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00:50 | Off. We go. So we right. Um Your time. |
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00:55 | So they may have shown up in different order than what I have them |
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01:00 | because sometimes canvas uh depending on how tie, set it up, it |
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01:04 | have not only a different order that questions are presented, but even the |
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01:11 | can be swapped in that way you say, oh, the number to |
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01:14 | seven is C because, well, , number seven might be a different |
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01:19 | and C might not be, OK, so don't get stressed |
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01:25 | So here's the first one I had on the left, what I've got |
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01:32 | coherence variance. Uh That's a, a, a channel here. |
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01:41 | So I got a channel and I'm little, I'm looking at the area |
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01:47 | for me. OK. OK. Yes, yes. OK. Spon |
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01:57 | seismic camp too. And what hopefully see here is blue in this picture |
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02:04 | positive and red and yellow are Then I have a kind of like |
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02:14 | red, blue, red reflector and it becomes blue, red, |
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02:18 | it becomes negative. So what's It's changed uh the phase in turn |
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02:26 | inside out and that's indicative of a accumulation. Now, the part with |
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02:33 | channel, where does the channel come or channels if the channels are filled |
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02:37 | sand, that's a good thing to the channel with. So there's |
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02:42 | there's a couple of things going on . It's a little brighter in |
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02:46 | but two that much brighter, definitely a different phase change and then it's |
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02:53 | to that channel. OK. So indicator of uh a bright spot, |
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03:01 | gas accumulation, any push back on . Now, multiples you can't see |
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03:10 | water bottom. Multiples are always gonna like the water bottom. Then in |
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03:16 | difficult situations, you might have a generator that is, let's say the |
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03:22 | of a carbonate, the top of volcanic. Well, then it's gonna |
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03:28 | like that carbonate and that volcanic it'll repeat. OK? So a multiple |
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03:33 | gonna have a very specific pattern that across everything. It's not gonna look |
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03:39 | geological at a particular point only. ? Now this one um you're gonna |
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03:47 | better at this when you start picking probably today and tomorrow. So I'm |
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03:54 | which way do you pick? And you, if you're not looking at |
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03:59 | data, you're gonna say, I'm if you're only looking at this bright |
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04:03 | , you're gonna say it goes OK? If you just look at |
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04:07 | pattern, if you're an engineer, that I wanna downgrade engineers, |
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04:14 | But here's what I see on this set. I see, first of |
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04:21 | , a normal fault and this block slid down. So this is the |
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04:27 | wall. This is the foot So you can see here it's slid |
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04:31 | and you can see here that it's down and you can see maybe here |
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04:37 | it's slid down. Definitely here it slid down to the left. So |
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04:43 | I got a normal fault. That this guy has slid down from someplace |
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04:50 | here and how much? Well about much or about that much? |
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04:55 | So you're using a couple of one you're using, you're gonna |
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05:01 | unless now when you have strikes with , it's different. Ok? As |
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05:06 | normal thought, if you have a slip fault or a reverse fault, |
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05:13 | the relative thicknesses do not change across ft unless there's something called syn tectonic |
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05:25 | . So Zack tell us everything, know about sin tectonic deposition, you |
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05:35 | , you should say it in a voice, right? Ok, |
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05:40 | So where is my geologist Carlos? me everything you know about syn tectonic |
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05:52 | because you are right. So the is slipping and sin just means |
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06:03 | in this case with at the same . So as I have more accommodation |
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06:08 | it slips, have more accommodation space I'm I'm filling it. Ok. |
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06:12 | it's, it's not uncommon for the side. I'm sorry, not uncommon |
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06:19 | the hanging wall side, this part sliding down to have thicker horizons if |
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06:25 | in tectonic deposition, but now you're gonna have them all of a |
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06:30 | the same higher up. If, you change in one spot, you're |
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06:33 | change in other spots as well. this one here, we're just |
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06:38 | um, we're gonna move down in . This one is the one that |
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06:50 | of like the obvious wrong answer. right, because the pattern looks the |
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06:55 | if you're just looking at the, amplitude and the peak drop and that |
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07:00 | that looks very, very reasonable. then this one is not moving down |
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07:05 | with respect to this pattern. Look at this one right above |
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07:09 | Look at this guy that correlates to . So this strong event is probably |
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07:15 | one right here. OK. And the one to pick uh this |
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07:21 | It's going in a total wrong OK. Another strong event but not |
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07:27 | with no snowball. Yes, OK. OK. I think I |
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07:34 | this one right. Because OK, because like on the actual block of |
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07:38 | belt, it is wide but then to the right. And yeah, |
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07:46 | changed. It's the amplitude has changed bit. Yes. OK. |
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07:51 | and uh and you don't like No, that's OK. I understand |
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07:56 | don't like it, but here's what have to do. We have to |
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07:59 | two things. We have to honor seismic data and mhm lots of geologic |
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08:14 | and tectonics. So you have to both of them at the same |
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08:18 | So like everything is gonna be a . OK. So in and this |
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08:28 | , what is taking the opposite? reason this one is wrong is moving |
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08:34 | wrong everything else that fall lock to right of the normal box. Thank |
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08:42 | . This, this one is higher this one is higher and this one |
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08:50 | fire and well down here, it's to see. It gets kind of |
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08:55 | . This one is higher up So I gotta be higher on the |
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08:59 | hand. But just, just remember . Now you're gonna be picking faults |
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09:03 | you're gonna after by doing it, gonna get comfortable with it. |
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09:09 | If it were reverse faulk, it be the opposite pa and they push |
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09:15 | . It's OK to get push back . How about Jessica? And um |
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09:22 | year. Yes, for there. , I'm here. He says, |
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09:43 | . OK. Now this one is like the practice one. It's um |
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09:47 | a little tedious. OK? So first thing you need to do is |
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09:53 | what the impedance of the top guy the green one are. So I |
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09:57 | gave you, I gave you that I gave you the little wavelength. |
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10:02 | first of all, 2.2 is greater 23.2 is greater than three. So |
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10:08 | going from high impedance to low I've got a zero phase wait, |
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10:20 | reflection coefficient. That means my wave is trough peak trough. That's what |
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10:26 | is. The first reflection that I you tells me the polarization of the |
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10:33 | . OK. Now, when we across here, 2.0 times three is |
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10:43 | 2.0 times three is six. So change in impedance from green six to |
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10:52 | six is zero. So my reflection from green yellow should be zero. |
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11:03 | um oops sorry here that's zero, zero. That 10, that |
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11:12 | This 10, this 10, this , this one's wrong. OK? |
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11:18 | another one that's like that if you to multiply 2.4 by 2.5 you're going |
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11:26 | get sick. So the reflection coefficient Greek to the baby blue is |
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11:35 | So trace four and two. Here roll zero, not zero, |
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11:43 | zero. OK? So it's gonna one of the top two now and |
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11:48 | we have to worry. So we uh oh 2.0 to 3 different |
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11:57 | We still gonna get zero here and we have three and four. That |
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12:02 | be a positive reflection coefficient. This one should be 88 times 2.8 |
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12:12 | less than two times. So they be negative. This one should be |
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12:17 | 57 and this one positive and So it's gonna be if you want |
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12:35 | knee up, go back you. . With that. Any unhappiness? |
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12:47 | . Remember I taught classes with 100 20 engineers and they would come |
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12:51 | they say, well, you in, in my native language in |
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12:55 | , the number four is actually looks a seven. I mean, they |
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12:58 | told me this. Ok. And starting to go, they're great engineers |
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13:03 | great negotiators. They're gonna be good people. Yeah. But the, |
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13:18 | question those. Right. Right. that tells you what the polarization of |
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13:24 | wavel did. So here, here's happens in the real world. Maybe |
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13:32 | buys your company, never happened, ? OK. Somebody buys your company |
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13:38 | then you got all this data and you're not there anymore. And then |
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13:46 | got to figure out what's the what's the polarity of the data? |
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13:50 | not, no, not all you is the data. So in that |
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13:54 | book, which is kind of like coffee table book on 3D interpretation by |
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14:00 | Brown. It's a very nice the kind of book you borrow from |
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14:04 | don't return. OK. It's too to buy maybe. But anyhow, |
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14:10 | says the way you can figure out polarization is if you got a shallow |
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14:16 | , that's gonna give you a positive coefficient. So figure it out |
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14:20 | from that if you have very, shallow gas, that should have a |
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14:27 | reflection coefficient and figure it out from . If you have an envious intrusion |
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14:32 | will almost always be a positive reflection . And then in many cases, |
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14:39 | definitely not all basement should give you positive reflection co but if you got |
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14:46 | hydrate on top of basement, it be the other way around. But |
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14:49 | , but sands and shales on basement give you that. So you have |
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14:52 | figure it out from the, from data. And uh and the way |
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14:59 | want to do it in an oil , if you can is have a |
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15:03 | log with the sonic and a density , then you really know what the |
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15:07 | is because you generate a synthetic. . So that's the one. Remember |
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15:12 | said, you gotta pick what you see. So this was in that |
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15:17 | , I think I showed, I you, hey, take a look |
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15:19 | that paper, all the papers, at this one. And uh I |
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15:24 | show this picture and what we have a reflection going up dip and we |
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15:32 | see these are going up dip here below this is going up dip and |
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15:37 | guy down here is going up So there's ge going up dip but |
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15:43 | this one reflections disappear. So what ? We're deeper in the section, |
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15:53 | know, maybe 20,015 to 20,000 would clear. We've been used gas in |
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16:00 | system and the gas has made the reflection um match the scale. So |
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16:10 | do what we say is what we . You know, that's kind of |
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16:18 | hard thing that you contribute to, ? It, hard, hard, |
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16:23 | that we're not, we're not gonna able to teach you to do |
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16:27 | I lost my thanks. OK? comments on that? OK. But |
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16:35 | , this one should be pretty It's more about color than anything else |
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16:40 | how organized you were in kindergarten with Crayola brand crayons and whether you put |
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16:45 | in the order or whether you just them all broken in a file. |
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16:50 | ? And so I've got different spectral . 1924 35 Hertz. We'll talk |
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16:56 | spectral decomposition later tomorrow. Um But gonna tell her, oh, so |
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17:06 | yellow. So like this guy here kind of yellow here, I'm yellow |
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17:12 | , I'm kind of yellow. This yellow. Well, then the tuning |
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17:17 | gonna be where the um the wavelength at a, at a quarter |
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17:24 | it'll be stronger at that tuning So uh if it's yellow, |
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17:29 | it's halfway between red and green. 22 Hertz. OK. Any problem |
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17:38 | that, OK. And that's the of uh red, green, blue |
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17:46 | of spectral magnitude components as everybody kind knows the order of the colors and |
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17:55 | rain. OK. He learned that five years old, OK. This |
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18:00 | of goes back to the same dim idea where we have lith application of |
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18:09 | as they're older and buried longer through is a little bit of mechanical |
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18:14 | but mainly diogenes. So, we've to figure out, ok. I've |
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18:19 | impedes here of sand and of shale I've got a sand shale reflector. |
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18:26 | I'm going from sand to shale at level. Low impedes to higher |
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18:32 | I should have a positive reflection. . Here's my way. What I |
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18:37 | do it. So this one's Thanks. He is definitely a Bronx |
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18:47 | . Then we can, we can down each one shale on sand. |
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18:51 | , that's gonna be high and beams lower. So that should be upside |
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18:57 | . So it could be uh this or this one. And then let's |
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19:04 | here where they cross. Now, got sand on top of shale or |
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19:10 | , shale on top of sand and are uh the same evening too at |
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19:20 | level. So I have a zero coefficient. So at this level, |
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19:25 | should have a zero. OK. this one's OK. This one's |
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19:28 | This one's not, this one's And then I have sand on sand |
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19:33 | the same level. Well, they same pathology, they're gonna be zero |
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19:38 | coefficient. And so this one's And this one's OK. So, |
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19:44 | far I just, by going that , we can say this is the |
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19:49 | . OK. Makes sense. You don't like it, but it |
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19:54 | sense, right? All right. . All right. This one is |
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20:01 | geological. And so in some uh trying to capture your knowledge of |
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20:11 | because you know geology, but you have a hard time with this, |
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20:14 | you all know some geology and then you're a little bit comfortable time. |
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20:20 | um I got a fault here that picked and then the fault stops |
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20:26 | OK. So, um the simple is I eroded. I had fallen |
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20:39 | up to the surface, whatever the was at at and then I just |
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20:46 | it all the way. All on I have is part of a, |
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20:50 | turban here. OK. And let's some of the wrong answers, the |
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20:59 | of very strong mythology. But that explain why the folk doesn't increase. |
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21:06 | then you're gonna say the folk souls the surface. Now I'm using one |
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21:11 | those deep voice words. I hey, we uh oh we my |
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21:18 | and Raba Newton, they call they call me. So they play |
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21:24 | you, they call me demo and means luing, right? So Cole |
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21:41 | the glue or to weld. And de Cole is to, to |
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21:47 | So when we have ARIC fault and sediments, we have a steep part |
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21:54 | the soft uh the fall and then sold out sole like the sole of |
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22:02 | shoe. OK. And then, those are you? Uh So Jessica |
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22:07 | Javier, I'm waving my arm in ground like a sled runner. |
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22:12 | Like a sled runner and then the part is fine. And then as |
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22:18 | go horizontal, that's my day coma where things just slide. Ok? |
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22:26 | just slide horizontally. So that sounds . But that's gonna be at the |
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22:30 | of a fault. It's never gonna at the top of a fault. |
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22:34 | ? And it would happen maybe for fault or an over thrust fault, |
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22:38 | no, they come on. So a fancy fancy word. And if |
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22:43 | fault were generated after this package, , then default should go right through |
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22:48 | at all. Right. Here's one uh tuning again. And I've got |
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22:58 | reference reflector all by itself on And then I have a positive and |
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23:04 | reflection coefficient uh at the bottom uh a kind of a wedge like I've |
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23:10 | showing you, I get interference of side lobes with the main lobe right |
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23:18 | and I trace eight and 10. my tuning thickness someplace in here. |
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23:26 | then when they get close enough I get weaker, weaker, |
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23:30 | And if I went to zero, would get here. OK. So |
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23:36 | the by the composite wavel, which the two together uh decreases in when |
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23:43 | below his thickness. Hey, this , I went over in clad and |
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23:51 | has to do with picking zero crossing and cross. And I had an |
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23:58 | in the class where it showed where horizon is ladder uh then a small |
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24:06 | of noise can move me, I shouldn't say horizons, but with |
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24:09 | wave and flatter on the signal, little bit of noise is gonna move |
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24:13 | up and down and give me an . Ok. So that's the correct |
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24:19 | . Um, here a well, to a zero crossing. That sounds |
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24:25 | . But when you do, ties, you don't look at a |
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24:29 | , you're looking at the whole right? So it's gonna use the |
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24:34 | crossing and the peaks in the And it's also true for the last |
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24:39 | , use a co a cross correlation . Um It doesn't matter whether you're |
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24:47 | , you wanna pick a peak or trough, you're using maybe 40 milliseconds |
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24:51 | the date. You're gonna tell it we cross, correlate with auto pickers |
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24:56 | tomorrow that, yeah, tomorrow that peaks and troughs you're gonna put in |
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25:02 | number like 40 milliseconds or plus or five sample. So it's gonna include |
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25:08 | , troughs and zero cross. And it's not that and then this one |
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25:14 | de convolution. I'm assuming that two three of, you know what predictive |
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25:17 | convolution is and the other just they this a, a distractor. And |
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25:24 | you do testing and stuff means you something out there that way. I |
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25:29 | no idea what that is. That's be it like dick home. All |
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25:34 | . So it's a distractor. predictive de convolution. Does it add |
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25:39 | to peaks and troughs. It adds . If it, if, if |
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25:42 | adds noise, it adds noise to . But you don't need to know |
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25:46 | they didn't know what the first is he pushed back. Ok. Now |
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25:56 | one, hopefully, hopefully you looked the, um, the tour of |
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26:02 | Cora 3d powerpoint, I sent I, I got a, I |
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26:06 | a couple of pictures in there. . I showed what faults look |
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26:11 | I showed you what uh igneous sills like some shallow uh hydrocarbons that would |
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26:22 | drilling hazards, what they look And uh then I showed some migration |
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26:28 | . Now, this is a very , of course, because everybody here |
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26:34 | terribly enjoyed Professor Howie Joe's class uh 23 months ago. So I'm sure |
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26:41 | drew all kinds of ellipses and showed they constructively and destructively interfere. And |
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26:47 | probably showed you good migrations and bad . He talked about smiles and frowns |
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26:54 | stuff like that. OK. So guy here, these are ellipses and |
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27:01 | just just not migrated, right? not imaged correctly. So those are |
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27:06 | swings, right? Uh Here everything continuous. So it's not a normal |
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27:15 | reverse call. Uh And and they is di would be if you had |
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27:25 | , your site, it would be ugly looking and this doesn't look |
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27:33 | Our Ignas dikes are down and here , we have a hard time imaging |
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27:43 | because you did migration. I know A O talked about imaging salt domes |
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27:50 | the flanks of salt domes and even underside of a salt dome that where |
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27:57 | dye has kind of shifted to to the right or the left. |
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28:02 | to do that, what we do we go through the sedimentary sequence, |
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28:06 | velocity is increasing, increasing, And by fair Mat's principle and snows |
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28:14 | , if that ray is turning, , then it turns all the way |
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28:18 | . It can actually image the bottom the overturned part of the salt dome |
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28:25 | the canopy is the correct word and come back, turn around, come |
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28:30 | the surface. I mean it can that uh to look at the vertical |
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28:34 | can do that. But we have sediments in the igneous volcanoes. We |
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28:40 | have nice sediments around. We have kinds of volcanic stuff. And you |
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28:44 | of your volcano from your third grade experiment, probably everybody here picked volcanoes |
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28:52 | their third grade science experiment. And has this funny like tree kind of |
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28:57 | with little dikes coming off to the . We can't image that yet. |
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29:04 | too hard to image they're vertical, not a plane, there are like |
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29:09 | just doesn't work well. So these migration artifacts. OK. Here's color |
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29:18 | um one of them is gray The other is like a sepia |
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29:23 | So those are the two that are easy see even with this orange thing |
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29:27 | top of it, I can see channels coming through here. I see |
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29:32 | nice channels coming through here. I have this stretch my mind to see |
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29:41 | in the, in the polychromatic color . Oh, is that one? |
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29:50 | . Um OK. This one I to the I, I went through |
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29:56 | lecture talk about um data loading. then I went in, we're here |
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30:05 | Saturday and I added these to No, then I send it to |
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30:13 | and say, hey, let's look the lab one B and I highlighted |
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30:15 | parts that I updated and this was of those parts. OK? Highlighted |
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30:19 | in yellow. So if you didn't at that highlighted part in yellow, |
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30:24 | , now hit yourself in the OK? Um Then what we uh |
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30:34 | done, what I've done is I left the patrol default and this example |
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30:39 | the defaults are a minimum and it's , the data you're playing with the |
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30:44 | 100 and 34,000 and the maximum of . And then when I define my |
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30:51 | bar, I'm gonna make it nice pretty minus 25,000 plus 25,000. So |
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30:58 | see how, how good um Yai grading this one because this is, |
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31:04 | kind of questions are really painful to up in canvas. So you're gonna |
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31:08 | at it and scratch your head. ? UT make sure they get partial |
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31:14 | because most folks might get well. work, not all of them. |
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31:27 | . OK. That's good. And you choose B then it takes a |
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31:31 | . OK. That's good. that's the way I would like to |
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31:34 | it. Thank you. Um So color inside are different for, for |
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31:42 | each image. Why? Because um the one case, hang on, |
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31:52 | just both sizes, both images are . OK? We gotta fix this |
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32:05 | you guy. So the good thing canvas you can picture for everybody right |
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32:19 | . It's great. It's great. . So the color bin sizes is |
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32:24 | colors and we're going from minus 25,000 plus 25,000. The same number, |
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32:30 | sizes are the same. You're gonna 25,000 minus minus 75,000 divided by |
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32:38 | That's the color in size. Now the the end of five, |
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32:50 | I had it, I I just it. That's what happened. |
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32:54 | So really the bin size, the of inside city that did you take |
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33:10 | ? Yeah, if you make 55 25 51,000. Is that what it |
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33:17 | divided by 255? You should have both cases. Thank you. Then |
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33:26 | data bin size is going to be the eight bit image is going to |
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33:35 | um the difference between these two So about 350,000 divided by 255. |
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33:44 | it's gonna be 1360. It's gonna a big it's gonna be a big |
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33:48 | . Ok, so I've got I'm my arms for those far away. |
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33:56 | maximum is 1 34,000. I'm my maximum is 212,000 minus 134 which |
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34:09 | Z I thought Zack was gonna do in his head. He's using his |
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34:13 | . That's ok. Yeah. Should 380 or something. One's got a |
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34:28 | sign. So you're gonna OK. six or 363 46,000 divided by |
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34:41 | Ok. That's gonna be about So my data are beings when I |
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34:48 | this realiza I push this realization OK? And that means all, |
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34:55 | the data, if it's between zero 1360 it's one call 11 integer and |
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35:02 | from 1362 2720 it's the next color the next B OK? And that's |
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35:13 | what you got. Ok. So you then use this 1360 if you |
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35:21 | I didn't touch it if you Ok? And you're still good if |
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35:34 | use that 1360 divided into 25,500 minus minus minus 25,500. You're gonna find |
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35:47 | I'm only using 38 of those 256 . And the other 220 square aren't |
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35:55 | used at all. And that's why image on the right looks very inferior |
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36:03 | the one on the left. Now, this is the default. |
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36:07 | thought this was important. That's why put it in the lab for. |
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36:11 | if you have it for posterity, know, pass it to your |
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36:15 | whatever. But um so that, know, don't use the default for |
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36:22 | Seismic Amplitude data. And then by , probably not a good thing to |
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36:28 | it for root mean squared amplitude really and also bad for envelope. We |
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36:35 | can't have the same problem when we the spectral magnitude, it'll be bad |
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36:39 | magnitude. And if we do something energy, which is a square |
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36:43 | which is gonna be even worse for . Now, for other things, |
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36:47 | we do the variance coherence, it from 0 to 1, 255 colors |
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36:55 | fine to span that. And if gonna do frequency like what's the peak |
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37:00 | or the instantaneous frequency, it might 0 to 100 and 20 Hertz 255 |
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37:07 | of and am I interested in seeing , an eighth of a Hertz? |
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37:10 | , I can't. It doesn't mean much to me. Every one |
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37:14 | every half Hertz is gonna be OK then. Um Yeah, so |
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37:19 | it. So somehow my red box a bit and B is correct. |
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37:27 | A is wrong like, oh, that's the last one. That is |
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37:35 | last one. OK. So Uh Javier, no one here is |
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37:47 | . Is Javier smiling. Can you he's not showing his picture? |
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37:52 | Jessica, she's smiling now. Nobody smiling. OK. So that's the |
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37:58 | of test we'll have. Uh I'll look, I can, what's great |
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38:01 | canvas? I can see which one got wrong. Guess what? That |
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38:06 | be a bonus question next Friday. right. So, all right. |
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38:13 | we'll continue to work on the lab four and anybody stuck anywhere. |
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38:24 | Yes, ma'am. Oh uh that's OK. 150 is gonna be |
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38:47 | middle. You can make it anything want. So go to the players |
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38:53 | uh put intersection player. OK? then um set this to be one |
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39:02 | . Yeah. And that's good. now hit this little VCR button that |
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39:07 | say 1215 1. OK? So 1243. If you got that didn't |
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39:19 | out, that will take you all way to the other side. So |
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39:22 | , we're just looking at different OK? That's all. Now the |
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39:26 | here has nothing to do with the , what, what the has to |
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39:32 | with on your PC. If you this on a, you put |
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39:42 | um, a USB drive and you it on here and then next week |
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39:49 | go and you use machine back everything's on the USB drive. But |
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39:54 | on how that's set up, your drive may be E here and F |
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39:59 | there, you gotta go fix You gotta go tell each one where |
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40:06 | go. And, uh, and that's not a big deal. But |
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40:11 | it comes up with a skull and kind of thing means you can't find |
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40:15 | data because it's looking on A and don't have an app, it's on |
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40:22 | or you have an E but it's of your summer vacation and their data |
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40:28 | . OK. I mean this is real common problem. Trust me. |
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40:33 | this is how when I grade engineer never worried about cheating on the labs |
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40:39 | to figure this out and fix it harder than doing the lab. You |
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41:00 | . Mhm. Thought. Yeah. . Ok. OK. I want |
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41:13 | go for 15 minutes. Walk It was like five. Ok. |
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41:29 | think I, and maybe like No. So you know that. |
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42:03 | right. Oh, wait, he got something else in the, |
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42:12 | you hear the and told them I write this I mhm. When |
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42:39 | is active then we talk about this that I, so you're actually |
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42:50 | so we're going to move first. . So here's the question when you |
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43:02 | the one with you and thank What do you have? Ok. |
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43:44 | . I Yeah. OK. That the moment. OK. That, |
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44:18 | I was going to happen with the . Good bye. Yeah, you |
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44:31 | about no more like testicles all Ok. Um Oh, thank |
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44:57 | Yeah, it was, it was now I'm ready to go seven and |
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45:24 | and then go to the bathroom so farm I so. Mhm. |
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47:45 | that's all. Ok. Here we . You know like that's ok. |
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48:30 | highlight. The highlight. Great. my uncle. Oh no. |
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49:10 | Yeah. So when you make it regular you're gonna see. He wanted |
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49:18 | see me. It's not right. see that, that challenge and the |
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50:37 | . Oh, maybe you got it big size but 33. Well, |
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50:52 | is it going to happen? Um me go ahead and make uh mm |
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51:18 | you. I there was something Ok, but um hey, how |
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52:12 | you? Um so II I visited girl like the next time I got |
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52:25 | pretty it. Ok, good. kind of push back we have with |
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52:39 | do but hey, can you maybe pass a little me in here |
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52:46 | Oh yeah, so far, so . So good. I hear from |
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52:59 | of one or two. Ok. right. One or two. The |
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53:05 | guy, right? All right. . Good. And here the answer |
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53:15 | the question was how do you? , those are pretty f but now |
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53:31 | got them, there's like five, ? But they're both the same |
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53:39 | correct? Yeah, let me if have to do. 01 is kind |
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53:43 | green. Yeah, I think. , that's cool. Ok. So |
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53:48 | trick was when eventually the girl will that with the, with the 3d |
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54:01 | . So going to the 3d, 3d view there, a one |
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54:08 | Ok. So you wanna have different you make. Ok, if they |
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54:15 | a different name, they can have different, they could have a |
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54:18 | that community. So now we can it. So now you're gonna go |
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54:24 | those 20 line and picked one of phones. Ok. OK. We'll |
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54:34 | another one on your of the That right one or not one |
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55:01 | I try to, you know the there are, you know, which |
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55:06 | trying to make without wanting to think whole thing up. So you're gonna |
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55:14 | another one and then what it will you have it activate in your screening |
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55:30 | but they will buy the red one the red, one, green |
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55:39 | put them together. No, I think you could do that but |
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55:43 | think that's exactly the white wine. make that one? All right. |
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56:37 | I not? OK. So Iii I feel good. Thank |
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57:21 | OK. OK, great. If OK, we're gonna do the |
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57:48 | OK. Mhm. Now, are the same all pain? Well, |
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58:01 | need the MRI and all up Yeah. Creating what you want. |
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58:07 | then I would want me to pick line just to read it the quick |
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58:16 | what it's going to do if you to win the fall and you can |
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59:09 | do that. Let me check Mhm. Ok. Ok. |
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60:22 | Ok. Ok. Oh, I know. Ok, to really like |
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60:47 | is not real experience and what five bye. Ok. And walk. |
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62:02 | . And uh you. Ok. , thank you. Good morning. |
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62:46 | . Ok. Ok. Yeah. . So. Mhm. Ok. |
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64:25 | . Are you going to work? Yeah. OK. Mhm. |
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65:14 | Mhm. OK. Yeah. Oh we OK. OK. So |
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66:41 | yeah I need that one doctor to how to put that. Yeah. |
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66:54 | . OK. So for Oh All right. OK. OK. |
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67:47 | like what, what else? Well, no what so OK. |
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68:48 | . Yeah. Yeah. So. . Yeah it it is. Mhm |
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69:37 | . Right. Mm Yeah. Um . So when you get sorry thank |
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70:26 | . Oh four. Exactly. So add this other but still or uh |
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71:06 | . Ok. OK. But they standard probably a lot of stuff. |
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71:24 | . All OK. That's the 10 . Oh and we actually so they |
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71:45 | finish it. OK. Yeah. . You OK. I will. |
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72:26 | that the, the very as we the exercise, the structural work in |
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72:40 | and then he said OK, I this image and I got here's an |
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72:44 | of your hand with our structure when feel like and then with as well |
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72:54 | and you know, so you see here at this point you need to |
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73:01 | , you gotta put some hours. did you say? 954 millisecond, |
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73:08 | like that. Ok. There I do a couple and they |
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73:17 | gotcha. Give me five minutes. play from the more violent it's to |
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73:35 | . We have the right that, , then what do you wanna look |
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73:41 | ? Are the, oh, um, I didn't mean to step |
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74:07 | you Jessica and so you're gonna get . Uh you're gonna look at the |
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74:14 | elements in that turbo and around there also saw a nice little kind of |
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74:18 | bright spot, maybe uh 50 bins 20 bins. And that was clearer |
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74:27 | structural warning is filtering. So the you judge whether a a process, |
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74:32 | filter process is good or bad does it help me see more or |
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74:41 | it smear everything out? So there's of filters and the filters aren't always |
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74:46 | filters. You got to try them , you're gonna judge through looking for |
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74:52 | , right? That's a, that's basic, that's a real fundamental question |
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|
74:58 | you need to get your head OK. It's helping me. |
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75:10 | ma'am. I think I got, don't know. Yeah. OK. |
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75:25 | what you use. Three by 35 five. OK. Sometimes. So |
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75:36 | is a three by three filter and is a five by five 00 |
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75:46 | OK. In lab three, this good. Now I'm gonna, I'm |
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75:52 | gonna go over uh the lecture. have um data conditioning because I felt |
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76:04 | more fun to just do it. . I do have it. I |
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76:08 | it with a voiceover as well. . So listen to my melodious voice |
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76:14 | the Cougar Den while you're drinking a this evening, then they might find |
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76:21 | annoying. But uh so put earphones . Um, so I asked you |
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76:29 | generate the structure in a filtering with traces, then take that output and |
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76:43 | the filtered version. Now in seismic , we'll call those cascaded filters. |
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76:50 | . When you have mapping, you say, oh I'm gonna do a |
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76:54 | filter and then I'll follow that with mean filter. So those would be |
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76:57 | filters you apply to a map. if I have a three by |
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77:03 | the second time I apply by three three, I'm using the data and |
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77:13 | do 23 by threes. I'm using data, a five by five. |
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77:19 | that obvious? Or do I need show a picture? Oh, I |
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77:24 | to show a picture. Mhm. . Sure. Um So if I |
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77:32 | a dream ticket, think of it two dimensions, I run through and |
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77:37 | gonna do it at just the I'm gonna do one third, one |
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77:41 | , one third, then I'm gonna the average of the averages, one |
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77:45 | , one third, one third of averages. And then it will turn |
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77:51 | if you look at the original It will be 36, it will |
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77:56 | 1626362616 on the original data. What I doing? I'm convolving first, |
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78:06 | convolving a one third, 11 3rd the data. Then I'm convolving a |
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78:11 | third, one third, one third the filtered data. And then Zach |
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78:15 | loved convolution, right? Zack. says, well because of the Associate |
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78:22 | Law or the, yeah, because the associative law, I can convolve |
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78:30 | one third, one third, one with a one third, one |
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78:33 | one third, come up with a filter which is 162616362616. So |
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78:41 | that was the day I did the thing. Now, if I do |
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78:46 | five point filter right off, what you gonna have? 1/5 1 |
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78:50 | 1/5 1 5th, 1/5. So one, the cascaded builder is tapered |
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78:59 | the simple filter is not tapered. know what I mean by taper means |
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79:09 | amplitude at the edges of the Let's see if I have a picture |
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79:15 | guys. I'm I'm saying Jessica, seeing glassy eyes. She might be |
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79:23 | by now. Is she there I'm still here? OK, I'm |
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79:28 | . OK. Let's see if I find, I see if I have |
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79:38 | in my lecture. I don't. , nothing. Yes, sir. |
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79:50 | . I might but let me see I have it here and then we'll |
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79:52 | look for it. Ok. No over. Let me see if I |
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80:12 | it cascaded. Like, yeah, come, let me find some |
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80:33 | Put it in. Oh, so am gonna blame Stephanie, I'll blame |
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81:05 | . I've forgotten now because it made mind muddle. So the question |
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81:11 | no, it wasn't. Stephanie might been Zach. It was Zach and |
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81:17 | to do with like, OK, this Casca of operating? What's going |
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81:22 | here? Why do I, why you want me to apply a three |
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81:27 | three operator twice versus a five by or five by five operator once? |
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81:41 | . Now there's going to be two , it's structure oriented. So if |
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81:47 | take my plane and I have my and it's gonna go a long |
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81:56 | well, a small plane three by , there's gonna be tangent to that |
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82:03 | and a bigger one is still but it's sticking off in the |
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82:08 | So if I do a three by and then I apply it iteratively, |
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82:13 | really adapting to a curve structure. that make sense for the first |
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82:19 | It's tangent? The second time it's , but it's, it's using the |
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82:23 | that's in between. The second thing tapered and the third is cheaper. |
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82:32 | . So let's do the tapered Thanks, Zack. This is really |
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82:38 | paying to do in powerpoint. So on the left you don't have |
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82:43 | , but I'll, I'll update the, uh UT I've got a |
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82:47 | filter on the left with 111 multiplied a third, a three point |
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82:53 | OK. Five point average, 11111 by multiplied by 1/5 seven point |
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83:00 | 1111, no, no, no, no, divided by a |
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83:03 | by 17. Easy, right? would be a single filter. |
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83:09 | single filter. Well, if I'm cascading once, it's the same |
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83:13 | the second one, I don't have right? That they don't think you |
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83:20 | have, you should have seen this I gotta move this guy over a |
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83:27 | . Hang on. Did I say is painful to do in powerpoint? |
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83:32 | think I did. Uh OK. . And this why? OK. |
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83:55 | now I've got my original filter then gonna cascade it. So I'm going |
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84:06 | convolve the one third, one, , one, third filter with the |
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|
84:11 | filter. So with this location one 11, right? That one time |
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84:19 | one has one, that date. got it. OK. Then I'm |
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84:24 | slide it. The last one is time is one when they overlap one |
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84:32 | , one plus one times one plus times 13, when they overlap |
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84:39 | one time is one time, one is one. OK. So here |
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84:42 | guys don't like this. So I'm do this. Hang on just for |
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84:46 | . Here notice I like to explain time ago and I'm gonna make |
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84:57 | There's a fast in the slow, I can make it. No. |
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85:05 | . Ok. And then that's what can make the longer too. |
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85:17 | So as I move that guy ok. Now I get two. |
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85:21 | I get three. Now I get . Now I get one again, |
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85:25 | my filter. 12321, a triangle in terms of weights. OK? |
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|
85:32 | let's take one third, one one third and cascaded with this guy |
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85:40 | three times. I do the same . The first one is gonna be |
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85:47 | then. Oh, I'm gonna get . I'm gonna get six. I'm |
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85:51 | get seven. I'm gonna get gonna get three, gonna get |
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85:57 | I get that as my joke in limit. It turns out to be |
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86:02 | Gian. I don't want to do limit. It took me probably an |
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86:06 | to make this simple slide in two . I've got this. I did |
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86:12 | for the book. I'm working on filter. See everything's all one. |
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86:19 | , I involve this guy just like did before except now I convolve it |
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86:23 | two dimensions, not one dimension. ? So I did 9 81st in |
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86:29 | center and 1 81st on the edge then three dimensions. I get 49 |
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86:37 | in the middle and 1 to 729 the edge and in the limit I |
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86:42 | a two G Gaussian. So, I'm saying is this is a paper |
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86:49 | instead of a constant boxcar filter with edges. Howie Joe probably told you |
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86:55 | are, they can have nasty gibbs , right? Do I have to |
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87:02 | it again? You don't even know I'm talking about. Do you, |
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87:11 | you never watch the bee? 0000. Stay in and out, |
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87:18 | in, hang on. You gotta your, your hair show out on |
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87:23 | shirt. More through the beach. guys did? You weren't around in |
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87:27 | seventies? Were you disco? You've heard this one? No, |
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87:32 | has heard more than a woman. more than a woman. To me |
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87:40 | the Gibbs phenomenon. BG. I'll it in here so you can see |
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87:46 | . Ok. Um Now a three three filter. Oh, I got |
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87:57 | multiplies. Nets. Ok. I it twice. What do I |
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88:06 | Nine plus nine, 18. A five by five filter. 25 |
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88:14 | in that. Which number is 25 or 18? Good. And |
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88:21 | I can do the same as I to cascade. It becomes cheaper and |
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|
88:26 | to cascade. Plus I adapt the plus I taper. Best way to |
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|
88:36 | it. Thanks for asking me that . You just burned up an |
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88:44 | Ok. I'm gonna take a three break and turn this off and then |
|
|
88:51 | start on with the next lesion. this is good. This is the |
|
|
93:42 | . So uh I wanna go to six tomorrow morning. We'll start talking |
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|
93:48 | attributes. But here, what's the of acquisition and processing on seismic |
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|
93:57 | Surprisingly, your interpretation typically as good the data you have to work |
|
|
94:02 | OK. So it has a pretty effect. So I want you to |
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|
94:08 | able to weigh the value of den acquisition versus repeated sweeps at the same |
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|
94:17 | and suppressing source correlated seismic noise. , one of the uh platitudes of |
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|
94:26 | seismic acquisition is we need to get energy in the ground. So what |
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94:33 | do is we'll use bigger sources at same location or if it's a vibrator |
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|
94:41 | , we'll stay at the same sweep sweep four times to get more energy |
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94:45 | the ground. Ok. What we'll out is, ah, that's not |
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|
94:50 | best way of doing it. If have surface acquisition with access, then |
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|
94:56 | gonna use the concept of migration aperture justify acquisition of seismic data beyond the |
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|
95:02 | of your acreage. So you um let's say Liberty, you have |
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|
95:08 | over uh Liberty Township, uh just east here of Houston. I wanna |
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95:15 | everything underneath the Liberty Township. do I need to go to the |
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95:20 | towns to image it? And it out you do you need to go |
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|
95:25 | maybe five or six miles from your ? Of interest. In order to |
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|
95:30 | a good image inside the area of , we want to justify acquisition of |
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|
95:36 | offset and wide. A as seismic identify the improvement in data quality and |
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|
95:43 | processing when using higher fold data. it turns out when you have more |
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|
95:51 | , the computer works harder, the work is easier. So there's a |
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95:59 | off between human effort and need to clever and just burning up more electricity |
|
|
96:12 | , and then evaluate some of the . There's one called DRA or imaging |
|
|
96:17 | . That's quite interesting. Uh If doubtful of, let's call it an |
|
|
96:23 | and use it in the same subjective . What we do as an attribute |
|
|
96:27 | , oh this can enhance certain features interest like FF and each out in |
|
|
96:35 | , whether you like the theory of imaging or not. OK. So |
|
|
96:41 | comes from uh my buddy Chopra who for a big processing company, Alberta |
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|
96:47 | here's his boot stack and in seismic . Oh That means I go in |
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|
96:54 | um I uh I kind of guess the velocity using understanding of nearby surveys |
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|
97:03 | acquired before. So I might use or two velocities for the entire survey |
|
|
97:08 | to get something quick. OK. then here is the residual static. |
|
|
97:13 | now I'm gonna apply statics and really at it. And then here's my |
|
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97:18 | migration with the best migration velocity. . So here is the amplitude data |
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97:24 | it's been processed and stacked and then the coherence on these amplitude vs, |
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97:31 | see as you go along up, starting to image these channels here and |
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97:39 | bulks. This is clearly better than one in the middle and this is |
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97:45 | than the one on the left. , all right. So big. |
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97:51 | now your colleagues who are seismic they're not geologists, not, some |
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97:56 | them may have had a class or in geology, but just as likely |
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98:01 | were music majors or other people who the right side of the brain that |
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98:05 | do mathematical things with. OK. then you can see if my velocity |
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98:11 | me a nice sharp vault interface on vertical section. They can see if |
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98:20 | wavel is hier less smeared, less and pick a decon algorithm that comes |
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98:29 | with a better image. OK? if I ask them, hey, |
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98:33 | , I want you to image this build up. Um One, what's |
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98:38 | carbonate two? What's a build up to look like? Or that uh |
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98:44 | first question on the test today where had the little bitty channel. |
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98:49 | what's a channel look like on vertical ? On vertical sections? They're really |
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98:53 | to see that you got to have eyes. So here with attributes, |
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98:58 | case happens to be coherent. You stuff that looks kind of like |
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99:03 | You know, mom and dad can which one better? OK. Then |
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99:11 | coherence on the migrated volume with original . Here's one with improved velocity. |
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99:16 | , ah, clearly the one on right looks better we're going in the |
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99:22 | direction. So, again, most you I think are geology is background |
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99:27 | three quarters. And you think seismic has all these equations in it. |
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99:34 | . And you think, oh, a right way to do it. |
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99:38 | mean, they're good workflows and so . But when it comes down to |
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99:42 | , to pick parameters, it's like way I pick eyeglasses in the, |
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99:46 | the optometrist's office. And she'll ask , is this one better, |
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99:50 | better, worse, better, you know, I don't know what |
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99:54 | doing, but I can tell which the better, which worse, which |
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99:57 | I like. Ok, that's how pick decon operators. That's how we |
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100:05 | statics. That's how we improve We try it. Ok? And |
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100:11 | when we go to the customer, may show two or three of the |
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100:14 | we think are best and let the make the final decision. Ok. |
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100:20 | it's wide as a you so white music has become very common on show |
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100:28 | the US over the past the 15 I would say. And this one |
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100:36 | to be a cartoon from a survey the Fort Worth Basin. So, |
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100:42 | oh, near, near that big you guys like to climb 150 miles |
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100:47 | of here. Watch the big Yeah. Enchanted Enchanted Rock. |
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100:55 | So that's where the basin comes up finishes. So, here I've got |
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101:01 | receiver lines laid out. So we junk hustlers. You know, people |
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101:05 | geophones and they're in the big they might weigh £50 and they're, |
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101:10 | hustling, they're putting geophones in the . Somebody's already surveyed them. This |
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101:15 | time. Surveyor takes time by putting in the ground. You don't wanna |
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101:21 | , you know, you want, got a north arrow on it. |
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101:23 | wanna make sure they're oriented in the direction, et cetera. So they |
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101:27 | be put in accurately and that costs then perpendicular to that. So I |
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101:32 | four lines with maybe 0, 1000 laid out. Ok. And then |
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101:39 | have a uh a source, a source. OK. And the |
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101:47 | oh, and then when I wanna to the next source location, I |
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101:52 | to lay out the next line of . So there's always two to the |
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101:57 | and two to the south. So maybe I have five lines |
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102:02 | Well, while I'm recording one, , I'm busy weighing the next one |
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102:08 | then I get this kind of ray . Ok. So this is narrow |
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102:14 | me, it's most of the rays going up and down, but more |
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102:18 | and west than north and south. . Now here's wide a acquisition instead |
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102:27 | four lines, I got 16 laid 10,000 ft long. Um And |
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102:35 | uh my shot point interval is 880 . I'm sorry, my shot point |
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102:41 | 100 and 10 ft. So as go between the lines, so eight |
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102:45 | them, I'll have eight shots going the lines. Then I have to |
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102:49 | the line. But you see, take one from the bottom, move |
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102:53 | to the top and then I did attribute. Ok. So which one |
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103:11 | of picking on Jack? Because he's the front. Ha. Right. |
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103:21 | , Hayden. Yeah. Point to . Tell me that guy's name |
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103:26 | Anthony, the guy who was gone week. Right. That's right. |
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103:31 | , Anthony, which one's more expensive look to lay out? Forget about |
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103:38 | equipment. I own the equipment. one takes longer to lay in |
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103:43 | in the field narrow as you through line up White House. Why, |
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103:52 | , how much more? Yeah, got four times as many lines. |
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104:01 | . What do you think of Hayden? Four times? Ok. |
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104:05 | four times, um, where it from. So you're gonna, what |
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104:21 | shot? Ok. I'm gonna have same number of shots. Now, |
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104:26 | have all these surveys and I'm gonna going, you know, 1020 miles |
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104:30 | and south. How many new receiver do I need to survey? |
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104:47 | I'm, I am gonna, every is going to be occupied by either |
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104:52 | four narrow avenues roll along acquisitions or 16 roll along. Why? That |
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105:00 | , I have to survey all I have to plant geophones the |
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105:05 | So the acquisition and I'm gonna shoot same source location. The acquisition is |
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105:10 | the exact same time in the Now, with CGG, they're gonna |
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105:15 | you for having more equipment. they, they gotta make a |
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105:19 | Ok. But it's the same number people in the field. So the |
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105:23 | wall clock time, therefore, for same expense. Bye. I'm getting |
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105:30 | , full and more important than I'm getting signals from different. No |
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105:37 | important. I'm getting noise from different . OK? My signal is kind |
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105:43 | going down and back up. But if I'm doing narrow as a |
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105:49 | this way, I'm bouncing off of wall, I have no leverage against |
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105:55 | wall. If I'm collecting data in direction, if I have data over |
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105:59 | , oh, I'm closer to the . I have a different move out |
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106:03 | the noise. So I'm going round, roll with dispersive velocity. |
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106:14 | his part of his phd dissertation. coming from different directions. OK. |
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106:20 | when I have more fold, what's important is the random noise? |
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106:30 | we're really good at getting rid of noise. We got dozens and dozens |
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106:36 | filters to get rid of random What we have problem with is coherent |
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106:42 | noise that is correlated with the So here is the source and I |
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106:47 | that source off and I got a coming from the side. I can't |
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106:54 | if that hyperbola coming from the side different than a hyperbola coming from |
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106:59 | But if I have more, move by coming closer and further away, |
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107:07 | , note to those far away, is moving left and right across the |
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107:11 | of the classroom. Did you notice you think? Ok. So that's |
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107:18 | we do. OK. So here's older survey from uh Devon Energy. |
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107:26 | one acquired in 1995 using short offset Asia 1997 using long narrow as we |
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107:37 | 1999 using white as music. Pretty low fold like 60 fold. |
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107:48 | here, I've got a dip magnitude from the P horizon garbage better, |
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107:56 | better. Oh And the data were by the same person using the same |
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108:00 | at the same time or the same at the same time. OK. |
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108:04 | it's not like uh this was He, he did this one and |
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108:09 | did the other one. No, the same person. OK. |
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108:14 | here's an example from I if I correctly, Egypt, North Africa for |
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108:23 | . So here is wide versus narrow , here's a narrow ASU one, |
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108:29 | was white Asia pretty darn big OK? So you have better |
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108:37 | coherent noise and multiple attenuation with wide algorithms and you have better velocities and |
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108:48 | . So Lily tell my geology buddy , geology buddy. Right. Tell |
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108:55 | geology buddy, what do, what we mean by statics in seismic |
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109:00 | statics? Ok. And what, the geological reason for statics? |
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109:14 | Lower velocity of what? Ok. . On top. So, basically |
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109:20 | to the weathering zone. Ok. we're gonna have a weathering zone, |
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109:24 | zone might be filled with uh clay uh up in Canada with uh |
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109:33 | you know, different uh low velocity and it can be quite irregular. |
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109:38 | don't even know it's irregular because we see it. Ok. So |
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109:43 | just like we, we said, try to align adjacent to shots in |
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109:47 | , in a shot, uh adjacent in a shot gather after we correct |
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109:51 | for move out, then we do the same thing in common receiver |
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109:56 | OK. So we try to align and we're gonna do cross correlations and |
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110:01 | to figure that out. So a thing is something called surface consistent |
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110:07 | So we say, OK, I shift, there's a weathering zone above |
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110:11 | source and that source is going to the same correction for all 15 geophones |
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110:21 | this room. Thanks. Now, is the receiver. Each one of |
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110:28 | are different sh shots. The weathering correction over Lily is going to be |
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110:36 | same for all 15 shots. So a least squares problem we iterate solved |
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110:43 | . So this is called surface consistent . We put the static correction to |
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110:48 | physical location on the earth. If have 15 traces, uh it's pretty |
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110:55 | . A human being, you need get involved if I have 1000 traces |
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111:00 | a computer problem. Pretty easy. . So more redundancy in the |
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111:06 | even though there's more data, there's human intervention. So it becomes |
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111:13 | comes cheaper to process the velocities. here picked velocities. You haven't, |
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111:22 | haven't lived. OK. So you go, you know, do move |
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111:26 | and then you know, look for ups and um how about residual velocity |
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111:31 | ? You've done that, right? you do prestech and version? |
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111:38 | John Castano needs to have you do conversion in a lab. Then you |
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111:43 | to correct these things. It's OK? If you have more |
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111:49 | it's easier. OK? The thing have to worry about is aliasing. |
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111:57 | . So are you comfortable with aliasing the name White Carlos from Colombia? |
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112:09 | the jackal. What was his real ? The Jackal? I he was |
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112:19 | he was like AAA terrorist back in 19 sixties and seventies, right? |
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112:28 | . His name was Carlos de Anyhow. Anyhow. So his alias |
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112:32 | Carlos de Jacko. My alias on street is my street name is |
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112:41 | What? You're gonna laugh at that ? Oh, you, you don't |
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112:46 | at somebody whose name is Spider. wanna see all my tattoos? |
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112:52 | Anyhow, that's, that's, that's alias. So alias is Latin for |
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112:58 | . So you're gonna think one thing something else. OK. So this |
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113:05 | from a textbook by Larry Lines and Newick. And um they've got a |
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113:10 | Hertz and uh 20 Hertz sign a and here the dip is uh eight |
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113:18 | per trace. So here's the dip to pick. OK. Here's the |
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113:26 | dip. But I bet most of see A OS T, OK. |
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113:33 | that pink one is the alias di it'll turn out that when you're going |
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113:42 | take and think of Howie Joe's class take my diffraction hyperbole and I'm gonna |
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113:49 | the data and push it perpendicular to hyperbole. I'm gonna push it backwards |
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113:55 | into the earth. Well, I wanted to pick that yellow one and |
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114:03 | I'm gonna put, I'm gonna put in the pink direction, gonna have |
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114:08 | serious problems. OK? So here's example of alias you don't have |
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114:17 | but when you play it, it's helicopter and take a picture, take |
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114:22 | video of a helicopter with your cell . OK? And there's something wrong |
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114:29 | that picture, right? How was flying? The rotor is not |
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114:37 | right. So what happens the repeat the, on the the the the |
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114:47 | rate of the cell phone is equal some fraction of 1/5 of the rotation |
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114:53 | of the helicopter. OK. So have the, we're interpreting it as |
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114:59 | else. So here's an ex and got a bunch of others in there |
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115:05 | are kind of fun, but here's example of source generated noise, got |
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115:11 | coming up. That's what I'm interested . I got multiples and then I've |
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115:22 | shallow things coming back bouncing off, cetera. Ok. So I've got |
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115:31 | diffraction. They're in particularly bad because high amplitude because they haven't gone very |
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115:37 | . They haven't decayed by one over and their velocity is slow. Uh |
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115:43 | their high frequency. So uh what Bill prem when he was a |
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115:48 | he did this model and he generated a synthetic. So he's got generated |
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115:55 | this model. So he's got kind a slope here. A corner |
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115:59 | corner here, corner, corner, , corner, corner corner, each |
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116:03 | these corners is gonna give me a hyperbole like how we talked about. |
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116:08 | my diffraction hyperbole. Why do I gaps uh use rate tracing ray tracing |
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116:15 | some over it. That's all. these are steeply dipping. So they're |
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116:20 | be aliased right? To the problem the fractions. They have a linear |
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116:27 | out traveling at very low velocities. tend to have very broad bandwidth because |
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116:33 | have less absorption. They didn't go far and they're frequently hire in the |
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116:39 | from depth. OK. And they're fly alien with respect to the |
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116:46 | So here is the image he he gets a pretty good image here |
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116:51 | everything that's flat. But the diffraction , the signal was imaged kind of |
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116:59 | . But she always garbage. That's to alias. Thank you. So |
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117:08 | way to get around that is to your data on a denture grid. |
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117:15 | means you're gonna spend more money, ? And management doesn't like to hear |
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117:21 | , but that's what you have. . Here's Oklahoma. Oklahoma is just |
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117:25 | of you guys in Texas. I about here. This is the Wichita |
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117:29 | front, Wichita Mountains are here and um bunch of surveys that PGS ran |
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117:37 | . So he, he's gonna look this Carter Knox survey uh and they |
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117:42 | data and newer data, but really show this, they're gonna like the |
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117:46 | data and then decimate it like the data works. So here's conventional acquisition |
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117:54 | the time. Uh So this is 2010, a 222 ft 330 ft |
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118:03 | shot. So this gives you a size of 110 by 165. So |
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118:08 | of you working with data in the States, most of you are probably |
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118:12 | with data. That's 100 and 10 100 and 10 as a bin |
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118:15 | So that's real common. The dental is gonna have 55 by 55. |
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118:21 | many receivers per line will more, many active lines or more uh fine |
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118:28 | uh space in, in not too . The big difference is the number |
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118:35 | great first W mile. So like times the traces really increase it. |
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118:46 | . So here is the data uh conventional acquisition and then here is with |
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118:55 | A was it really is the same ? Just the one on the left |
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118:59 | uh and the same velocity is One on the left has been decimated |
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119:04 | migration. And while you look at area, it looks OK. But |
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119:10 | , oh now I see a nice coming through here real easy uh to |
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119:17 | . OK. And then you look front here at the the peak of |
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119:24 | uh the fold. I don't have any data. Now the signal is |
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119:29 | there. It's just be noise in alias noise from other events that are |
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119:36 | . So it's overprinted with stock. here you've got a nice image and |
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119:43 | the front, you've got a good here and a poor image there. |
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119:49 | a called a strike line but it's complicated geology that no simple striker |
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119:56 | Yeah, the alias noise from the diffraction. He hardly sees anything |
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120:05 | I've got a nice clean both block then up here war image, same |
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120:15 | , same signals being recorded just that don't have the alias noise on top |
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120:21 | it. That's the difference. And in the front in the foreground uh |
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120:27 | resolution then OK. Now wide and as acquisition to image a car striker |
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120:36 | and this is some work, work done by uh some folks in |
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120:40 | card basin in, in northwest. know. So I don't know |
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120:46 | where's home? You're, you're from China, right? From Xinjiang, |
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120:50 | said? Ok. So it's kind home. Not here, hopefully have |
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120:54 | trees than here. And how about ? You're from Taiwan? OK. |
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120:59 | where he is. So um half oh biggest company in the world, |
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121:11 | of money but take a guess. Apple P Amazon, they're pretty big |
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121:30 | big Chinese oil company, they own kinds of stuff, they own all |
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121:36 | of stuff. So they're the biggest in the world. Half of their |
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121:40 | comes from here and almost all of comes from cars collapse from or division |
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121:47 | . So you know, you oh well, who cares about cars |
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121:51 | ? Well, they care a whole , right? So cars think |
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121:55 | all right, caves and the collapse . So here's the thorough as in |
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122:01 | survey. So this was like a project they did to justify uh 3d |
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122:09 | wide avenue. So here is the of the ray coverage like I tried |
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122:15 | show earlier and then here's a wider mute that's not full, but it's |
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122:21 | . And uh so the ratio here 0.3 to one here is 0.58 to |
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122:28 | . And now these little guys that putting my mouse on, that's the |
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122:34 | . That's what they're trying to OK, then uh they drew an |
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122:40 | line, you'll be drawing arbitrary you know, but they're trying |
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122:43 | you know, connect some of these features, these cars features, here's |
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122:47 | wide AU and here's the call it ASU and I'll define what we mean |
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|
122:52 | that. Now, you see these are nicely resolved. So here at |
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122:59 | , maybe I see them here, very, very distinct. Thank |
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123:05 | Here is coherence variance if you will from the narrow ASM of data. |
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123:12 | , I love cars. So you , I I can see cars in |
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123:17 | , I can also see Elvis in data and many other things I can |
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123:20 | lots of stuff. That's my my hypothesis. Thanks. Then here's white |
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123:30 | wider 0.58. Well, now it to look more like cars collapsing channels |
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123:37 | then here's the full ASU. Now way they computed full ASM they had |
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123:40 | much acquisition equipment, they acquired a first North South and they acquired it |
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123:45 | West. So they acquired it twice then put them back together. But |
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123:51 | , I think everybody here sees elliptical collapse features and some kind of channel |
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123:57 | , right? That's their time darrow wide and that's how they acquired |
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124:06 | They just acquired the surveys twice uh be only merge surveys. Did they |
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124:14 | better lateral resolution less mixing? Here's narrow avenue survey, looking at a |
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124:20 | area and here's their White Asia. one do you want to interpret? |
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124:29 | ask Zach because he said, why are we doing this? Which |
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124:32 | are you gonna like agonize over? which one is easy or unambiguous? |
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124:44 | . Yeah. So, you you're, you're, you're always better |
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124:48 | clearer images, you know, and you're gonna focus on geology and |
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124:54 | what's the environment of deposition and where hydrocarbons go instead of like 00 where |
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125:00 | I put that horizon? Where do put that phone? A long |
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125:08 | Gonna help more with multiples. Hopefully I talk about multiples. And we've |
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125:13 | multiples above that Cora 3D survey. I know I sat with Stephanie here |
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125:18 | we looked at some of them and energy goes down, bounces back up |
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125:24 | the surface where you measure it, it goes down again. Now, |
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125:27 | I have some strong reflectors in the or in the subsurface and for Cora |
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|
125:33 | , the strong reflection is shallow So that bright spot, I see |
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125:38 | not once, not twice, not times, I think I see it |
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125:40 | or seven times. OK. So complicates your image the farther offset. |
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125:48 | the multiples are typically in the shallower of the data, the velocities in |
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125:54 | shower part of the data are the velocities in the deeper part of |
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126:00 | data because of diogenes and so forth to be faster. So the what |
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126:06 | call the move out. Uh If the event from sha going shallow at |
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126:17 | slow velocity, even though if it four times as long because it's 1/4 |
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126:21 | multiple, it's still going at that velocity in the water call. |
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126:28 | So it's gonna have more move The deeper reflection comes in at four |
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126:34 | the multiple level or at four times water bottom level, that's gonna have |
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126:37 | higher velocity. So what you'll see is if I have the multiples, |
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126:44 | I have near offset, I don't as much leverage against the multiples if |
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126:50 | have fire offset. Now, this like I gather it's not, it's |
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126:54 | a carbonate build up in, I it's um Abu Dhabi. And what |
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127:01 | wanna look at are is this, knew I'd do that. They wanna |
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127:06 | at that structural that structure. So here is um conventional acquisition with |
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127:21 | and then here is long offset So where I have the arrows, |
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127:26 | you see the stuff cutting across? ? Like like this thing here, |
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127:33 | a multiple. And now it's OK. This one, this blue |
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127:41 | , it cuts right across. That's multiple. OK. And the other |
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|
127:47 | that are dipping that structure. So up top uh here's a high density |
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127:57 | in the Midwin Basin and um 0.16 traces per square mile, 16.7 per |
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128:09 | mile. Oh When you don't have traced as close enough shot. You |
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128:19 | really image the shallow structure, especially the middle days. Yeah, Midland |
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128:25 | , you have a lot of salt anhydride up shallow in the section. |
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128:30 | . You can actually start to image we're looking at this image down |
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128:37 | Uh This to me that's a mass complex. If it's sand, that's |
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128:43 | of the really sweet uh producers in Midland Basin. So a lot more |
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128:54 | . Then here is the Viber same guy Viber size sweep. So |
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129:00 | or 2009 survey, he swept for seconds. And then here's the 2019 |
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129:08 | recent survey swept for 24 seconds. what do they wanna do? They |
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129:13 | get more low frequency. So if go down to uh five hers. |
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129:23 | if I have five Hertz, it's cycles per second. So uh if |
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129:31 | have attenuation, I wanna go if I wanna have 10 cycles at |
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129:35 | Hertz, it's gotta vibrate 10 times long as 10 cycles at 50 |
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129:40 | OK. So it takes a little sweep. So here he's going, |
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129:44 | said what 24 seconds we instead of uh eight second sweep in the |
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129:51 | um The low frequencies are really, important for impedance inversion. OK. |
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129:58 | you in order to estimate things like , OK. So here is a |
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130:06 | image legacy one and then a high or high trace density. And now |
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130:15 | can image a nice fault in Actually, it looks like a reverse |
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130:22 | . Then he ran some attributes on . This is coherence. OK, |
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130:30 | you like this color bar or that's up to you. But here |
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130:34 | seen parts of a mass transport deposit and here you can see all the |
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130:42 | pieces of a mass transport deposit. we'll talk about mass transport deposits and |
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130:47 | next week, but just think of landslide right where I got slumping going |
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130:56 | the slope. And then here coherence on the top. And then |
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131:03 | talk about curvature tomorrow and how it . But look at the difference in |
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131:09 | you can map. Look at the right now. We're gonna drill horizontal |
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131:14 | for this. I think I want know about that detail and then he's |
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131:18 | dip a dip angle. You're probably with that right now. OK. |
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131:24 | do we increase the bandwidth? we can do that through broadband acquisition |
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131:36 | nobody here likes disco. In I never liked Disco Banana, but |
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131:40 | don't know about the peaches, but of you like music, right? |
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131:47 | Coolio, you're gonna look, you cool. You look at cool out |
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131:53 | , staying alive. Good with the . So it's a mixture of rap |
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132:01 | disco. It is excellent. In music, we talk about |
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132:09 | That's the way we want to think terms of resolution. If I go |
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132:16 | 40 Hertz to 80 Hertz at 40 80 Hertz. That is one |
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132:25 | That's the same as going adding from to 5 Hertz. That's still an |
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132:30 | . OK? So that's what's And this work done in Oklahoma of |
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132:36 | places and um what they found they actually get data down to two and |
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132:44 | Hertz and then up come up at Hertz or so. So they got |
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132:51 | , maybe 5.5 octaves of data. most of the data you guys work |
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132:57 | uh might be 18 to 70 something like that. That's pretty |
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133:02 | But here to do this, they a yeah, they had to make |
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133:05 | vibrators vibrate longer. But what they had to do and this is something |
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133:11 | did 40 years ago, we would our geophones and put the geophones on |
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133:20 | table and shake the table. So shake it at two Hertz, three |
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133:25 | , four Hertz, we call them table and we measure the output. |
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133:30 | the input, here's the output and gonna be a little phase change. |
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133:34 | ? And both, especially below the of the geophones. So geophones, |
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133:38 | kind of resonate at 10 Hertz. it's a two Hertz, they're too |
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133:42 | to carry. So they kind of at 10 Hertz and below 10 |
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133:46 | the phase rotates a lot. And theory, the convolution should take care |
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133:53 | all that in practice, the convolution do that well. So what these |
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134:00 | did, they actually measured their geophones they said, all right, let's |
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134:06 | a correction to the phase of the , 10 Hertz first. And then |
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134:12 | gets us pretty close and then de should work. And that, that |
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134:16 | their big breakthrough. So he's got good data at 2 to 4 Hertz |
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134:23 | . OK? And this is the data we get. This is what |
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134:26 | like to have all the time. . So that's state of the art |
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134:33 | eight years old. Now, another with white as if I skipped, |
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134:45 | , I probably have a, I a bunch of skip slides in these |
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134:49 | , not skip hidden songs that if in, what's your least favorite part |
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135:01 | Texas? I don't know. West Texas like the mountain part or |
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135:08 | flat part, flat part. So we're down there at the Texas |
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135:16 | . It's Yeah. Have you been ? Yeah. OK. So you're |
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135:21 | there in Texas that basically darn I weigh my geophones out uh in |
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135:29 | 880 ft apart. OK. So kind of cool. Then I wanna |
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135:35 | as much energy in the ground as . And traditional, what we used |
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135:40 | do is my vibrator would sweep four at the same location to get more |
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135:47 | . It's kind of a macho you know, more energy, more |
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135:52 | then now what we do, best is sweet once, then drive to |
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136:01 | new source location and have more force . Ok. And just sweep |
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136:10 | So the amount of energy we have the ground is one half as |
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136:15 | Ok? Because we only swept but we swept in two different |
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136:20 | Now, if I have incoherent like the wind blowing through the trees |
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136:24 | the birds chirping and the traffic on 45 well, repeating the data four |
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136:30 | helps against random noise. However, problem is the energy bouncing off of |
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136:39 | wall to the side of me and repeat four times at the same |
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136:44 | the signal to noise ratio is exactly same because I get the exact same |
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136:48 | coming back, right? I got ground roll coming back and forth each |
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136:54 | . So I don't have any leverage I move it to a different |
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136:59 | Now, I have a little leverage the travel times are distant difference. |
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137:04 | horizontally and through processing the travel times a deeper reflector are about the |
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137:11 | So that, so the way we it now is we try to have |
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137:16 | sweeps at a location. I have bunch of slides in there that, |
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137:19 | show that as well. Oh One time instead of two, it |
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137:27 | time to drive your Viber size to other location. You want to do |
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137:33 | the best data you can acquire but best data for the same money, |
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137:39 | best data you can get for the your manager budgets for you. So |
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137:46 | , that's the, that's the correct answer. OK. All right. |
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137:52 | factors of affecting lateral resolution side to , there are things we can control |
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137:58 | little bit, the source bandwidth size location of migration aperture. I'll define |
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138:04 | velocity depth model. How accurate are alias noise? How dense are |
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138:10 | Uh the migration algorithm are we gonna uh Utah's migration algorithm? We're gonna |
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138:15 | some garbage that we got. We're gonna use a good one. |
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138:20 | things we can't control subsurface illumination due the overburden increasing velocity with depth means |
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138:27 | gonna lose resolution with depth. I'm have loss of frequency due to geometric |
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138:34 | intrinsic attenuation. So geometric attenuation scattering of a Ruba surface like the ceiling |
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138:41 | , intrinsic continuation like the squirt I talked about last week with three |
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138:47 | four points. All right. Uh just gave a talk down the hall |
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138:54 | at before when we came into here she's a Chevron now. So here |
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139:03 | the um here is the oh here's down going way from the source. |
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139:13 | the receiver, here's the midpoint. the migration aperture is, how far |
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139:20 | the side do I take this ellipsoid Howie Joe talked about, how far |
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139:26 | I propagate it? OK. And may say, oh I wanna make |
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139:31 | as big as possible. Well, good. If your velocities are good |
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139:37 | it also the bigger the migration the greater. If you double the |
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139:44 | aperture, you quadruple uh computation And for migration of big 3d |
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139:51 | we're talking one and $2 million. there's a difference between $1 million.04 million |
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139:57 | you need to think about that. notice that the waves turn sideways as |
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140:03 | go deeper. So all of a vertical resolution becomes lateral resolution and here's |
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140:13 | in migration velocity. So if I a, if I have an error |
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140:17 | the migration velocity and how I almost talked about this, I want to |
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140:21 | this with a hyperbola. Well, low frequency part, the peaks and |
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140:27 | will be constructive but the high frequencies be destructive. OK? So I'm |
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140:33 | have a lower resolution and then my are gonna be in the wrong |
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140:39 | OK? And here's high resolution. you. Then here's a merge survey |
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140:47 | this comes from a Fairfield advertisement one company, two and each of |
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140:55 | were required and processed by different So uh Fairfield uh Cel uh even |
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141:04 | , they're data brokers. OK. BN Field, you're working in the |
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141:14 | , right? OK. So, Field, Chevron says we don't want |
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141:20 | stinking bin. OK. So they're sell their acreage and the seismic data |
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141:27 | it and uh maybe they'll sell the data to or they'll license the seismic |
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141:36 | to Cel and Cel will take the survey and the Continental Resources Survey, |
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141:48 | is one of the big competitors in Bakken. Who else is up |
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141:53 | You know which one? OK. there's, let's say three of them |
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142:02 | there. OK. Now we're gonna those three surveys and we're gonna reprocess |
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142:07 | , but before, before migration. . So each one is gonna have |
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142:11 | source, different kinds of sources. are dynamite. Some are vibrators, |
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142:17 | are acquired in different orientations at different and frequencies in the ground. Uh |
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142:23 | of the ugliest thing is every survey a shot 0.1001 1002 like, |
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142:29 | I gotta remember everything and that, the way is a total nightmare. |
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142:33 | one of the most tedious part. never look your type. Don't choose |
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142:40 | merged seismic processing problem as a OK. Don't, don't do |
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142:48 | It's really tedious, really tedious. now they do do that. This |
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142:55 | part of their business and then they it. OK. So you give |
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143:01 | one library book and then they reprocess , mix it with other library books |
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143:10 | then they sell it to maybe 10 the new operators who want to get |
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143:15 | there. So you look at this , let's say this is the Texaco |
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143:20 | , careful with my fingers. let's say the one on the left |
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143:26 | uh a Texaco survey and the the one on the right is an |
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143:32 | survey. OK? And I've got folks here don't see them very |
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143:39 | Let's merge them to really image these . The Texaco guys need the amical |
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143:45 | because those ball plane reflectors and the of the diffraction are actually required in |
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143:52 | survey. So now I need those . OK? So after the |
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144:01 | I get this image, I mean look at the difference here between the |
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144:04 | and the right on the right. see those faults really nice. So |
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144:09 | is the same piece of garbage data into it. It's just I comb |
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144:16 | and increased the migration aperture. That the diffraction that were required in survey |
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144:23 | two, they're being put in the place and survey number one. |
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144:31 | So here's one from Anna Darko Basin Oklahoma and uh George Annis. Uh |
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144:39 | uh ran coherence and here's uh a 96 survey and it looks OK? |
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144:46 | nice channels in here. I got footprint and then theory I'm never |
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144:56 | So the same input data from what call the Watonga Oklahoma survey and then |
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145:03 | or four neighboring surveys. OK? here we're after Strat Democratic features. |
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145:10 | two things are valuable with a mega . One is, I'm sorry, |
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145:18 | see you that the channels are much , much sharper that more geology. |
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145:31 | kind of nice too, right? I can put things in proper |
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145:35 | So on the vertical section, you better. Thank you. And here's |
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145:40 | decomposition. So we're looking at three looks looks fine but then merge. |
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145:49 | , really helped a lot better signal noise, more geology. So mega |
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145:57 | surveys, they show more geology such your play can now be put in |
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146:02 | regional context. The data quality is due to improved processing technology, you |
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146:08 | , maybe they were required 1015 years and the data from neighboring acreage images |
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146:15 | dip and bulks and your acreage. why Asmus land data cost about 5 |
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146:22 | 10% more than narrow Asmus data required because you have to pay for more |
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146:28 | . Ok? But they're cheap pro made an isotropy as well with Leon |
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146:36 | , we'll talk about when you take class from him. Long offsets provide |
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146:40 | leverage against inter bed multiples or less by ground oil. Uh Surveys should |
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146:48 | extended far enough beyond your acre acreage good images of steeply dipping structures to |
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146:56 | at the uh Gulf of Mexico. The steep sal combs, you might |
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147:00 | to go 10 miles away from that comb to record and state to image |
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147:05 | right. Um Cut out some merge and large spec surveys often have excellent |
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147:12 | aperture. So you're working for a company, Bill Bob Oil Company. |
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147:19 | . And they've got acreage here. got, you know, let's say |
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147:25 | square miles and they go to CGG CGG has a mega merge. That's |
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147:34 | , 0, 10,000 square miles. mean, they get really big. |
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147:38 | call them gig emerge surveys at that . And you just wanna get |
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147:42 | Ok. They're gonna pay, they're charge you per, per square |
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147:47 | Are they gonna reprocess just for No, they're gonna go in their |
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147:52 | room and say, well, cut for Bill Bob Oil Company, cut |
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147:57 | this square or this funny shaped polygonal . So you're gonna have the advantage |
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148:03 | all the neighboring data to image your . So you're much better off having |
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148:10 | from a mega merge than repros data over your area. Then uh if |
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148:21 | , agriculture terrain allow, um then provide superior resolution and less footprint at |
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148:29 | cost to conventional surveys. So that's why I asked Zack about his |
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148:34 | not favorite place in Texas. If went and wanted to do identity up |
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148:43 | Sam Houston Forest, north of it would cost more money. Or |
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148:49 | big thicket east of here would cost money because you'd have to somehow magically |
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148:57 | your, you, you, you get your vibrators in there. You'd |
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149:01 | to helicopter in a dynamite. So would go way way up. But |
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149:07 | you're on the, the Prairie of and it's not wheat season or if |
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149:12 | had a big fire like a lot places recently, it, it doesn't |
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149:18 | any more to get the high Ok. So any um questions? |
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149:33 | ? Sorry, I gotta come All I'm hearing is uh ok. |
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149:40 | you know where the 100 some for came from? The, the name |
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149:45 | why picture? Oh, what which between traces or between the the bin |
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149:54 | interval? Oh, ok. Oh, you want, you want |
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150:06 | to share that with you? so we need to have some cocktail |
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150:15 | . Why are there 5000 280 ft a mile? Anthony? Nobody |
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150:29 | Ok. Well, so now you're be fun at the cocktail party. |
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150:33 | drinks cocktail anymore. Oh, El Patron. You drink El |
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150:36 | right? Um, so mile go Spanish neither. What's that mean? |
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150:49 | , go to Spanish beer. Yeah, 1000 so left, |
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151:00 | I had a home and I left paces. Mile passos, Latin. |
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151:09 | . It's the way the Romans measured , but they would have a mile |
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151:14 | every 1000 paces and their pace was ft. Ok. So that's, |
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151:22 | where the word mile come from. , that's the, that's the cocktail |
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151:25 | conversation. Did you know that? , then, yeah. And then |
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151:30 | start walking away, you know, jokes with equations and doesn't go over |
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151:34 | either, you know. Yeah, didn't know that. You wonder why |
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151:39 | walked away, right? Um, let's break it in half, breaking |
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151:45 | half. Again and break it in again. So that's got his phone |
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151:54 | , uh divide 5280 by, I know what 16, what do we |
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152:01 | ? 330? Ok. That's where comes from, uh, divided by |
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152:09 | . No, 50 to 80. is 220? Ok. That's the |
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152:19 | short and receiver 48. So what , there are intervals of a |
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152:25 | So in the, in the United you go to school here? |
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152:31 | Ok. In school, did they about townships and ranges? Ok. |
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152:43 | . Well, no, that's not and 10, but in the United |
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152:46 | in 1789 when we have the northwest like Ohio, right? You |
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152:54 | you don't like anybody from Ohio. . Ohio. They said we're gonna |
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152:59 | the northwest territories which were, we're gonna let it be claimed by Virginia |
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153:05 | Massachusetts and New York and Carolina and forth. We're gonna let them become |
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153:09 | States. We're gonna break it on grid. So the grid and the |
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153:17 | and western United States is recto and grid. Ok. And they're |
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153:22 | they're made into sections. Each section 36 square miles. So they're six |
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153:27 | by six miles and then one square of each of those 36 uh square |
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153:40 | is for public education and you can it or, you know, |
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153:46 | but you can't sell it and that for the land grant school like Texas |
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153:50 | and M and Oklahoma State University quite that. So, um, |
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153:58 | that's why we have miles. Like here in Houston. Houston is really |
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154:07 | in terms of Elgin becomes Lockwood becomes , right? Like, what kind |
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154:19 | city is that? Where the same has three names? No wonder why |
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154:25 | always lost. Ok. But other like Oklahoma City, Tulsa, |
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154:31 | they're on a rec to win your and I'm going to name the |
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154:35 | first street, second street, third , and then ABC D street or |
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154:41 | of Mississippi, western Mississippi cities coming that, you know, real, |
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154:45 | common. So that all that grid part of it and that's part of |
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154:49 | system. So that's, that's where o comes from and why everything is |
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154:53 | in the quarter mile except for older of Texas because that was Spanish and |
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155:01 | of that was using the Spanish, Spanish system. So when you look |
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155:05 | the counties in West Texas, they're rotated and stuff anyhow. OK. |
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155:13 | any other questions you're afraid? I got you scared, right? |
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155:18 | I might talk for 10 minutes. . Ok. If not, we'll |
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155:24 | at 830 in the morning, we'll across the street again if you can |
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155:28 | in right in the Fleming. at the car tonight. And if |
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155:35 | were ill, send email and we do to you. Ok? You |
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155:40 | , you rather meet here. It's to you guys. Yeah. |
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155:44 | You just have to remind me not go waving at the board. |
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155:50 | Ok. So we'll meet here tomorrow at 830 and you'll make coffee out |
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155:55 | the hall. Good. Ok. , good. Midday. The next |
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156:01 | , Beak Mozart, you know the , |
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