
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112:18 | . OK. So we map So here's my line a a prime |
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112:23 | vertical view. Here's line a, prime on map view and here's my |
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112:30 | axis that I'm mapping here. And the channel axis. I'm ma over |
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112:34 | . If I look at the green , the 30 Hertz magnitude component, |
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112:40 | see the flank on the left, see the flank on the right and |
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112:44 | see a little bit of this longitudinal in the middle. That's kind of |
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112:48 | we'll do. OK. Here's a or not a cartoon but data from |
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112:55 | I think it's Gulf of Mexico and got a little channel. We have |
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112:59 | 10 Hertz component, a 30 Hertz component, a 50 Hertz magnitude |
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113:06 | So again, these are just take data cross correlate with the 10 Hertz |
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113:12 | width, 30 Hertz way with 50 W with signs and co sign. |
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113:16 | more fancy than that. I'm going put these pictures together in a little |
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113:24 | . Here's the 10 Hertz component and is showing me geologist will call this |
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113:31 | TV or the channel re access. is possible to with the, with |
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113:49 | wait number. Yeah, so I you that's, that's in question. |
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113:54 | all of the were just the oh I was waving my arm, |
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114:05 | , all of the attributes work just well in the depth domain as in |
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114:11 | time domain. There are a couple differences. Obviously, if your data |
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114:19 | , let's say in kilometers in we're not gonna have cycles per |
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114:23 | we'll have cycles per kilometer. And then um there's some headaches with |
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114:33 | sometimes if your data are in meters depth, that's not that common. |
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114:37 | if they are in meters per then you have cycles per meter. |
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114:41 | I might have like 0.0001 cycles per and then 0.002 cycles per meter. |
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114:48 | everything reads out as zero and that bad. OK. But most of |
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114:54 | data are going to be in kilometers kilo feet. And uh so it |
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115:00 | works just fine. Yeah. So in this one, we're looking |
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115:08 | the channel axis, the fancy word a TV channel way and the longest |
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115:15 | two is where it's uh orange. then at 30 Hertz, we're gonna |
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115:21 | for a little thinner. The tuning gonna be at a little thinner um |
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115:26 | of the channel. So it's moving towards the flanks. See here is |
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115:30 | axis more towards the flanks and then Hertz, you're very much towards the |
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115:36 | . So you see this qualitatively telling thickness. So here's the thin bed |
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115:44 | model. I've got a reflection at top reflection at the bottom. I've |
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115:51 | a thickness and here's my time axis I got a wave coming down, |
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115:59 | coming up. I'll tell you it's first, followed by a trough, |
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116:06 | the next reflector coming up. And this case, I'm saying the second |
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116:15 | is equal and opposite to the top . So this would happen if I |
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116:20 | a sand inside in a shale So you see how the delay time |
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116:29 | is such that the second reflector overlaps the first reflector and when I add |
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116:38 | up, I get a stronger So that's what the tuning frequency |
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116:44 | OK. So when the tuning, the thickness of the layer is quarter |
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116:51 | length of the, the uh I'm gonna have this kind of constructive |
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116:59 | . OK? So we've got different of tuning patterns. If I have |
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117:06 | negative and a positive reflection coefficient, actually have notches in the spectrum. |
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117:12 | go to zero at zero frequency. sorry. Yeah. At uh zero |
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117:17 | , it'll go to zero at zero if I have a plus and minus |
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117:23 | and then I'll have destructive interference is I have a, a half period |
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117:28 | of a quarter period, instead of interference, I'll have destructive interference. |
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117:34 | then for, if I have two reflectors in bed, well, if |
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117:39 | put them together that just gives me reflector that's two times stronger. |
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117:46 | Instead of one reflection coefficient, I'll two of them occurring at the same |
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117:52 | . And at quarter wavelength thickness, have destructive interference instead of constructive if |
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117:57 | both positive reflectors. OK. Here's little cartoon uh not a cartoon data |
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118:09 | Gulf of Mexico. Uh Here's what Paleo Mississippi River looks like on |
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118:16 | a prime and here it appear on prime. And what I did is |
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118:25 | picked the top and I picked the and I convolve them with a little |
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118:33 | to generate a synthetic. I plotted thickness of the picked top and |
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118:42 | And then I uh computed spectra magnitude of the synthetic. OK. So |
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118:57 | picture shows me the thickness, so thickness uh is in red and thick |
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119:06 | is in blue. And now I'm show you. So this is just |
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119:11 | picks and then I'm going to uh the spectral decomposition compute the spectrum. |
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119:20 | I'm gonna pick the peak of the , the frequency where the spectrum is |
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119:24 | . So where the tuning thickness is I'm gonna plot that with the low |
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119:31 | in blue and the high frequencies in . And you can see, oh |
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119:36 | got a low frequency tuning thickness here I got a higher frequency tuning thickness |
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119:43 | higher over there. And let me at my thickness. Yeah. |
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119:47 | they were inverted to each other. the tuning thickness um the the the |
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119:58 | the thicker, the wearer, the the tuning thick. OK. And |
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120:06 | , so this picture here of spectral frequency gives me a pretty good image |
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120:14 | what that channel thickness is. So here's one of the first applications |
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120:23 | from uh kind of Central Oklahoma and a red pork channel. So uh |
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120:30 | age channels, three surveys were then merged and inside the channels or |
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120:40 | a bunch of stuff. Ok. the channel is not filled with one |
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120:44 | . Like a geophysicist would like to of it as filled with just |
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120:48 | Well, like stage four has a of coal in it. Stage five |
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120:54 | pure shale. Uh Stage uh one two have a lot of gravels and |
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121:00 | . OK. So they're, they're . Then we have a datum down |
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121:05 | and this, we're gonna pick this of the, the nova formation. |
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121:11 | uh it's a, a limestone. do we pick that? Because it's |
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121:16 | to pick? Right. So here the nova, everything's flattened on it |
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121:24 | then we can go compute a window of the uh of analysis where we're |
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121:33 | do our spectral decomposition. So there's analysis window and we actually have a |
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121:41 | of channels in here which we know the well control. Here's two of |
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121:45 | wells. Uh This is stage stage three, stage five. And |
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121:51 | , we don't really know what was there because it was no. |
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121:54 | if you look at the dating, see, you see stuff. |
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121:59 | That doesn't look like a clean It's not as pretty as the data |
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122:03 | working with in the web here and a little ugly. OK. So |
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122:09 | gonna do, just cross, correlate with sines and cosines between those two |
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122:14 | lines OK? Or blue magenta. the 36 Hertz spectral component on the |
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122:22 | board. And I see channels. . I see a channel here, |
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122:28 | channel here, a channel there, some stuff going on here, not |
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122:34 | from this picture. And the um channels that incise wasn't necessarily there filled |
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122:47 | water at one time. What we is what's preserved. So we have |
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122:53 | where the channels move during flood et cetera. And uh that's what |
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122:58 | , that's what we see in the data. Now, here's a modern |
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123:04 | from uh Alberta Calgary, Alberta. I've got here a the bow river |
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123:12 | if you go to Alberta, um maybe 25 m cliff going into the |
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123:20 | Valley. So it's really in And then here is the current channel |
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123:25 | the time of this photograph going through around, et cetera. So here's |
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123:29 | Meander Valley. That's what we're seeing the seismic data. Here's some architectural |
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123:35 | , point bars, et cetera in Meander Valley. So this is the |
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123:41 | of the thing we're seeing on this , right? And then we have |
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123:46 | lot of well control. So what Payton did uh I said, |
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123:51 | well, if the whales uh see five and I can map a nice |
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124:00 | channels on the seismic data using spectral . I'm happy to say this is |
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124:06 | stage five and this is stage five these are shale filled. So these |
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124:11 | very, they're not good targets. one and two. Uh they're the |
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124:18 | targets. OK. So we got and here. Uh and here's a |
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124:22 | . She didn't, she didn't know it was because there wasn't any. |
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124:26 | , so again, remember uh what see is what's preserved. So it |
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124:31 | be kind of complicated. Here is coherence image he ran and the, |
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124:39 | , she has, there's a lot well control here, but they drill |
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124:42 | wells without seismic data, they just , you know, we don't need |
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124:47 | stinking geophysicist. We're just gonna drill . And the wells pictured here are |
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124:55 | that saw a slump in the well . So they're seeing the edges of |
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125:00 | Meander valley where the cliff has, come down and that gives a nice |
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125:06 | in novel. Oh You might imagine kind of overbank deposit up here. |
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125:14 | . When spectral decomposition came out, were surprised that such a simple algorithm |
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125:20 | show so much. And the technique we used at Amaco at the time |
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125:25 | 1995 96 we would pick the top the base of good reflectors. In |
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125:33 | case, a limestone and a limestone and below the channel features. And |
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125:39 | would look for differential compaction. So come up with the thickness. Here's |
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125:43 | thickness map. We use shaded relief I see this channel and this |
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125:50 | And if I were to go That's stage five, which is filled |
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125:56 | shale. And that's exactly what I'm interested in mapping. I don't want |
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126:00 | map stuff that's filled with shale. not a good target. Thanks. |
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126:06 | , the reason that the thickness maps look as good as spectral decomposition and |
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126:12 | good as coherence is because we're using data and we're doing a couple of |
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126:18 | . One we're using on 100 millisecond , we're using 25 samples instead of |
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126:25 | samples. So we've got a random . If we were gonna like average |
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126:33 | , we would have 25 to 12 square root of 12, about |
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126:39 | times better signal to noise just by more samples. OK? And, |
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126:47 | all the attributes work that way the attributes coherence, et cetera. Then |
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126:53 | other thing is uh oh, we're , we're not averaging, we're looking |
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126:58 | 10, 2030 40 50 60 7080 . We're looking at a whole bunch |
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127:06 | things that we're cross correlating with. doing weighted averages, right? |
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127:12 | and then we're gonna pick out the we like best. We're going to |
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127:16 | out the ones that stands out. it'll turn out that a lot of |
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127:22 | images don't look like anything and the that are close to each other look |
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127:29 | similar. So the 25 Hertz looks the 26 Hertz looks like the 24 |
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127:34 | . So human interpreter is saying, , I'm seeing a channel at the |
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127:38 | Hertz and at the 70 Hertz, don't see much of anything. |
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127:43 | So you've got, you're looking at whole bunch of cross correlations and then |
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127:48 | human interpreter is picking the one they because they got a geologic model in |
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127:54 | head. OK. So here's a one Michael Poor did when he was |
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128:01 | Apache. He's got uh 40 He plotted against blue, 50 against |
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128:09 | , 60 against red. And then they're, they're white, like down |
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128:14 | , well, they're all strong and and if they're cyan colored, |
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128:19 | it means they're probably tuned at 45 . So this is uh I believe |
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128:24 | West Africa, I'd have to look mine annotation on the bottom there. |
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128:30 | then over here they, they're thinner they're in reds and yellows. |
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128:39 | Thanks and Balance specter are blue and and, well, that's gray and |
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128:46 | . OK. Here's one of those examples we did at Amao Alio, |
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128:52 | River. Uh red is a low green, middle, blue is |
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128:57 | That's a more common pattern to use because blue can we think of blue |
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129:03 | a high frequency light and red is frequency light, but you'll, you'll |
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129:06 | it the other way as well. . Then um we gotta worry about |
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129:13 | balancing. So you can do spectral with that equation I showed, but |
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129:19 | can't do that in patrol. So you're gonna do in patrol, you're |
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129:23 | take your data and you're gonna well, this, this uh spectral |
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129:32 | component, let's say uh 18 hers between uh zero and 25,000. |
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129:41 | OK, I'm gonna, I'm gonna at 0 to 25,000, going from |
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129:45 | to bright red and then a higher 36 Hertz. Well, it doesn't |
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129:50 | to 25,000, it goes to So I'm gonna change my color bar |
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129:56 | go zero to bright blue, 0 5000. So what I'm doing is |
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130:02 | balancing graphically. OK? And, that's what I did with this |
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130:09 | OK. So you can rescale the graphically. That's fine. And the |
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130:14 | uh interpretation software like a Geo Teric is Foster Findlay and Paleo Scan, |
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130:22 | are real nice tools to be able , to balance that. In this |
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130:28 | , yellow and red are uh thicker and Cyan's greens are thinner. |
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130:36 | Same picture. Um A lot of , what do you call it? |
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130:45 | lot of bad pics in the Why? Because uh 1999 Amaco got |
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130:52 | by BP and Mart had two weeks to do everything he wanted to do |
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130:57 | the data before getting laid off. . So this is my picking in |
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131:02 | weeks time, a very large It's got some artifacts in it. |
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131:07 | blue is gonna be thicker, the is thinner. It, it looks |
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131:14 | ? We had done the coherence Oh, hair looks great. Corren |
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131:22 | in powerpoint 5050. Hey, that pretty darn good. I'm staying thick |
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131:33 | , thickness, peak frequency uh where channels are thickest up here. Let's |
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131:41 | this one here then. Ah That's point part over here. Yellow, |
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131:49 | point bar, a beer, yellow bar here, I'm thick. Uh |
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131:56 | channel is wide so it's probably thicker over here, the channel is |
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132:04 | probably thinner yellow. So we get just for a and this is uh |
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132:14 | OK. Continuous way, boy dress , this is probably the most common |
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132:21 | you'll see today. Uh This is of the Foster fan with terror. |
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132:30 | as well. Now instead of a square wale paper square window, we're |
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132:43 | use the Gian itself and traditionally, , standard deviation without Fernando pointing into |
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132:54 | theory. All right. So I a B let me see what is |
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132:58 | do now because of the dominant the period brings up to 40 |
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133:05 | So the period is gonna be like milliseconds here. It would be 100 |
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133:11 | . So that's my, you curious. So if I have higher |
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133:19 | , I'm gonna have higher temporal, , lower temporal rate, the frequency |
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133:30 | . If I make this, why spectrum have to be narrow if I |
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133:35 | a narrow, oh, my mic on the floor. I was waving |
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133:44 | arms again. Sorry folks. My mic was on the floor, |
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133:52 | put this in my pocket. So was what we do with the continuous |
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133:58 | would transform. We make the size the analysis window. A function of |
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134:06 | dominant period. OK. So if have a, a short period, |
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134:12 | frequency, I'm gonna have a narrow window. And if I have large |
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134:21 | lo a lower frequency, I'm gonna a wider analysis window when we do |
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134:29 | . And signal analysis, if I wide in the time domain, I |
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134:34 | narrow in the frequency domain. If go narrow in the time domain, |
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134:39 | go have less resolution in the frequency and the product uh are constant for |
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134:47 | cases. OK. Now the thickness these windows is the same in |
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134:53 | It turns out if you, if like music and if I want to |
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134:58 | higher resolution in the frequency domain, I have to sacrifice temporal resolution in |
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135:05 | time domain. Why do we want do that? Or we may wanna |
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135:10 | attenuation or cue and things like OK. So forward in inverse continuous |
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135:19 | transform, here's my seismic uh I have a synthetic and then I've |
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135:27 | some mathematics. OK. So I take these little wavelets, they're called |
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135:32 | wavelets with Gaussian spectrum. And I'm gonna run them up and down the |
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135:38 | cross correlate or convolve. If you , alternatively, I could go into |
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135:44 | frequency domain and apply these different colored banks and the fitment you'll make, |
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135:52 | can do either one. OK. doesn't matter which way we do |
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135:57 | I'm gonna end up with a complex spectral components here, I'm showing the |
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136:06 | . We will also have a phase and then we can take the |
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136:14 | take the cosine of the phase component it by the magnitude. And that |
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136:20 | us a respectful voice. OK. I add the voices, I get |
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136:26 | to the original trace. So why I using the word voice of the |
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136:32 | is just a band past filtered version the data. So I'm trying to |
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136:37 | you feel comfortable with what specialty composition doing. Voxel Geo, the way |
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136:44 | compute the continuous wavel transform, they apply a bunch of Gaussian filters or |
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136:51 | banks in signal analysis to the spectrum the original data and then transform back |
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136:58 | give you the voices. Calculate the of the voices. That's the spectral |
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137:03 | , calculate the phase of the voices phase of the voices. That's the |
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137:08 | phase. OK. So there's a ways of doing that. Let's look |
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137:13 | this group here of voices. A VC each have different voices, they |
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137:28 | carry different information, sum them What do you get? Le not |
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137:36 | the fi OK. So if you've to an opera recently, I know |
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137:43 | haven't been to East Texas. So probably haven't been to an opera |
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137:46 | OK. Very not. Yeah, guys just haven't lived. Ok. |
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137:51 | you've been to an opera, you , they'll have the subtitles on the |
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137:56 | and all four of the opera Oh, sometimes they're singing the same |
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138:01 | but just as often they're singing different . And the idea here is different |
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138:07 | can carry different information at the same . And Mozart was clever enough to |
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138:14 | it harmonized just beautifully. Ok. look at some of them. Here's |
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138:19 | uh original broadband data and oh, is that uh sinesis stuff I was |
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138:27 | about in one of those data sets , I have pro gradation, a |
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138:33 | of channels coming down the slope, cetera broadband. I've got an eight |
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138:39 | component 12 Hertz, 1827 42 65 Hertz. So there's, I've got |
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138:51 | and all of these different frequencies. there low frequencies here? But |
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138:57 | that's good data. Now, this , OK. Let's, let's figure |
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139:02 | what, what that is. That's of peculiar. So these are the |
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139:07 | voices and in the seismic processing this is how the processor determines which |
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139:14 | to keep. And the prosecutor oh, yeah, I see geology |
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139:18 | each of those, I'm gonna keep and on four Hertz they probably didn't |
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139:23 | anything and on 100 and 20 Hertz probably didn't see anything. OK. |
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139:32 | here we are back to aliasing Ah That's probably the question I'll ask |
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139:37 | week. Then thanks. And from I Joe, I'm gonna take my |
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139:46 | on a particular source receiver pair broadcast event on an ellipse. The size |
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139:52 | shape of the ellipse depends on the . Then I move to the next |
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139:56 | location. I broadcast the next I go to the next surface |
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140:00 | I do it again and I add up. OK? I'm just collecting |
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140:04 | assembling and it'll turn out that when are all in phase and line up |
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140:13 | that will be tangent to the reflector that point. OK. So I'm |
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140:19 | out that reflector and up here they're . Oh Over here they're destructively |
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140:28 | My peaks and troughs are overlapping. add them, I get nothing |
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140:33 | I get a good reflector there. here. There's nothing to destructively interfere |
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140:42 | these little wavelengths. If I look it on the vertical axis, I |
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140:49 | this long frequency thing. So this called migration operator aliasing. And I |
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140:58 | to go back to the first This one. Hang on. Gotta |
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141:05 | this. I will you there, will send her a text and I |
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141:37 | and are one. OK? I get interrupted again but, but I |
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141:47 | for that but carpooling taking Uber to airport together with my spouse, she's |
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141:57 | the train down. OK? So see this low frequency, this is |
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142:03 | apparent frequency. So I think we about it last week that if I |
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142:09 | a um a a tilted reservoir, I go vertically through that reservoir with |
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142:19 | , well, I'm measuring a parent , I really are interested in true |
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142:25 | here. I've got these ellipses that destructively interfering. This is high frequency |
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142:34 | across there but it eight Hertz going in apparent frequency. OK. So |
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142:42 | what we're seeing on this. So , this is operator alias and migration |
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142:46 | alias and stuff. OK. So the spectrum, we can measure the |
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142:57 | , we can measure the peak we can measure the mean frequency and |
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143:02 | can measure uh the uh magnitude, peak magnitude. There's other things we |
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143:08 | measure as well. Here's the peak frequency like I showed you for that |
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143:15 | 19 2001 Gulf of Mexico survey. here is the peak spectral magnitude. |
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143:25 | is co rendered frequency and magnitude. where is gray is very low amplitude |
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143:34 | then co render it with coherence. now we start to see, oh |
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143:39 | got an orange channel and a green and the orange channel is tuned at |
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143:45 | Hertz and the green channel is tuned 50 Hertz. So that one's |
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143:50 | OK. So we get relative thickness . OK. Um Matching Pursuit. |
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144:08 | do this one. Let me How much more do I have to |
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144:12 | here? I got. Oh I can finish this. OK. |
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144:19 | we're gonna read in a seismic We're going to generate, we have |
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144:26 | trace and the Tober transform we can that a complex trace. And then |
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144:33 | , last week I talked about, , you know, you got a |
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144:37 | and when you're up here, you minimum kinetic energy, maximum potential energy |
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144:43 | then you slide down at the you got maximum kinetic energy, minimum |
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144:49 | energy. You come back up. did talk about this right? Or |
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144:53 | I do that in an O I can't remember now. My mind |
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144:55 | fuzzy. OK. No. Cho we can think of one part |
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145:02 | kinetic energy, the other as All right. So here I am |
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145:08 | real part. Uh oh I'm measuring with uh seismic uh geophones. I'm |
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145:16 | particle velocity because I have a a magnet on a spring going up |
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145:22 | down. OK. Through an electro a coil of wires that's gonna generate |
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145:28 | in magnetic field, generates an electromotive . And that's my voltage I get |
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145:34 | of like on your bicycle generators think . Got a little magnet in there |
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145:40 | around. OK. So it's going and down generating that electromotive force. |
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145:46 | the kinetic energy is the part we're . OK. The the proportional to |
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145:55 | velocity and the potential energy is the we're not measuring but it's still |
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146:00 | OK. So they're out of phase degrees from each other. The total |
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146:04 | is always the same. So it'll to amount of clock always the |
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146:08 | OK. If you add them So um we got a complex |
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146:14 | OK. It's got a bunch we can call it a complex |
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146:16 | We can call it an analytic trace and imaginary parts uh Hilbert transform and |
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146:21 | original data. OK. I'm gonna the instantaneous envelope and the frequency of |
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146:28 | current version of the data. You know how to calculate envelope. |
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146:32 | done that, you know the frequency pretty stable at the peak of the |
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146:39 | . So let's look at the peaks the envelope and I'm gonna go down |
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146:43 | trace and pick every peak of the . I got 2000 samples. Uh |
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146:50 | got maybe 100 and 50 envelopes. biggest one is 25,000. Then I'm |
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146:58 | ask Stephanie for a number between zero one 0.6 good. If you pick |
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147:06 | would crash, we'd finish the lecture now. OK? So 0.6. |
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147:15 | , so this is so I said multiply 25,000 times 0.6 everything. That's |
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147:23 | the envelopes above them. I'm gonna them. So instead of 100 and |
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147:27 | I'm gonna have for yourself. Then gonna take the frequency of that say |
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147:32 | that's the wavelength but I don't know phase. So I'm gonna use a |
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147:37 | wavelength. So what I've done up the upper left hand corner, I |
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147:43 | computed a whole bunch of complex woods their spectrum. So I got a |
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147:49 | Hertz W wit 5.25 Hertz way wit 0.756 up to 100 and 20 |
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147:58 | So I have this table of wavel . We calculated the first guy and |
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148:04 | first, the first envelope peak instantaneous was a 28.3 Hertz. I get |
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148:11 | wavelet. It's a complex wavelet got complex trace. I'm gonna least square |
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148:20 | it. That gives me a complex . Complex number of the magnitude is |
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148:25 | strong the event is the phase is a zero degree phase. Wait, |
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148:30 | ? 90 degrees 1 80 46. that's how we get around the phase |
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148:37 | . And then we continue to do . We iterate, get them all |
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148:42 | . OK. So we reach squares . So we reach square fifth complex |
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148:46 | , its subtract it, it gives residual, we have stuff left |
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148:50 | Yeah, let me go iterate a of times. But at the end |
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148:53 | the day, we're gonna sum the spectrum. All right, West Texas |
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148:59 | set. I got a bunch of here. Original data. First iteration |
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149:07 | pick 0.8 instead of 0.6. So can say OK, it's got the |
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149:11 | things. Second iteration. OK. using those wavelets four iterations eight |
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149:23 | everything's plotted the same scale. I can model the data with a |
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149:28 | of these wavelengths. Different voices. . Let me then see what the |
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149:34 | is. I take things off. I, I subtract the biggest |
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149:38 | Oh, look underneath that baritone. an alto singing with a own |
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149:45 | OK. So I'm gonna continue the . Oops, continue the process after |
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149:52 | iterations, four iterations, six or 16. Nothing left. OK. |
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150:05 | , I've got all those complex Now I'm gonna add them up. |
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150:08 | gotta add them up, amplitude and magnitude and phase. So here's one |
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150:14 | and then two or eight 16. these are the kind of images you |
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150:22 | with spec decomposition. OK. Let's at the this time choice. And |
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150:32 | I've got a little channel here, little channel here and here is the |
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150:38 | Hertz component. So OK, we and then the 20 Hertz component and |
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150:47 | 30 Hertz. So you're gonna see channels kind of come in and out |
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150:50 | focus 60 Hertz 70 Haiti. OK. Let's go color code |
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151:04 | Uh And this time they were uh frequency. This work was done here |
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151:10 | this lab in 2005. So high in red, low frequency in |
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151:16 | And here are these little channels coming here. OK. We ran it |
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151:25 | recently and deploited in patrol here. gonna look at the peak frequency with |
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151:32 | coherence on it. You start to these channels coming through nicely tuned and |
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151:39 | going down deep into the uh middle basin. OK. So I'll run |
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151:46 | one more time. Oops. But are the kind of pictures you get |
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151:54 | spectral decomposition. OK. Now I've a channel here, inter flu |
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152:12 | inter flu and I look at the well, OK. Got a wide |
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152:18 | in the channel. Strong amplitude peaked 40 Hertz, low frequency peaked at |
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152:25 | 30 Hertz low amplitude and peaked at Hertz. And this one's kind of |
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152:31 | like why do I have a spectrum looks like that? But look at |
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152:35 | vertical slice through the data. And here is a the horizon here. |
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152:43 | here's that one low frequency uh spectrum here with high amplitude. So this |
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152:52 | what a channel looks like. Here's channel, here's another channel, here's |
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152:57 | channel. OK. Then in between have lower amplitude and uh and a |
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153:07 | frequency. So this is a low , this is moderate frequency. And |
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153:11 | here I've got kind of an interference because I have an angular un |
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153:17 | So I have low frequencies up I got very, very high frequencies |
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153:21 | . So I actually have two peaks my spectrum where that angular un conformity |
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153:29 | . So let's, I'll tell you , let's um let's quit there. |
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153:37 | got a couple more pictures, but quit there. And I'm gonna let |
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153:42 | guys on your own here in a , gonna catch a plane because I |
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153:46 | an earlier point. This time I Southwest and I gotta check my |
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153:50 | Um, and then, uh, week we'll get together again and do |
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153:57 | test Friday at one o'clock like we . Oh, this year? |
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154:05 | Do you want to do that? that what you like? I'm all |
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154:09 | . I'm ok with that. As as you got a sound in the |
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154:15 | and, um, talk to you |
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