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00:00 | 100. Mhm. Mhm. All . You guys it is time I'm |
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00:12 | hit a timer for five minutes. what I'm gonna do here is we're |
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00:17 | to spend about five minutes. exactly. five minutes. That's less |
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00:22 | five minutes talking about the calibration, paper that you guys are. |
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00:27 | if we're gonna keep this really, simple, I want you to tell |
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00:29 | what your thoughts were of that Just spit them out. Don't don't |
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00:34 | shy. Just I didn't think it that bad? Atrocious. Simple, |
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00:45 | . What's that? Too much or enough? I couldn't hear you too |
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00:52 | . Paragraphs were incredibly short, complicated things, context because Okay, |
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01:05 | , I'm getting this. Let me some over here. What feedback? |
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01:09 | , sir, tenses were wrong. . Okay. So, we're getting |
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01:16 | good sense that when you read the , when you were when you were |
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01:20 | two thirds of the way through the , Were you angry or happy? |
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01:25 | ? Okay. So by the end the paper I'm looking you're like, |
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01:29 | wouldn't find the guy and punch Yeah. Why are you wasting my |
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01:33 | ? Right. All right. at the end of the paper, |
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01:36 | it was time for you to grade or as you're grading, how did |
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01:39 | grade the paper? You you great badly. Too nice to nice to |
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01:49 | . And you found that when you your calibration score? It was |
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01:53 | really bad. Okay. All What you're finding out is that your |
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02:00 | don't know how to Right now. you all of you know how to |
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02:03 | , but you're gonna find out your don't know that. All right. |
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02:07 | right. No. So, what was was that was actually an example |
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02:11 | a bad paper. All right. what's going to happen is you're gonna |
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02:15 | across a paper like that. You actually produce a paper like that. |
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02:18 | right. Now, remember, the of the paper assignment in the peer |
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02:22 | assignment is to learn how to write to learn how to how to to |
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02:27 | at a paper and determine whether or it's good writing in other words. |
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02:31 | trying to see how to communicate and trying to inform the person who's trying |
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02:34 | communicate whether or not they're communicating All right. So, if you |
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02:38 | yourself with a score calibration score, was way, way off. Then |
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02:43 | you're doing is you're being too nice you're not helping out that writer. |
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02:48 | . What you're doing is like, just gonna I'm making some assumptions |
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02:51 | So, again, this paper like or five years old. Oh, |
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02:58 | english is obviously not their first So, I'm I can't possibly count |
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03:03 | wrong. All right. That's It might have been english as a |
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03:08 | language student. Right? But how they going to learn how to write |
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03:11 | english as a first language If you sit there and go look um your |
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03:16 | languages off your your tenses are Right? You're not using the proper |
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03:21 | structure. All right. Now, doesn't mean you have to be a |
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03:25 | . Nazi, good news. You have to correct anybody's paper. There's |
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03:28 | of you are like, I've got correct the paper. You don't have |
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03:31 | do that. But the idea here you're going to help them because |
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03:35 | we have a first draft and then have a second draft, right? |
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03:40 | final draft. And so by speaking to the writer, what you're gonna |
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03:46 | is you're going to allow them to where the flaws are so that they |
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03:49 | correct them. If there's a flaw your paper, that doesn't mean you're |
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03:52 | terrible person. I write terrible crap the time. I get up here |
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03:56 | make mistakes all the time. You me make mistakes. Thank thank you |
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04:00 | affirming me. Right? But here I should check to see if I'm |
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04:05 | right. The idea here is no, no, no. We |
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04:08 | want you to be better. And we you don't go into it with |
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04:12 | idea that, oh, I've got be the bleeding heart for this person |
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04:16 | that their feelings aren't hurt. Doesn't how good or how bad you grade |
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04:21 | , They're being judged. Their feelings going to get hurt. Right? |
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04:25 | trust me, each one of you really a subset of you are going |
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04:29 | email me and say it's not fair this guy said or this this reviewer |
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04:33 | about me. I've already heard What I'm one of these small |
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04:39 | Not fair. They didn't do. like, no, no, |
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04:41 | no. It's entirely fair because your does matter right? Some of you |
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04:46 | going to be a little tougher than . But what we need to do |
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04:49 | we need to kind of come into agreement and kind of say we recognize |
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04:52 | bad is, we recognize what good and we recognize what kind of sits |
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04:56 | between there. All right. So what this calibration is about. So |
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05:00 | we in agreement that this person was ? Is it okay to give them |
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05:05 | bad grades. Now, again, bad grade is going to be kind |
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05:09 | subjective, right? The worst you do if you turn anything in, |
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05:13 | you like literally if you turn in title and a couple of sentences, |
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05:16 | getting a 50 that's like the worst can do. You see of since |
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05:20 | , oh man, maybe this assignment as horrible and terrible as I thought |
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05:23 | was right. Uh, there's my going, nope. All right. |
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05:28 | the worst that can happen. All . Now, some of you are |
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05:32 | to want to say, everyone did and they want to get perfect |
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05:35 | reserve those perfect scores for perfect Papers, do you think are going |
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05:40 | come out of this class. That's . Big fat goose sake. All |
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05:44 | . Now, there's gonna be stuff see that. Yeah, that was |
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05:46 | of good. I really like So again, you can give good |
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05:50 | . Don't don't hold back if something really good, but don't just go |
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05:53 | all the way down because it's not to happen. I mean there's no |
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05:58 | writer. All right. So let just give you a sense of what |
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06:02 | graded this paper as I have to to the old folder. All |
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06:05 | So this first paper I had given a really good score on their |
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06:10 | I thought their title is just Give him five. All right. |
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06:15 | then it was (111) 111 111 1111111112 maybe a three because they didn't include |
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06:25 | and I was going to kill them of that gave him three for the |
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06:28 | is not used 11 A two and one that comes out to as an |
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06:34 | Um 32 points out of a possible 10 or 54. So that was |
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06:39 | crappy paper. All right. what would they have done? They've |
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06:43 | to make corrections come back and probably forth forward and average to a better |
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06:49 | average to better, Does that make ? And that's not a bad |
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06:53 | Right. We want to see So don't be afraid to do |
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06:58 | Now thursday we have a test. not excited about the test. |
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07:05 | It means the classes halfway over. that's C. A. Which means |
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07:11 | halfway to christmas or christmas break. you want to celebrate. All |
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07:16 | So so you know on thursday we an exam and then on that Tuesday |
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07:22 | week you have your second calibration now the heart paper? I mean apart |
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07:28 | irritating you, Was it hard? mean to take a lot of time |
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07:31 | effort. It did well. I just to grind through it. |
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07:37 | So imagine I just want you to this for a second. I know |
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07:40 | going over my five minutes. Imagine professor at T. A. Reading |
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07:45 | of papers like that. Okay. . It's it all of a sudden |
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07:50 | start understanding why we're grumpy people. ? But in the peer review |
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07:55 | if five people can come to an , remember everything is blind. You |
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07:59 | know who your reviewers are. You know who you're reviewing unless you actually |
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08:02 | your name on a paper which please . Right? You will actually see |
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08:07 | a lot of commonality in your So watch for those. Okay. |
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08:11 | next week that's our 2nd 1. and since I know you're gonna ask |
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08:15 | . How are we graded on How does this count? What does |
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08:17 | mean? All this stuff you have calibrations. I take the two top |
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08:21 | and I average them. All right whatever you have from those two |
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08:26 | If it's lower than in the 80 you're going to start getting a penalty |
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08:30 | your paper before you freak out. that penalty looks like basically what I'm |
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08:34 | . Can you be within 20% of I think these grades are? So |
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08:39 | it's a really, really wide margin . So let's say you get like |
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08:42 | 75 average then you'll have 750.1 points .05 points taken off your paper so |
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08:50 | really matter. Okay. What if 60 points where 70 points away? |
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08:55 | like double that point to and then kind of goes up. But if |
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08:58 | stop start blowing them off then it counting against you. So do |
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09:04 | It's really not much of a penalty you never ever calibrate or you don't |
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09:08 | them. That's really the idea. . You're like, I don't like |
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09:15 | . Trust me. It's not that of deal. Just do the |
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09:18 | Try to do your best. That's why you get two shots, |
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09:22 | shots. So if you like really up you can bring it up. |
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09:26 | . Is that all right? Yes, yes, we are |
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09:32 | We are live and the thing is back and forth. So what happened |
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09:38 | thursday? We actually recorded the whole . But then I got excited talking |
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09:41 | people and then I click the the little X on the top corner |
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09:44 | of actually pressing the save button. all that recording disappeared. That's why |
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09:48 | don't have a recording. All couple of things we're going to cover |
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09:53 | . All right. First off, gonna look at circuits. All |
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09:56 | We're gonna talk really really fast. . We're gonna look at uh mapping |
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09:59 | the brain. All right. how does the brain map information? |
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10:03 | ? We're going to jump over to . We're gonna talk about skeletal |
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10:07 | And then we're going to try to cardiac muscles and smooth muscles. |
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10:10 | I've already submitted all the test stuff to caSA. So everything we're supposed |
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10:14 | talk about today is already on the . All right. Good news. |
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10:18 | not hard bad news. It's still we have to cover. So, |
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10:22 | start circuits, circuits are easy. , circuits are basically synaptic lee, |
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10:29 | networks of neurons. You see it there on the slide. It must |
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10:32 | true. Okay. Now circuits can both local or they can be um |
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10:40 | a short region of the brain. right. So, when we're talking |
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10:44 | circuits, we're gonna be focusing here these local circuits. And so they |
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10:47 | have the same. Yes, Right. No, no. That |
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10:55 | what we went through. Yeah. , when I asked how did you |
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10:58 | like the paper that was us going basically the paper. Yeah. When |
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11:03 | guys say it sucked. I don't we need to elaborate on that. |
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11:07 | mean, we could And how did suck. I mean, well you |
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11:10 | did so right. But we could at all the different parts of But |
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11:14 | aspect of this paper really sucked. . So All right. So when |
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11:20 | look at a circuit, remember it's to have an input. It's gonna |
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11:22 | outputs. And there's gonna be this . And really what you're trying to |
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11:26 | with is you're trying to uh take information and integrated so that you can |
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11:31 | some sort of response. So, idea is information comes in, you |
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11:34 | that information goes out. All And there are things called microcircuits, |
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11:38 | we're not going to deal with. so, what I want to show |
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11:41 | here is basically what a local circuit like. And so this is an |
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11:44 | of the local circuit. All You'll see it's over here as well |
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11:48 | board and over there on the Right. So what do you have |
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11:50 | have input? So that would be information coming in in this particular |
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11:55 | it sensory information coming in and then might actually have descending axons coming out |
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12:01 | also are not interfere with. But interconnect. And join with inter neurons |
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12:07 | are going to be in the process processing processing takes place at the inter |
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12:11 | . So they take all that whatever it happens to be. And |
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12:15 | what you're gonna do is going to some sort of output which is going |
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12:17 | be a motor neuron and a motor . All right. Simple example of |
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12:22 | local circuit. All right. What in the brain? Well, brain |
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12:27 | kind of the same thing. We input coming in. So these would |
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12:29 | a sin. The axons might be neurons coming from other areas but basically |
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12:34 | other adjacent murals neural circuits. But comes in. You have inter neurons |
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12:40 | process and information leaves to be able projection fibers to some other point in |
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12:44 | brain or some point down in the cord so on and so forth. |
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12:48 | what do we have input processing Very very basic. Okay, so |
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12:54 | reflex arc is an example of a circuit. Here's our reflex arc. |
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13:00 | right. What do we have? have an input that comes in? |
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13:04 | have processing at the inter neurons and we have an output via motor |
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13:09 | Now, just so that you the spinal cord is responsible for the |
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13:14 | part for all your basic reflexes. that mean there are no reflexes up |
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13:18 | the brain? No, there are further up. But we want to |
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13:22 | on those basic reflex. What is reflex? It's a song by |
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13:27 | Duran from the mid 80s but it's a rapid pre programmed involuntary reaction. |
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13:34 | muscles or gland to a stimulus. right. That's the strict definition. |
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13:40 | , so these words all have So, what is the stimulus? |
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13:42 | just sensory input that initiates the It's a rapid response. Very few |
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13:47 | are involved. You can get you use the model as an example. |
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13:50 | programmed. You will get the same every single solitary time. Have you |
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13:54 | done that to yourselves? It's a of fun. I mean, you |
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13:58 | get a hammer or you can use hands. Okay? So all you |
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14:00 | do is cross your leg and just there and just hit that tendon over |
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14:04 | over again. And you're going to because you're golgi tendon. It's basically |
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14:10 | you'll always get the same response. can't stop it. All right. |
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14:13 | involuntary. You don't consciously do it you can't suppress it. So, |
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14:19 | what reflexes. Now. There are types of reflexes. There are basic |
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14:23 | . These are the built in Have you ever smiled at a |
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14:26 | Look at a cute little baby. you get in there. You was |
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14:29 | baby. Due smiles right, back at you. I'm going to eat |
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14:35 | all up. Right. You don't what you're saying. He's just mimicking |
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14:41 | . Right? That's a baby's innate . But there's also conditioned reflexes. |
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14:47 | right. When you're in high the bell would ring. What would |
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14:49 | mean? Get up pack my bags to the next class? All |
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14:54 | You all learned about Pavlov? All . You're basically Pavlov's dog. The |
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14:59 | is not they're not bringing the bell dinner there ringing the bell. So |
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15:02 | can go to your next torture I mean next educational experience. |
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15:08 | So, you can have a conditioned as well. All right. That's |
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15:12 | a learned practiced reflex. Here's an one for you were talking about this |
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15:18 | before everyone came to class. You're along the street light turns yellow. |
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15:22 | do you do? You speed It's a conditioned reflex like yellow light |
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15:27 | I've got to go faster. All , So, this is the basic |
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15:33 | reflex art again, drawn on either of the board, and you'll notice |
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15:37 | this is a pattern that we've seen and over as we've talked about the |
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15:41 | system. All right. And this how it works. We have a |
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15:45 | that responds or receives the stimulus, signal that it produced. An action |
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15:50 | travels up the axon via the a pathway. We use a parent because |
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15:56 | fair and different sound an awful lot when you use it with the texas |
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16:00 | , right? Afrin and different. , so a favorite pathway. Then |
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16:07 | going to terminate onto the interneuron where get integration. In other words, |
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16:12 | it results in a response that travels the accent of the motor neuron, |
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16:17 | would be the different pathway and then effect er is the muscle or the |
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16:22 | downstream where you get the response. right. So, you stab yourself |
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16:26 | the electric nail, you're gonna move hand away if it happens on the |
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16:31 | side. Where in other words a in the effect on the same side |
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16:35 | that is called an IFC lateral spinal a contra lateral reflexes when the effect |
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16:40 | the receptor on are on opposite Okay, I'm going to show you |
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16:44 | example of that because you're probably thinking can't picture this right? If I |
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16:49 | my hand, I'm not gonna move hand away. Okay, but you |
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16:53 | see an example of a contra lateral . So those are the five set |
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16:56 | . A different path. The integration and then effect or now your reflexes |
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17:02 | either going to mono synaptic or poly . If it's basically a simple uh |
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17:08 | pathway, there's no interneuron and there's one motor neuron, that's only one |
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17:13 | hints. Mono synaptic. The example this is a simple reflex. Like |
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17:18 | stretch reflex. Right? The uh we see. Probably synaptic. What |
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17:23 | you have? You have to? if you have two or more, |
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17:26 | would be probably synaptic. The example the withdrawal reflex again. Ever done |
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17:30 | in the lab stick your hand over Bunsen burner good. You guys are |
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17:35 | lap safety protocols. Yeah, don't that. That's bad. All right |
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17:41 | the interneuron is processing information you can have more than one neuron feeding |
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17:47 | So the stretch reflex we've already looked . And what you can see here |
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17:52 | there It is. Here's the mono there's one and then you can see |
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17:55 | coming back and then here this isn't is not contra lateral, this is |
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18:01 | its lateral. But what we're doing we're inhibiting over here. And so |
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18:04 | would be policy synaptic. But this the actual reflex arc right? There |
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18:08 | the one working on that individual All right. Here's the gold you |
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18:13 | . And again, it's just showing that it's uh polly synaptic. |
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18:18 | So it's basically says the same thing the other slide told you. |
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18:21 | withdraw affliction is the example of both IPs lateral and contra lateral. |
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18:28 | So here we are standing on the snail shell. Alright. You step |
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18:32 | that. What are you gonna You step on something sharp? What |
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18:35 | you do you lift up your Right, so there's your reflex. |
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18:39 | you have to think about it? . So, it's all taking place |
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18:44 | up here at the level of the cord. All right. But if |
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18:47 | lift my foot up without putting my foot down, I'm gonna follow my |
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18:51 | all right. So the contra lateral of that reflex is to send a |
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18:55 | to push the other foot down. right, So there's the contra |
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19:00 | So its withdrawal and inflection is on other side. All right. |
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19:06 | here's the cool one. All It's the same thing withdraw affliction If |
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19:10 | is attacking you, this is the and grabs your arm and pulls you |
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19:16 | other side, naturally pushes away. withdrawal reflection. All right. Uh |
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19:23 | . No. So, for if I grab you to pull you |
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19:26 | me and you don't want to come reflexes to push with the opposite |
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19:31 | So it's a natural reflex withdrawal Alright, so you extend while you're |
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19:38 | pulling away. So crossed extensive All right. Ever watched catwalk |
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19:53 | So cool. Right? You scare ? They still walking like Yeah, |
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19:58 | not scared actually. I'm not a fan of cats, but I just |
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20:02 | way they walk is cool. They're like not going to put up with |
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20:05 | of your nonsense and when you close eyes and when rip out your |
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20:10 | Yeah. Yeah. Cats just tolerate food in their house. All |
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20:16 | What I wanted to show you why have this cat here is the |
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20:19 | P G C P G. S basically the rhythmic moves are responsible for |
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20:23 | rhythmic movements that we have in our . And so here's an example of |
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20:26 | walking. If you ever watched a walk. Not just a cat, |
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20:29 | we do the same thing that a does. Do. We walk like |
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20:34 | . No. Right. When we this foot goes forward, this arm |
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20:38 | forward. We tend to walk like . You're all going to leave the |
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20:42 | . Gonna start watching people walk. right and it's basically it's a combination |
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20:48 | reflexive and voluntary movement that are taking . Chewing is the same thing when |
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20:52 | chewing gum right now. I mean when you ask a question no one |
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20:55 | to admit it because it's like for you've been trained not to chew gum |
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20:59 | class right? But anyone know okay people see now they're admitting it |
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21:05 | Oh you're in trouble, spit it , spit it out, spit it |
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21:08 | . Right when you chew. What ? Are you thinking about showing? |
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21:12 | it's like choco choco choco choco bored that side. Stick to the other |
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21:18 | . You don't have to think about right? It's a natural response because |
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21:21 | happens is is you create a pattern being generated that basically as I create |
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21:28 | , I'm gonna open my mouth, pressure, open my mouth over and |
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21:31 | and over again. That's the All right now what this is is |
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21:37 | a cluster of neurons that are creating cyclical time signals to create this |
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21:44 | All right. And so this is in the brain stem and the and |
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21:46 | higher cortex. You do not need know the structure of the picture. |
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21:50 | about to show you. This is to demonstrate the complexity of the |
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21:55 | P. G. S. See got here we got two neurons that |
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22:01 | descending along two pathways which have inhibitory and excitatory neurons in between them. |
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22:06 | , as one pathways excited inhibits the and then it creates a reciprocal cycle |
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22:12 | basically inhibits the first pathway and excites 2nd 1. So what you do |
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22:16 | you end up with these opposing series action potentials that look a lot like |
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22:24 | . Okay. And that's why you . Well, sorry, I can't |
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22:28 | it now. It looks weird when walk like this. Right? It |
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22:32 | be okay. That's right, opposing . All right. This is what |
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22:42 | referred to as the half center model it's just one example of the type |
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22:47 | patterns that are produced through a CPG what they picture these neurons to look |
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22:54 | . Alright. Or these circuits look . So, I've told you, |
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23:01 | think I've told you over and over . The brain is highly organized, |
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23:06 | I? Said that. Okay. all right. It's not just a |
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23:09 | of wires going all sorts of The way information is processed where it |
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23:14 | in the brain and how it goes the to the brain all of it |
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23:17 | the way has an incredible amount of to it. And what we refer |
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23:22 | the area in the central nervous system the cortex where information is processed actually |
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23:28 | organization to it. And what we is we call this neural mapping, |
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23:32 | other words, there are parts of brain where you can point to it |
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23:34 | say this is where blank occurs. is where I recognize uh touching my |
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23:40 | . All right. This is the where the motor neurons originate to cause |
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23:44 | toes to wiggle that sort of And this is true for all sorts |
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23:48 | places now. In terms of information in, This is what all this |
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23:52 | to, right, is that there different modalities, so different things that |
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23:58 | receive sensory input from that are found different places and mapped in different |
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24:03 | So visual and somatosensory. Use spatial . In other words, the position |
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24:10 | the stimulus within the context of whatever map is. Alright, auditory. |
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24:15 | use frequency maps. In other there's a order in terms of the |
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24:19 | in which um stimulation is curtain. you can map parts of the brain |
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24:23 | okay over here are high notes. your low notes. All right. |
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24:27 | you look at the olfactory gustatory they're really complex here. We're dealing |
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24:31 | chemical shapes. So you'd be like here, this is where we have |
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24:35 | that are like acetate and over here things that are like, I don't |
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24:39 | , make up some of some other molecule and everything in between. And |
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24:44 | when you stimulate those different parts of brain, your brain then says, |
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24:49 | , this is what I was stimulated . All right. That's how it |
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24:55 | the unique things that you're looking All right. What I want to |
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24:59 | to do is I'm gonna try to you what these maps look like |
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25:02 | Before we move forward, I want to understand what I have. We're |
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25:05 | here. Is that neural maps are precise there fuzzy, right? |
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25:10 | Kind of like 20th century are like century maps of a coast, |
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25:15 | They lack the accuracy of you I don't know, google maps, |
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25:23 | images, Right. It's some guy a pin going and it looks kind |
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25:27 | like this. Alright. That's what maps are. And that means they're |
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25:31 | plastic meaning they can change depending upon the brain uses that part of the |
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25:39 | mean, of of that map for area. All right. So, |
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25:44 | we're looking at here is the somatosensory and the motor cortex. So one |
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25:48 | input, one is output. All . And if you look at this |
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25:52 | up here, this would be status down here is motor. It's what |
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25:56 | refer to as the somatosensory homunculus and motor. Homunculus. Anyone here not |
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26:00 | human Oculus is Okay. What's the ? All right. So that's that's |
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26:14 | . But I mean, you're you're the right track. You're trying to |
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26:16 | very specific. Homunculus is simply Like Alright, it's not quite |
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26:22 | but sure. Does have a lot features like a human, Right? |
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26:26 | most of you are sitting there okay. I saw full metal |
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26:29 | I know that my uncle uncle. , I know, I know what |
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26:33 | don't know, I know exactly what guys are thinking and the rest of |
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26:36 | are saying. I don't know what know what you're talking about guys need |
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26:39 | get out more. All right. right, but can you see |
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26:42 | Can you see the body up Right. There's a body shape over |
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26:46 | . Here's a face shape. There's mouth shape so and so forth. |
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26:48 | all this stuff that belongs to human there? It's just not quite |
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26:53 | is it? Alright? But what is showing you is where within the |
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26:58 | we receive that stimuli. So if foot is being touched then it would |
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27:04 | this portion of the cortex that is being stimulated within that region. That |
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27:10 | . Alright, suppose Central Gyrus, would be pre Central Gyrus. |
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27:14 | so that specific location. All Now, the other thing you'll notice |
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27:19 | is that different things have different So for example the foot and the |
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27:23 | are pretty big. The faces huge so are the lips. Why? |
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27:28 | , Well, the reason is that are areas where we actually contact the |
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27:33 | environment most frequently and probably are getting most input so that we can understand |
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27:38 | environment. Right. Hands we touch a lot. Not anymore. But |
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27:44 | mean at one point did you touch all the time. Yeah. |
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27:49 | What about your lips? What do touch a lot? If you say |
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27:53 | people's lips we'll need to have a But but it's actually food. That's |
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27:59 | first place where you know, we're note where danger is coming from for |
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28:05 | internal organs. Right? So if if you're like, like me and |
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28:10 | like spicy food, your lips are to start burning and it's kind of |
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28:13 | you, oh, guess what you're for a long night, right? |
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28:18 | a bad example. But you can the same sort of thing. Look |
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28:21 | the tongue, tongue is huge as . All right. But you can |
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28:24 | the areas where, you know, to get a lot of sensory input |
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28:28 | my elbows. Not really. So a very very small area. |
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28:31 | ma'am, know that. Yes, where the processing is taking place. |
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28:39 | . And so what this is showing is where that signal goes, so |
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28:42 | its process so that we can understand . And so the human Oculus, |
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28:45 | terms of the map, shows you much sensory input, how much processing |
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28:50 | actually being done in that area. , it's a size thing, |
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28:55 | It's relative to its size. It's shown on the map or on the |
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28:58 | Oculus. Alright. And then down , here's the motor and again, |
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29:02 | doing the kind of the same thing the hand is huge. And you |
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29:05 | imagine why. Right? I mean are creatures that use our four limbs |
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29:10 | manipulate our environment. And so we're , very dexterous when it comes to |
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29:14 | hands and our fingers. Right? so sending motor signals and motor processing |
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29:19 | going to take quite a bit of cortex in order for that to |
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29:23 | Right? What if I lose my ? Well, I'm not going to |
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29:27 | my hands so this area is gonna shrinking down and the areas that make |
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29:31 | for it are going to actually kind grow. This is a plasticity that |
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29:34 | described. Yes ma'am. Alright, phantom itch is a good question. |
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29:40 | ? You've heard about phantom itch? lose a limb and you get that |
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29:42 | strange sensation right? It's like there's itch that I feel over here but |
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29:47 | have no hands. So why? remember the neurons from the somatosensory cortex |
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29:53 | ? Are still being fed by nerves are at the end of that |
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29:57 | Well, where do those nerves map back to their location up here? |
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30:02 | don't re map to the end of stump there still mapped a hand that |
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30:06 | exist. Yeah. So, so if the shrinking would be here |
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30:14 | the case of the motor, if damage those neurons in other words have |
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30:18 | just excise then the somatosensory cortex would because I'm no longer having neurons feeding |
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30:24 | particular location. But the phantom itch from. Is that neuron is still |
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30:30 | as if it were receiving information and brain perceives that the hand is still |
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30:36 | . Which is why the ends of fingers still itch that don't into my |
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30:39 | that don't exist. Still itch. makes sense. That makes sense over |
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30:43 | . Kind of Yeah. Okay, this is the retina topic map. |
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30:49 | so what you can do is take retina, flatten it out and basically |
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30:52 | just figure it as a as a that light hits, right. And |
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30:57 | information is sent to very specific regions the visual cortex in the back of |
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31:02 | brain. So this kind of shows are binocular vision how Yeah, the |
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31:07 | vision and then binocular vision on the and how each eye is responsible for |
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31:12 | of that receptive field and that information broken down and sent to the visual |
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31:18 | . All right. And then this just again trying to show it from |
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31:22 | different angle. So you can see if you divide that up where within |
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31:26 | visual cortex it goes. Now I'm to do is just keep this |
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31:29 | really simple, right? If you the I this stuff will take you |
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31:34 | to understand. I mean there are continue to a website that literally has |
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31:39 | and pages and pages on trying to this and I sat there I threw |
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31:43 | hands up because most complex thing is . You know, they call the |
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31:47 | that process color, they call them . Once you start calling an area |
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31:50 | the brain of blob as far as concerned, you're done because it just |
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31:55 | make sense right now. What's the way that the brain works and |
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32:00 | way that the I works is that that you're looking at is not a |
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32:04 | , what it does is it takes visual input and breaks it down into |
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32:08 | components so its color movement and form each of those things are sent to |
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32:14 | parts of the brain process so that understand something is moving, say in |
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32:18 | explain Oh, I also have an that processes information moving in the wide |
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32:25 | . And then I'm looking at areas density or color and stuff like |
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32:29 | All this stuff is processed independently and is brought back together so that you |
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32:32 | and you're going, okay, now get it. All right, So |
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32:37 | mapped, sent to specific areas and brought back together. It's not like |
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32:45 | . Mhm. On the left right, on the right, So |
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32:51 | ? One? Harvest snipped. You're , right. So, you're you're |
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32:59 | about something is really complex. So a left and right brain that can |
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33:03 | independent of itself and one I don't time to get into it and to |
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33:07 | don't really understand it all that. rather than saying something wrong and and |
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33:13 | falling into that pitfall of old he's just an idiot. And I |
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33:16 | believe they gave him a platform. just going to stay away from |
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33:19 | Mhm. Right. Because it's I mean there's like I'm not gonna |
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33:22 | not gonna remember everything but yeah, there's a the left and right side |
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33:27 | the brain can when you sever the closing can where they are completely unaware |
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33:32 | the other side. It's really Alright. The ear we don't spend |
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33:39 | lot of time talking about the we talk about the mechanism but the |
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33:43 | of your look at the person next you, just kind of look at |
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33:46 | real quick. Yeah. Is it looking if you look at someone you |
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33:50 | at the shape is like you it's . It's funny it's actually designed or |
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33:57 | so that sound actually is directed to auditory canal. All right, |
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34:04 | Yes. Weird. Certainly. But , very functional. All right. |
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34:09 | so there are actual two planes that getting sound from. So when you're |
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34:14 | with the vertical plane. So where the sound coming from? It's coming |
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34:17 | from high basically how that sound is off the different structures of the outer |
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34:24 | tells your brain from where the sound coming from. So it's not quite |
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34:29 | echo but there is a timing issue one side. It says if it |
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34:33 | this way and I get to these bounces, it tells me the |
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34:37 | horizontal plane, a little bit more in both ears, high frequency sounds |
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34:42 | picked up by both ears, They both ears at the same |
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34:47 | All right. So you can't distinguish , oh, it's coming from this |
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34:51 | because it hits this one first present they're hitting but roughly at the same |
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34:54 | . All right. But you get intensities, so really loud over |
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34:59 | a little bit softer over here. must be coming from this direction. |
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35:02 | you don't perceive that but your brain remember amplitude is something that you're perceiving |
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35:08 | then low notes. Well that's going be slow. So you hit one |
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35:11 | first and then you hit the other second. So it knows oh, |
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35:14 | coming from this side, not that . And those two things kind of |
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35:18 | your brain a sense of why? here's the cool part ready if you're |
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35:24 | Do I have any engineers in And every now and then I get |
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35:28 | one biomedical engineer engineers love this slide this is what the circuit looks |
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35:34 | All right. It's very, very circuit. All right. What we |
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35:37 | and this is where I'm trying to in on is here, this is |
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35:39 | delay line and a coincident detector. right, So here's your two sides |
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35:44 | here on the left here, you hear the sound hitting this first hitting |
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35:47 | second. So you have a nucleus you have these coincidence detectors And so |
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35:54 | the line comes in and so when two sounds stimulate the same neuron at |
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35:59 | same time, then that's an indicator distance of which side is coming |
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36:06 | So if it's out of sync, brain just ignores the signal. But |
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36:09 | it's in sync, it's telling you is where the distance it's coming |
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36:13 | it's because of the delay line. of these is longer than the |
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36:17 | And so when they synch up, telling you exactly which side is coming |
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36:24 | . Well, how's it mapped? of a piano? All right. |
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36:28 | when you get up to the uh auditory cortex, this is not the |
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36:33 | cortex would be a pyre. But in the auditory cortex when you look |
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36:37 | the cortex, it's like a piano one end. You have high notes |
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36:40 | the other end. You have low . Right? And so basically it's |
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36:44 | like the cochlear wherever you stimulate along cochlear. So over here would be |
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36:48 | high notes right way down at the end where those low notes. And |
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36:51 | wherever that nerve is, it's going to the auditory cortex in that specific |
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36:56 | , say I'm stimulating right here. it's a high note now to make |
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37:01 | really, really confusing or maybe So to understand this, let's pretend |
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37:05 | Frankenstein not the monster. That's Frankenstein's , I'm talking to the doctor, |
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37:11 | know, he was really doing some stuff with brains until he got an |
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37:14 | brain and stuck it into a That wasn't right. Right. You |
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37:18 | didn't read Frankenstein, did you? . Okay. Dr Frankenstein was a |
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37:28 | biologist. That's what he was And he wanted to see if he |
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37:32 | create life. All right. So manipulated things. All right. |
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37:37 | if you could manipulate things, imagine in and clipping the neuron that goes |
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37:42 | the high note in your ear and cochlea over to the high note in |
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37:46 | auditory cortex. You clip that and clip below note and then you crisscross |
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37:52 | like there were two wires. So of being straight that you flip |
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37:56 | So now when you stimulate the high , you're perceiving low note. Do |
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38:01 | understand organization Now? It's like a . One side is high, One |
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38:08 | lo what's your cochlear like high versus . Just depends on where you're |
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38:12 | That's how you perceive it sounds got doesn't make sense. Three people are |
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38:20 | in the head the other, the of you are just sitting there. |
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38:23 | . Get to muscles. Yes. . The point is in all of |
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38:36 | is that the brain and these different cases. I guess that's the right |
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38:43 | are organized just as the information is , right? If I'm touchy if |
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38:53 | receiving somatosensory information from my hand, going to a specific price place in |
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38:57 | brain so that I perceive that I'm touched on my hand, if I'm |
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39:06 | a specific pitch, it's going to specific place in my brain. So |
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39:10 | perceiving the pitch. All right. what I'm using here is perceive, |
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39:17 | ? If I stimulate a portion of retina, I'm perceiving the where that |
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39:25 | light is actually touching and relative to other points of light that are touching |
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39:29 | retina. Right? Have you ever that light shadow? You can stare |
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39:35 | the light and close your eyes and can still see the light. All |
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39:39 | . Why? Well, you bleached portion of your eye and so you're |
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39:43 | gonna perceive that shape until your brain no longer being stimulated by the neurons |
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39:49 | are downstream of those photo receptor Okay, that's why it takes a |
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39:54 | for for you to lose that, makes sense. You perceive it because |
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40:01 | the part of the retina that was that got stimulated. Looks like I've |
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40:07 | your I got your board. It's of those two. No questions. |
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40:17 | , way over here. I'm Out in the corner of my |
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40:20 | Yes, sir. Go ahead. . Don't want. I think that's |
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40:27 | tumor. No, I'm sorry, just kidding. It's probably Ortho static |
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40:39 | hypertension, basically, basically drop in pressure for a moment, basically causes |
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40:44 | brain to respond a little wonky I'm not certain. I have no |
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40:49 | . And if you're wondering I think a tumor that was from kindergarten |
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40:54 | Arnold Schwarzenegger. He's a cop in kindergarten trying to do something stupid. |
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40:59 | know, it's like a sitcom plot little kid. Every time he says |
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41:03 | like I have a headache, a kid goes, it must be a |
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41:06 | . He finally explodes. It's not tuba. Mhm. Mhm. You're |
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41:17 | generation without a shared a culture. right, muscles. There's a muscles |
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41:28 | be hard or easy, depending on you want to approach it. Do |
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41:30 | want to approach it? Easy or ? Mhm, cowards. All |
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41:37 | All right. No, I'm just . Alright, So, first |
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41:40 | we need to understand what we're talking muscles. We're talking about a muscle |
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41:43 | . For the most part, muscles a structure that's named so, like |
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41:49 | up there. What is What is pointing to my pointing to? That's |
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41:52 | bicep. Right. So, it's name muscle. That's basically a bunch |
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41:55 | muscle fibers that have been wrapped and together and then wrapped again and wrapped |
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42:00 | so that you create this name All right. And so the fast |
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42:04 | are basically fibers that have been joined . Right? So, here's the |
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42:09 | muscle cells that have been wrapped together form that fast cold. And you |
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|
42:13 | a bunch of fast cars and wrap together. That's where you get the |
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42:16 | muscle from. This is going to inside the muscle. All right. |
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42:20 | is a side of skeleton that we're at here. All right. |
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|
42:24 | we have names for the wrapping. a connective tissue. So, Epic |
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42:28 | is the one that surrounds the whole . If you've ever had a skin |
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42:33 | breast. Or if you've ever hunted skin an animal and you look at |
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|
42:35 | animal, you'll see that all the looks like it's been encased in something |
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|
42:39 | connective tissue. So, that's Museum. When you go down to |
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|
42:42 | individual fast tickles, that's Paramecium. to be confused with para museums, |
|
|
42:48 | . Which are uni cellular organisms. ? All right. So don't don't |
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|
42:55 | those two. And then the individual have their own connective tissue wrapping. |
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|
43:00 | the purpose for that is to create environment that the action potentials are uh |
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|
43:06 | to. Right? So, you want to stimulate one cell that automatically |
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43:09 | other cells around it. You just to be able to stimulate the one |
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|
43:12 | at a time, depending on what's structures, muscles are attached to bone |
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|
43:19 | tendon. All right. So, , what's happening is when you do |
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|
43:22 | muscle contraction, like the whole muscle , what you're doing is you're pulling |
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|
43:27 | muscles the fibers themselves are contracting, on the tendon. The tendon pulls |
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|
43:31 | a bone. So, the bone being moved because you're stretching or pulling |
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|
43:36 | this tendon by the muscle. All . And it's these connective tissue layers |
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43:40 | give rise to that. And then if you look at the whole |
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|
43:44 | they have fascist. So muscles themselves deep fashion, superficial fashions. Just |
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|
43:49 | , it's just wrapping what I wanna is like I said, I want |
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|
43:52 | focus in on a single cell because understand the single cell works. You |
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|
43:56 | how the whole muscle work. All . So, what we're looking at |
|
|
44:00 | is people first started studying mussels thought were special. So they started giving |
|
|
44:04 | of its special names. So the kolyma, simply the plasma membrane. |
|
|
44:09 | , the plasma Lemma sarcoma. That's special name. The site of plasma |
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|
44:12 | called Sarka Plasm. Now it's not special except in the sense that it |
|
|
44:18 | some unique stuff in it. for example, there's lots of |
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|
44:21 | Myoglobin is basically like hemoglobin is related hemoglobin. It binds up and holds |
|
|
44:26 | oxygen. Alright, so your muscles onto oxygen. Does that surprise you |
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|
44:30 | the least? No. Okay. like a zones which is basically a |
|
|
44:34 | of like uh glycogen Granules. Does surprise you that your muscles storm sugars |
|
|
44:40 | its own use? No. lots and lots of mitochondria mitochondria do |
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|
44:49 | of the cell. Yeah, we remember it batteries. Yeah. So |
|
|
44:54 | got powerhouse and sell you got oxygen power the cell. And you've got |
|
|
44:57 | to power the cell and you got do that. Right? So, |
|
|
45:01 | we have is we have a whole of mitochondria in there. And really |
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|
45:04 | you look at the cell, if see lots of mitochondria, you gotta |
|
|
45:06 | ah ha lots of energy usage must doing something. So this is now |
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|
45:12 | uh muscle cells are really uh a that is formed from many many tiny |
|
|
45:19 | blasts. So my blaster, the cells then they converge infused and they |
|
|
45:24 | these longer elongate structures. And so have multi nucleotide because they're no longer |
|
|
45:29 | Individual cells are now one big giant happy settle. All right, So |
|
|
45:34 | the multi new Clayton. Now, functional unit of the muscles called a |
|
|
45:39 | amir. And if you look at side of skeleton, right? So |
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|
45:43 | is gonna be a kind of We're gonna know this for a |
|
|
45:45 | That side of skeleton has some unique . You've got these lines and the |
|
|
45:51 | and it's the striations that we first noticing under the microscope. And so |
|
|
45:55 | scientists sitting there was looking like, , we got a thick fat line |
|
|
45:58 | dark, a thin little line. then it was like, oh the |
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46:01 | starts repeating itself. So where the didn't you know where there was no |
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46:06 | , became a sark amir. And that was the functional unit because they |
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46:09 | that if they stimulated things would And so I was like, |
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46:12 | between these two points, that's the mirror. Now, those two points |
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46:17 | called Z discs. All right, gonna look at a picture of this |
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46:20 | just a moment. Now, remember looking at a muscle from this |
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46:24 | Right. And so you're seeing a that looks like this That's going to |
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46:27 | the Z disc. But if you to take a cross section through and |
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46:31 | it, you'd actually see a structure proteins that are like a latticework. |
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46:37 | right. So when you look at lines, just remember that is not |
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46:41 | line. It's actually it's a it's mesh or a lattice of protein. |
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46:46 | right. Now, when you grow you all grew right? You started |
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46:52 | about this big and now you're as as you are. Right? So |
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46:56 | muscles grew And so when your muscles , what you're doing is your adding |
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47:01 | SAR compares to your muscle, your are not getting longer. Okay. |
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47:06 | our cameras always stay in the same . You're just adding another unit on |
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47:10 | . Okay. Maybe it's in the . I don't know where it's actually |
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47:13 | added to be truthful. All So, we're going to focus in |
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47:19 | this structure. All right. There's little things in there that you |
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47:22 | we call this the triad. Cardiac have di ads So when you get |
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47:26 | the cardiac muscles it's the same Except it's missing one of these |
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47:31 | All right. So we have is have the trans verse to be also |
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47:34 | tubules the abbreviation. So, see tiny dots over here. Those are |
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47:39 | of the T tubules. So, this is the plasma membrane, the |
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47:42 | tubules open up to the Plaza And then it's a tube that goes |
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47:45 | the way through the Stellan opens up the other side. It's like a |
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47:48 | . Okay. So that's how you think of it. T tubules like |
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47:52 | . All right. So here it . Here's a T tube. You'll |
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47:55 | like a tunnel going through the cell to the T tube. You'll is |
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47:59 | this yellow structure. This is called Sarka plasma critical um which is modified |
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48:04 | plasma critical. Um And nearest a tube you'll it widens out and gets |
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48:09 | , really big. And so we to this as a sister anna. |
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48:13 | right. So it's a Sarka plasma the terminal cistern. So, it's |
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48:17 | part of the circle plasma particular um stands out and it's big and |
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48:21 | All right. So the three things is the triad. Now, why |
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48:26 | we care about all this stuff? , the saarc applies in particular. |
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48:30 | job is to hold on to Okay. And so the purpose of |
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48:36 | we're going to see is really really or important for the muscle contraction. |
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48:41 | , the circle plasma particularly where we're get our calcium from. So we |
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48:45 | calcium. There there are pumps. what they do is they pump in |
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48:48 | . They hold on to calcium until comes along and says hey, time |
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48:52 | release the calcium. All right. where did that signal come from? |
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48:56 | , here is the neuromuscular junction. . This is literally just like an |
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49:01 | B. C. D. So I have a slide. I'm |
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49:03 | to point it out to you I'm going to say this is a |
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49:05 | that has everything we just talked about . Okay, it's the easy |
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49:11 | This is a neuromuscular junction. So as a motor neuron. Right down |
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49:14 | is the motor in plate. We're a cd colon. C colon binds |
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49:18 | the channels that channel opens up sodium into the cell. You produce an |
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49:23 | plate potential which is really really it resulted in action potential. So |
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49:27 | potential then travels along the length of cell. Anything so far. Anything |
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49:33 | new interesting. Different than what we've learned. No. Very good. |
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49:37 | . So here we do exponential traveling . So potassium we're moving out of |
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49:42 | cell and then here we come along here is our T tubules. All |
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49:46 | , so the expectations are going to going. But because this is part |
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49:49 | the outside of the cell now, , it's just a tube then what |
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49:53 | ? The exponential travels down the tube as it travels along the surface and |
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49:58 | we have receptors that are closely associated the T tube, you'll All |
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50:05 | They're called foot proteins are gonna look him on the next line. That |
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50:08 | potential causes the opening of those channels causes calcium to leave the Sarka plasma |
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50:17 | . Yes I think of it as wave. Right? So if you |
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50:20 | a big old rock and you have wave the wave goes around the rock |
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50:23 | ? And so this is kind of same thing the way it's gonna go |
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50:25 | the tube, it's also going to going along the surface. That's a |
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50:29 | question because sometimes it's not quite so like well when they just go down |
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50:32 | tube well it's two dimensional. So but it keeps going all right. |
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50:39 | this is that same slide we just at but we're looking a little bit |
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50:43 | here at this relationship. So here can see these are calcium channels called |
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50:49 | channels are G. D. P receptors And their closely associated with |
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50:53 | channels that are are found here in circle. Plants are particularly these are |
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50:58 | Ryan iodine receptors. So you'll usually R. Y. R. And |
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51:02 | . H. P. So these in response to an action potential when |
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51:09 | open because of their close association with riots nadine receptors. The Ryan nadine |
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51:15 | when those D. Hp receptors open rioting receptors open and that causes calcium |
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51:20 | flood out into the cytoplasm of the cell so far. You with me |
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51:26 | open one causes the opening of the causes calcium to leak out. |
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51:32 | so step one action potential in the neuron. Step to action potential in |
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51:37 | skeletal muscle. Step three X potential down the down through the T |
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51:42 | stimulates the DHB receptor, which stimulates iodine receptor Brianna diamond Ryan a dime |
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51:49 | . Because calcium to flood out into cytoplasm so far so good. You |
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51:53 | write a song like this if you to. Oh, time out |
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51:59 | All right. So, what we're at now is we're looking at a |
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52:04 | of this striations. Can you see situation? Light line, dark |
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52:09 | Light line, very very dark dark line, but not quite so |
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52:12 | , much darker left. And then can kind of see the pattern does |
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52:15 | reverse until you get to there. from here to here, that Suzie |
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52:19 | and that's a dizzy disk. Now they chose which one is going to |
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52:22 | . Which again, it had to with the contractions. So right now |
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52:25 | just going to say right here, is RZ disk. So there's one |
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52:29 | amir. And so you can see , it's like, oh, I |
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52:32 | this light area. That's dark A slightly darker or darkish area. |
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52:38 | darker area. Then it goes the . So they called them bands. |
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52:43 | right. And they said, all , well, what is this? |
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52:45 | then eventually we got better technology so could go and look. And what |
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52:49 | seeing here is we're seeing side skeleton with each other. So, the |
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52:55 | of the darkness is a result of much overlap you have. All |
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52:59 | So, now I'm gonna pull people and we have you to come up |
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53:03 | you're right there. It's very very . I'm looking at the time and |
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53:06 | very scary because I only have like minutes. All right, you're gonna |
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53:12 | in the middle. Here's my Z . Okay, put your wings |
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53:18 | All right. So, we have is we have filaments, right, |
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53:22 | , over here. All right. have an in line. That's it's |
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53:27 | exact center. All right. And can imagine over here there'd be another |
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53:31 | disc. Put your wings out. right. Now, look right |
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53:36 | there's no overlap over here. There's overlap. But over here there's |
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53:40 | So, if you can imagine if took a picture, this would be |
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53:43 | than this. And this would be than that. Is What would you |
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53:46 | with me? Okay, so, far this is what we're looking at |
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53:51 | disc. Small region of no overlap of overlap. Another region of no |
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53:57 | than an in line, and then doing the opposite direction. All |
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54:03 | Should I make them stand here for entire time? Go ahead and sit |
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54:06 | . I'll come back over here. right. So, the I band |
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54:13 | the portion on either side of the . Disc. Alright, the eye |
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54:18 | represents thin filaments. All right. thin filaments very, very light. |
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54:24 | overlap. All right, then, we have is we see the dark |
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54:28 | . So the dark area begins the of overlap. That's where you have |
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54:32 | and thin filaments. And the A extends until there's no overlap. And |
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54:37 | you end up with this little bit the H band on the inside. |
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54:41 | the that's the only the thick And then the in line which was |
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54:46 | here is basically a series of proteins are attached the thick filaments and then |
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54:51 | just do the opposite back. Too filaments back too thick and thin filaments |
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54:55 | to thin film. And Z disc repeat. This is what it looks |
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55:00 | . And so, what happens is a contraction. What we're going to |
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55:04 | is we're going to see movement of Z discs. So here you're to |
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55:08 | discs. The thick filaments pull on thin filaments, bringing them in. |
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55:14 | right. And so we're going to changes in the size of the a |
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55:20 | . All right, I'm gonna pull too. I'll pull you two up |
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55:22 | you I was gonna say you don't have a chair in front of |
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55:25 | All right. So, I need again as my in line. All |
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55:30 | . Mhm. Z disc. Aren't glad you have that in front of |
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55:33 | now. All right. So, in line has a thick filament and |
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55:38 | thick filament is going to pull on thin filament. So as the thin |
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55:41 | gets pulled, it moves towards the filaments. Now, the period of |
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55:48 | doesn't change. Right, go Do you see right here is where |
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55:52 | overlap begins and then go that Okay, that doesn't change. Does |
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55:57 | arms change length ever? Does his change length ever? Right. |
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56:01 | But what happens is is this period lack of overlap changes sides? The |
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56:07 | of lack of overlap or no overlap sides. So the eye band changes |
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56:13 | the H band changes. But the band doesn't that makes sense. You |
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56:20 | earned a gold star today. Take out for drinks of your choice, |
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56:26 | you like to drink orange juice, . All right now, there are |
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56:31 | molecules in there. We have a called titan titan's job acts like a |
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56:35 | . So when you bring when you're on that Z disc basically you're moving |
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56:40 | out of position. And so that is being compressed. And so when |
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56:44 | relax the thick filament, we're going see how it works, then it |
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56:48 | back to its original shape. So your muscle goes back to its |
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56:52 | shape after a contraction. All We have nebula basically nebula ensures that |
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56:58 | thin filaments don't get out of All right then, film is supposed |
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57:02 | go this direction, not this not that direction. Not in some |
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57:05 | of weird direction. Is supposed to out like that. So the ambulance |
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57:08 | that it happens. We have other like ALfa acting in that basically served |
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57:13 | attach thin filaments to the Z All right. So what is the |
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57:18 | filament? A long time ago you that a thin filament is acting? |
|
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57:22 | . Remember that? Yeah, they tell you the whole story. It's |
|
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57:26 | than just acting. All right. actually three molecules. It's acting |
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57:30 | Eliasson. Troponin trouble my assassin is to my assassin. Okay, so |
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|
57:37 | a small portion in there that has cousin to my son already hanging |
|
|
57:42 | And you can see here acting is alpha helix. It's the two little |
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|
57:46 | and the yellow and the mustard. what they do is you've got this |
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57:50 | twisted in this alpha helix. All , Triple maya sin is the smaller |
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57:55 | helix. Said, basically covering over of the acting molecule. Now, |
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58:01 | portion is it covering over act and on it as part of its structure |
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58:06 | place where it's able to bind up surprisingly, it's called a myosin binding |
|
|
58:12 | . Okay, so action has a and binding site and you have trouble |
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|
58:16 | assassin which is related. My assassin the mice and binding site. So |
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58:23 | trump mice in the workplace. My and act and can never interact. |
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|
58:28 | right. Troponin has three parts to . It's bound up to the |
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58:35 | It's also bound up to the trump my senate serves as a hinge |
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58:38 | The principle here is when I have , it binds up to one of |
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58:44 | subunits, the TNC sub unit. do you think? C stands for |
|
|
58:49 | ? See this is not a hard . Right. This isn't chemistry |
|
|
58:55 | Right. So, what it does comes along and changes the shape of |
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|
58:59 | hinge. So, if this is you can imagine triple minus and being |
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|
59:03 | here when calcium binds it pulls a Matthiasson out of the way because Troponin |
|
|
59:09 | and now I make my assassin available trip to Iraq. Make the mice |
|
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59:13 | binding site available to my son. , Great Doctor Wayne. Where's my |
|
|
59:18 | ? Well, you learn back in . one thick filaments are -1. |
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|
59:24 | you very much for remembering that. , here's your thick filament. My |
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|
59:32 | looks like to golf clubs that someone really, really angry about and wrap |
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59:35 | around each other. Alright, and looks like that's like got this nice |
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|
59:40 | he's like mm All right. So have this very very long tail and |
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|
59:46 | have this hinge region that allows the to move back and forth. And |
|
|
59:51 | basically have two of these. the heads are kind of like this |
|
|
59:54 | a boxer from the 20s. That not as fun as it used to |
|
|
59:58 | because we're in the 20s 19 All right. So, you can |
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60:04 | there like this. All right. region is basically this hinge region has |
|
|
60:11 | it an ATP ATP activity. there's an ATP there. All |
|
|
60:16 | So, when ATP comes along, we're gonna do is we're gonna impart |
|
|
60:20 | and change the position of the All right. And so, by |
|
|
60:24 | the position of the hand, we lock and cock the miocene in preparation |
|
|
60:28 | interact with the actor. Okay, , what we're trying to going to |
|
|
60:34 | to do is we're going to try create a cross bridge between acting and |
|
|
60:38 | . When they have this interaction, happens, right? Kind of like |
|
|
60:43 | you kiss somebody does magic happen? , it does. Don't check your |
|
|
60:48 | . It's Yes, magic happens. right. So here it is. |
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|
60:57 | head is cocked and ready to interact acting. By the way, medicine |
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61:01 | has an acting binding site that binds . So my son wants to interact |
|
|
61:06 | the acting. Acting wants to buy my ascent. It can't triple medicines |
|
|
61:10 | the way calcium it binds up to troponin when binds up to the |
|
|
61:16 | it pulls everything out of the I'm already in position. Boom. |
|
|
61:20 | can now interact. I've created across . Okay. Now, in all |
|
|
61:26 | of these little steps right here, you see a teepee anywhere? No |
|
|
61:33 | is responsible for resetting the mayas and . So that you can get across |
|
|
61:39 | bridge. What we're referring to here something called the power stroke? |
|
|
61:52 | I'm ready to poke him burger. . Oh, I could have done |
|
|
62:07 | lot worse. I'm just if you're to sleep, you can sleep. |
|
|
62:09 | just having fun Trying to make sure get this done in 20 minutes. |
|
|
62:13 | right. So, this is how power stroke works. All right. |
|
|
62:18 | gonna start up here at the top we're in what state attached. So |
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|
62:23 | happened here is we've already gone through and we've pulled on the acting. |
|
|
62:27 | this is where we are. So what happens ATP comes in, binds |
|
|
62:33 | to the Maya sin and causes it separate. So what is ATP's job |
|
|
62:38 | break the bond between acting and All right. That's probably contrary to |
|
|
62:45 | you're thinking that it did. It breaks the bond. Once it |
|
|
62:49 | the bond, we impart the energy Matthiasson breaking phosphate off. So now |
|
|
62:54 | have ADP and inorganic prospect and what that do? It basically cox or |
|
|
62:59 | the head. So that is capable interacting with acting again. Okay, |
|
|
63:04 | think of it like this. This like a trigger not a trigger. |
|
|
63:07 | is like the hammer on a right? If you watch enough westerns |
|
|
63:11 | stuff like that, What do you ? You pull the hammer back and |
|
|
63:14 | now ready to fire. So what doing here is you're acting putting energy |
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|
63:19 | and cocking it right? But it's causing it to fire. The firing |
|
|
63:24 | going to occur naturally when you what's going to happen is we're going |
|
|
63:29 | release the inorganic phosphate. Now we this strong cross bridge and now we're |
|
|
63:35 | to pull and then we're now stuck that position until a new ATP comes |
|
|
63:41 | breaks the bond and then we break ATP so that we can re cock |
|
|
63:47 | head and then we can repeat this . You guys ever heard of rigor |
|
|
63:52 | ? What is rigor mortis all My grandfather claims That he when he |
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|
64:01 | 18, he worked in a uh . And he said for one night |
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|
64:06 | a body sat up, he said was out of there the night |
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|
64:08 | he said he sat up, he . Do I believe him? I |
|
|
64:11 | know, it's a great story. right, rigor mortis. Is this |
|
|
64:17 | you run out of a TP, ? You have a T. |
|
|
64:20 | In your body, you've died, is no longer being pumped into the |
|
|
64:24 | applying protection and it's now out in side is all you have some ATP |
|
|
64:29 | kind of sitting around you basically cycle the ATP calcium moved out of the |
|
|
64:33 | . So you can now interact with . Myson muscles get tighter and then |
|
|
64:38 | can't break the bond because you run of ATP, you're in the rigor |
|
|
64:43 | and then again eventually everything starts breaking and that's why you get a loose |
|
|
64:50 | . So the power stroke is where comes in. It's there to break |
|
|
64:53 | bond. So what is relaxation? relaxation is first get rid of all |
|
|
64:59 | calcium. If you don't have any you can't interact can interact. Then |
|
|
65:04 | go basically the muscles are going to . Right? So that's what we |
|
|
65:08 | . We have pumps. I love , pump the circa pump. What |
|
|
65:12 | circus stand for. We help you in the plasma critical um calcium. |
|
|
65:24 | . Yeah, simple people circa pumps from the side is all in the |
|
|
65:30 | applies in particular. So we're pumping away, right, we're going to |
|
|
65:34 | it away, you know, sequester . We actually have molecules to bind |
|
|
65:39 | calcium in the saarc applies in particular that calcium can't get escaped. And |
|
|
65:45 | so if you have no action well, what's going to happen? |
|
|
65:49 | no calcium, no calcium, no . Pretty easy. Of course it's |
|
|
65:56 | . You can put it all on slide. Right, start off up |
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|
66:01 | at number one. You can see the motor or the neuromuscular junction. |
|
|
66:05 | the action potential goes down to T , you'll activates the GHB receptor which |
|
|
66:09 | up the riot riot to dine receptor release of calcium calcium comes out, |
|
|
66:14 | up to a proponent troponin pulls on triple Myson moves out of the way |
|
|
66:18 | son can now interact with act and on that, creating the power |
|
|
66:22 | If you have a T. P P breaks that bond resets the resets |
|
|
66:26 | uh minus and head so that it interact and keep doing that. So |
|
|
66:30 | get a contraction. You see easy right at once. It'll be |
|
|
66:39 | The details are on the other This basically summarizes it. Now, |
|
|
66:44 | are lots of different types of We have isotonic attraction versus isometric. |
|
|
66:49 | is when the muscle tension remains But the muscle length length changes. |
|
|
66:57 | , I could show off. Would agree that this weight of this chair |
|
|
67:06 | changes. It's always constant. Has certain mass. Air goat has |
|
|
67:11 | weight because of gravity. So watch . Do you see my muscle getting |
|
|
67:19 | ? Did my amount of tension I to lift his chair up. Did |
|
|
67:22 | change? No muscles getting longer, getting shorter amount of tension stays the |
|
|
67:30 | isotonic contractions. Right. Concentric is the muscle gets shorter, E centric |
|
|
67:35 | when the muscle gets longer isometric the amount of tension being produced changes |
|
|
67:41 | muscle length doesn't change. Easy way do this. Find yourself a wall |
|
|
67:45 | up against the wall. I'm not a lot of tension. Would you |
|
|
67:49 | I can start pushing harder and harder harder. Is the wall moving my |
|
|
67:54 | changing shape, nope. But I'm more and more attention. Isometric |
|
|
68:02 | what we're doing, we're looking at individual muscle a little it's a bit |
|
|
68:06 | cell. All right. One cell do a lot of work. In |
|
|
68:09 | , the contraction of single cells called twitch. All right. So don't |
|
|
68:13 | twitch with a twitch. All Take a bunch of twitches put them |
|
|
68:20 | . You've got something that's when you're to produce a contraction. Alright, |
|
|
68:24 | is a sustained contraction. So, a series of action potentials telling that |
|
|
68:30 | to contract and continue to contract. right. And so you get the |
|
|
68:34 | contraction. So, the entire muscle shape. All right. Individual twitches |
|
|
68:40 | longer distinguishable. You're looking at a contraction. Now, you just saw |
|
|
68:46 | do a curl with the chair. . Would you agree that weighs a |
|
|
68:52 | bit, Probably £10, maybe 12. very much. Not a very heavy |
|
|
68:57 | , honey, Come on. I to see me do curls with this |
|
|
69:03 | . Same muscles ready see not Right? Same movement. Same |
|
|
69:10 | Notice I'm not throwing the pin up the air. Right. It's a |
|
|
69:14 | contraction. I only need to produce tension to be able to lift up |
|
|
69:17 | pin. Why does that happen? each muscle name muscle are made up |
|
|
69:21 | motor units. These are groups of cells that are being stimulated by a |
|
|
69:27 | neuron. Right. So, I need to create a lot of |
|
|
69:30 | to do this curl. I need do a little bit more to do |
|
|
69:34 | curl. And if I wanted to a curl with that table, which |
|
|
69:37 | not going to attempt because that would sad and embarrassing. I would have |
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69:41 | bring in more muscles. Right? this is a recruitment of motor |
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69:45 | Right? So the strength or the I'll tension that we need to produce |
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69:51 | dependent upon the load that we're trying overcome. And so, if the |
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69:56 | , for example, is more than motor unit to lift that, I |
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69:59 | one more motor unit and one more unit until I actually produced enough tension |
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70:03 | overcome the load. Alright, that sense. So, to move |
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70:08 | it might be I'm just making up , let's say it's 50 motor units |
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70:12 | to curl that table, it be motor units to curl that thing. |
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70:15 | one motor unit. All right. , if I sat here and held |
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70:20 | out in the iron cross, you my arm's gonna get tired? Can |
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70:24 | see it getting tired already? All . What's going there? Is |
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70:27 | I'm actually rotating through different motor units motor units undergo fatigue and of |
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70:33 | after everything gets tired, I'm gonna the chair. Of course, I'm |
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70:37 | lot faster than that. So, put down the chair before I got |
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70:41 | . Right. And so what you're here is basically saying, all |
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70:44 | if I need to sustain that that being in this position, I need |
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70:48 | be able to go through and recruit motor units at a time. That |
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70:54 | sense. So, it's kind of a factory. If you had a |
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70:57 | hour factory, how many shifts would probably have? 38-hour shifts? |
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71:03 | that's a that's a that's kind of the normal model. So you can |
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71:06 | I've got multiple motor units and so it's something light, it's easier to |
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71:12 | through the different motor units, As they get tires like, |
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71:14 | yeah, okay, I'll go and and then you come in. But |
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71:18 | I'm doing something heavier, I've got motor units recruited in the initial |
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71:22 | And so as they become fatigued, no motor units to replace them |
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71:27 | So the actual muscle itself gets fatigued that's when you have to stop doing |
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71:30 | you're doing or, you know, muscle or do other horrible things. |
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71:35 | right. So, when you're adding motor neuron, basically what you're doing |
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71:42 | you're increasing tension. That's that's some that we're describing there, you guys |
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71:47 | , thanksgiving is coming up. Do like white meat or dark meat? |
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71:52 | meat? Dark money? White Sure you start a fight. |
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71:59 | no. See white meat. Dark people get together. It's good |
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72:02 | That means everyone gets what they want now, we can look at a |
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72:06 | and go, okay, the there is white meat and down over |
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72:09 | that thigh. That's dark meat. if you look at a human you |
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72:12 | go that flight meat or dark meat the muscle fibers that make up white |
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72:17 | and the most fibers that make up are intermixed in our muscles. What |
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72:21 | doing here is we're looking at a through a human muscle and you can |
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72:25 | the light meet in the dark meat at the cellular level. Right? |
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72:30 | that would be your light meat. your dark meat. Okay. And |
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72:34 | reason is light and dark has to with basically the amount of myoglobin has |
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72:39 | how it responds to different https or has different https activity as well as |
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72:46 | sort of pathway doesn't use to produce 80 P. So it's oxygenated versus |
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72:51 | politic. All right. So the way to do this is just kind |
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72:55 | look at the three muscle types. have a slow oxidative. Alright, |
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72:59 | that's gonna be a red muscle because going to take a while for you |
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73:03 | make your ATP. And so basically have lots and lots of myoglobin. |
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73:07 | you're using oxidative a lot of oxygen and you can produce long term contractions |
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73:14 | extended periods of time. Fast oxidative you are still oxidative but you're basically |
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73:23 | to your contractions faster. So the . T. P. S. |
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73:26 | a little bit quicker. Then we the fast like politic where you have |
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73:29 | fast contractions but you don't make a through the oxidative pathway. You use |
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73:34 | electrolytic pathway. And so these are um used for fast burst fast quick |
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73:43 | . So you can think about like and this is not a good way |
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73:46 | think about it. But it's an way you can think of this as |
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73:49 | this is muscle that is used for , that's muscle. Would you be |
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73:53 | for say jogging long distances? But can see if they're intermixed. Why |
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73:59 | I be a fast person? But a marathon person? It's because you |
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74:04 | more of this than that. But can I be a marathon person and |
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74:08 | a fast person because you have more that than this. And so you |
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74:11 | of change the balances of what you . Can you be both? What |
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74:17 | you think? Not really. Can train yourself from one form to the |
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74:22 | ? Not really. Alright. You are what you are but there are |
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74:27 | small or slight modifications you can make , I did not get through what |
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74:31 | wanted. Cardiac muscle is just like muscle. Very very little differences. |
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74:38 | the exception of calcium isn't pumped into plasma critical. Um Instead it's pumped |
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74:43 | of the cell, that's why we to slides. So if you know |
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74:50 | , your new cardiac what I'm gonna since I know you're running out of |
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74:57 | . I want to get to what's important here. Alright, smooth muscles |
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75:04 | are different than skeletal muscles in a of different ways. But the key |
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75:08 | is that you still use calcium still a teepee. But how you use |
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75:14 | is going to be different. All . So we saw calcium was binding |
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75:19 | troponin right? Which moved out the to allow for the interaction between my |
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75:23 | and acting When we're dealing with smooth . The Differences 1st. There are |
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75:29 | sarka mears. Okay, so we have lines that are gonna be contracting |
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75:34 | what we have our we have thick thin filaments arranged in this weird |
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75:39 | So, you see when I squeeze looks kind of like a ham that's |
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75:41 | wrapped some of you guys know what talking about. Right, okay. |
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75:47 | have uh intermediate filaments that helped make of that skeleton out. So, |
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75:51 | you can see here is we have structural difference. The Z discs are |
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75:56 | to the ditch bodies of dead bodies equivalent to Z. Diss So that's |
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75:59 | the thin filaments are attached to. have molecules that are there to bind |
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76:05 | to act. And this is cal and cal Desmond which basically block the |
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76:10 | of mine is in acting. So is the nuts and bolts. What |
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76:16 | going to use is we're going to the signaling cascade instead of Excuse |
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76:21 | The direct interaction of calcium with All right, calcium comes into the |
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76:28 | triggers the release calcium from the smoke the plaza particularly. So it's a |
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76:31 | whammy. So you get what is this calcium spark calcium comes inside the |
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76:37 | and then what it does that's going bind up to a molecule called myosin |
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76:43 | chain kindness. Myosin light chain kindness sorry it's cal module in which binds |
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76:48 | and activates myosin light chain kind myosin chain kindness is what activates and changes |
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76:55 | shape of the head. All So in other words, we don't |
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76:59 | ATP's activity here. That's moving the instead. We have a kind face |
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77:03 | coming along with phosphors relating it that the head to change its shape. |
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77:08 | right now, the other thing that's module in does is that it binds |
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77:14 | to it activates cow module in kindness . All right, that's what I |
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77:19 | module is All right. And what does is it binds up and phosphor |
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77:24 | boast molecules. Right, so, . And where was the other |
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77:29 | I don't have it up here. just happening I guess. Remember we |
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77:32 | kalpoe nin plays a role in cal play a role in inactivating or preventing |
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77:38 | demise them come from from interacting so cal module and calcium, nickel margin |
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77:44 | module into cal module and kind as what we do is we foster right |
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77:48 | and and interfere with its activities and and its activities when you are blocking |
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77:55 | blocker, it's activating And so now getting an act in my Senate |
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78:03 | So, miles in light chain Kinney's for you to change the head |
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78:08 | Cal module in stops the blocker so they can interact and that's when you |
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78:13 | the contraction. So instead of it troponin true promise. And you have |
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78:18 | really weird signaling cascade that allows for interaction to take place. So, |
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78:25 | see if we can go back. doesn't show it here. So, |
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78:28 | guess that was the best picture I , was this one. Well, |
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78:36 | all I wanted to say about Action potentials. I'll mention this since |
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78:42 | have literally two minutes. All You should know the difference from multi |
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78:48 | , single unit, but I don't I need to explain that many cells |
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78:51 | one group of cells. Alright, little thing here has to do with |
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78:54 | potentials, smooth muscles have a natural activity. They basically are slowly moving |
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79:02 | action potentials and slowly moving away so produce exponential get a burst of action |
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79:08 | and then you'll go back to a of a period of rest innovation of |
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79:13 | muscle brings the threshold or brings the closer to that threshold to produce action |
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79:20 | . Right? So you're not dependent the nervous system to create the action |
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79:24 | in smooth muscle. You just make easier for it to happen. All |
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79:28 | . So it's a modification. All . But once you get those bursts |
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79:32 | action potentials, that's when you're getting on, that's when you're getting this |
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79:41 | influx of calcium so that you can that cascade that we described. |
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79:48 | if you're really, really bored, can go use that to kind of |
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79:52 | the compare contrast stuff. Yeah, . Sure. Uh Yes. |
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79:59 | the what you're doing here is um it again, it depends on your |
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80:06 | universes you're single unit. Right? typically if you're what is called a |
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80:10 | unit, basically have a series of that are connected by gap junctions. |
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80:14 | , if you stimulate one cell you're stimulating them all. But it's an |
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80:17 | junction. So the exponential traveling from itself. Mm So, thursday I'm |
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80:23 | going to see it's going to be sad day, aren't we? All |
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80:28 | ? Yeah. Thank you for for my ego there for a second. |
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80:33 | makes me feel better. All come on. |
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