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00:00 | Okay um sorry we're going to continue we left off, We were talking |
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00:07 | the eyes and how they work and looking at the we start off with |
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00:10 | at the different parts of the right. And so we're just kind |
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00:13 | walking through the different types of cell . We last talked about the rods |
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00:17 | the cones. Those were the photo cells. We're kind of laying out |
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00:22 | they did and what we're doing now we're kind of jumping into, we're |
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00:26 | off what those those characteristics are and you see here is gonna be repeated |
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00:31 | little bit later. All right, I'm going to introduce this idea now |
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00:35 | then we're going to come back to again and then we're gonna look at |
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00:37 | bipolar cells, we're going to look the ganglion cells, we're going to |
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00:40 | of put that pattern or that that together. And then what we're gonna |
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00:44 | is we're going to move into how eyes actually work. We're gonna look |
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00:49 | the molecular biology of that, which kind of scary sounding like molecular biology |
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00:54 | it was actually one of the very systems that looked at signal transaction. |
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00:59 | they name things pretty much for what did. And so it's kind of |
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01:02 | , okay, here's this this this just gonna look at how the eye |
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01:05 | and then from there we're going to jump to the ear and we look |
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01:09 | structures are there and we're gonna ask question how do the ears here and |
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01:13 | thursday we're going to do how to ears deal with the question of balance |
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01:16 | equilibrium and then yada yada yada So I'm just kind of painting a |
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01:21 | here. And so what we're we're talking about this question of rods |
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01:25 | cones and their differences and similarities and really kind of like, well there's |
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01:29 | lot of differences here, and this one of them, there is something |
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01:31 | dark adaptation and basically what dark adaptation is it talks about how quickly the |
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01:38 | versus the cone responds to light and respond very, very quickly, you |
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01:43 | get a photon of light and they become 100% active. So that really |
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01:47 | you it doesn't take a lot of energy to turn them on cones, |
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01:51 | the other hand, take their sweet . You have to add a lot |
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01:53 | light energy before they become active. what we have here then is we |
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01:57 | two types of vision and all these are really not easy to understand. |
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02:01 | have to kind of dig into it a while, but basically what it |
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02:04 | is look, you know, if , if you start in perfect darkness |
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02:08 | then you start adding a little bit light, you can start seeing a |
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02:12 | bit, you can start seeing but you can't really discern colors all |
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02:15 | much. All right, and what talking about here is what is called |
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02:18 | topic vision and no picture is going demonstrate this. But I tried |
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02:24 | So like over here, this would like if it was low light and |
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02:27 | kind of see, you can kind see the shapes of the cars, |
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02:29 | really tell their colors, but you tell where the curb is and so |
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02:32 | so forth. But then as you more and more light, what happens |
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02:36 | the cones start getting involved and you bleaching out. That's the term we |
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02:40 | bleaching out the rods. And so rods become less important in discerning what |
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02:44 | environment looks like. And now the are playing the major role. And |
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02:49 | , that's what the picture on the looks like. Like, oh |
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02:51 | I can see the cars, I see the color, there's a lot |
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02:53 | light. My rods aren't doing so work now the cones have taken over |
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02:57 | so dark adaptation deals with this question which type of vision are we using |
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03:04 | the dark? We're using rods. the term dark adaptation in the in |
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03:09 | light and the sunlight. We're using codes. All right. And I'm |
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03:12 | come back and probably do the talk same way, but I don't know |
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03:16 | you guys ever watch mythbusters, There's six people here and he was like |
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03:20 | right, a couple years ago and can go and try to find it |
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03:23 | . I think it was like So like nine years ago they had |
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03:26 | show on. Why did pirates wear patches? All right. Now we |
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03:32 | don't know. It's like basically some drew a pirate with an eye |
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03:36 | And so now pirates have eye patches really the answer. All right. |
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03:39 | lose an eye, you wore an patch, but not all pirates war |
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03:42 | , uh, lost their eyes. so the question was, was, |
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03:46 | did why do we always characterize And it has to do with this |
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03:51 | adaptation? All right. You're fighting deck and then you're fighting down in |
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03:56 | dark. And what happens is when are turned off, it takes them |
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04:01 | long time for them to turn back again. And so what we have |
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04:05 | a and we're gonna talk about that . And so what happens you go |
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04:09 | from a bright area into a dark . It's really hard to see |
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04:12 | We noticed that it's like if you from outside of the theater and go |
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04:16 | the theater, it takes a while your eyes to start being able to |
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04:19 | what's in that dark theater. All . But the opposite is not |
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04:24 | right? You go from a dark , go to light areas bright and |
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04:26 | all of a sudden you can start , you know what I mean? |
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04:30 | done this, right? Got to into the mountains. That's a day |
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04:35 | . All right. Yeah. It's what we go to the movies during |
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04:39 | day when it's cheaper. All So, at mythbusters, what they |
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04:43 | is they wore the patch so that could cover and protect one eye from |
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04:47 | light. And so when they were downstairs to get the booty or to |
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04:50 | , what they would do is they lose their vision in the eye that |
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04:54 | light adapted. Then you just flip the eye patch and now you have |
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04:58 | eye that can see in the dark they wouldn't try to prove this and |
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05:01 | actually worked. But it's like Dude really do this. Probably not think |
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05:07 | just fun story. All right. , sorry, the bipolar cell, |
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05:17 | , what I'm going to show you is gonna be a little bit more |
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05:20 | than what I teach my human fist . All right. But that's because |
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05:24 | , your book talks about that and I want to just kind of address |
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05:27 | . So, when you're thinking about organization, you think of the photo |
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05:30 | cell is going to then stimulate the cells and for bipolar cells, they're |
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05:36 | to be kind of the same They're very small cells. So they |
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05:39 | graded potentials. And what they do they work in what is called an |
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05:43 | or off pathway. And what that means is I have a photo receptor |
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05:48 | and associated with it are two bipolar . One that's turned on when the |
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05:55 | receptor cells turned on and one that's off when the photo receptor cells turned |
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06:00 | , right? So you can think this when the photo receptor cell isn't |
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06:04 | , the off pathway cell is the on pathway is not. And |
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06:08 | when this cell phone reception gets the on pathway gets turned off on |
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06:14 | this one gets turned off. And really what you're doing is you're telling |
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06:18 | next step on the road the ganglion is am I being stimulated with light |
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06:22 | not? That's really what's going on and why? Why we talk about |
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06:27 | is because this is the first level processing that takes place in the eye |
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06:32 | we can do greater contrast. And you can think about an object in |
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06:37 | D. Like think about like a or a picture of an apple. |
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06:41 | know, you have that light shining the part that's nearest to you, |
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06:45 | ? And so you can kind of it's three dimensional shape. Kind of |
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06:48 | I'm talking about here, right? what's happening here is light, light |
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06:52 | hitting it in kind of a unique . And so there's areas that when |
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06:57 | looking at it are going to be on pathways and the areas that are |
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07:00 | of on the edge are stimulating the pathways. And so that's why you |
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07:04 | this sense of three dimensions, not because of our binocular vision, but |
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07:09 | of the way the eyes process Alright, but the idea here is |
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07:13 | I want you to take away from . Is that downstream of photo receptor |
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07:17 | we have the bipolar cell. The cell is doing the first level of |
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07:23 | . Okay, now we're going to back to this idea of on and |
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07:27 | in a couple of slides and I deal with it again. All right |
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07:33 | , we've said in that neural we have the photo receptor cells, |
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07:36 | have the bipolar cell, then we the ganglion cell, then the |
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07:39 | the immigrant cells in between. We're of ignoring the horizontal and the |
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07:43 | So, what I want you to about his photo receptor bipolar ganglion |
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07:47 | ganglion cell goes off into the nervous . All right. The receptive field |
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07:52 | not the photo receptor cell. The receptive field is represented by the |
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07:58 | cell that's downstream three cells away. . And what we're looking at here |
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08:04 | we're asking the question all right, that one ganglion cell, which cell |
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08:09 | cells need to be stimulated in order stimulate that ganglion cell. So, |
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08:14 | I want you to think about here that the organization is simply there's lots |
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08:19 | photo receptor cells and then they begin fewer cells on the bipolar cells which |
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08:26 | converge on the ganglion cells. when you some numbers here, we |
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08:30 | use that picture right there on the hand side, You can think about |
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08:33 | this. I have 100 photo receptor that converge on 10 bipolar cells which |
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08:41 | converge on one receptor cells or excuse , one ganglion cells. All |
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08:45 | so you can think about it. I have those 100 cells which are |
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08:50 | here didn't draw if I stimulate this or stimulate that sell, it doesn't |
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08:54 | . I'm going to stimulate that gangling . Right? If I stimulate this |
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08:58 | or this rod, I'm going to that. So, the idea here |
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09:02 | that there's a bunch of cells that up the volume and it doesn't matter |
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09:07 | within that group of cells I'm going stimulate, I'm gonna stimulate that one |
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09:12 | cell in that uh that's in charge that whole group and that represents the |
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09:18 | in which light needs to hit in to stimulate that ganglion cell. |
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09:23 | the more cells you have obviously, larger the receptive field, the fewer |
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09:28 | you have, the smaller the receptive . Okay, great dr wayne, |
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09:32 | cares. Well, this is how deal with the process of acuity. |
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09:39 | right, now, I'm gonna explain using modern tech that some may that |
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09:45 | of you are going to get and of you just gonna sit there and |
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09:47 | , I have no idea what he's about. Right, But you guys |
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09:50 | what an HD Tv is. HDTV has how many pixels represented from |
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09:58 | to bottom. That's that number they you 10 80. Close 10 2010 |
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10:03 | 20 is sometimes what they seven twenties HD even though they say it is |
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10:08 | right. So what it says, says if I look at a TV |
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10:12 | count the pixels and go all the down, there's gonna be 1080 |
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10:17 | All right. You know, standard is 4 80. So take the |
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10:24 | of the same size and you count pixels and would be 480 pixels from |
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10:28 | to bottom. But if the TVs the same size, which tv has |
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10:33 | pixels, the 4 80. All . And so you can look at |
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10:37 | tv and watch tv show on a def 4 80 you look at and |
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10:42 | , yeah, it's kind of And then you go and watch on |
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10:45 | HD and it's like, oh, looks more realistic. And then they've |
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10:49 | out with the new TVs, the K's. What does the 4K have |
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10:58 | pixels from top to bottom? Also TVs that have 8000 pixels. And |
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11:03 | with each iteration, what you're saying I'm taking in that space and I'm |
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11:08 | it by that many more. So from 4 82,080 you basically have |
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11:13 | the number of pixels from top to . So you get greater clarity or |
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11:18 | acuity. Right? For four k you now have 4000 pixels. So |
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11:23 | four times even better than HD. when you go to 8000 year, |
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11:28 | better than 4000 and yada yada yada yada. And you can compare that |
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11:32 | that little rinky, dinky nasty 44 p standard death and it's like it |
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11:37 | looks real. In fact, that's argument. All right now, why |
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11:43 | I bring all this stuff up? the number of photo receptor cells that |
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11:49 | converging on that ganglion cell works in same way. The fewer number of |
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11:56 | receptor cells I have, the greater acuity, right? Because you can |
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12:00 | about like I'm gonna go, I'm go over here, look, the |
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12:03 | way I can stimulate this ganglion cell if this particular photo receptor is stimulated |
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12:10 | , you can imagine right next to there might be another photo receptor cells |
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12:13 | it's going to a different ganglion And so what I've done is I've |
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12:17 | a very, very small receptive I have a lot of these receptive |
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12:21 | really, really close together. Then I'm pinpointing exactly where the light is |
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12:27 | in terms of my retina. But I have a field like this, |
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12:31 | is what you'd see kind of on periphery is like it doesn't matter, |
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12:35 | can do this one or I can that one or any of the other |
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12:38 | that are sitting in this and my basically that's that's kind of in that |
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12:42 | over there right now we're talking I mean receptive fields that are like |
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12:47 | big and even smaller, right? for your eye, that's a huge |
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12:52 | . And remember what I asked at beginning at the end of class on |
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12:56 | , I said, look, look that thing in front of you, |
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12:59 | it's a piece of paper or some and look at something that you're looking |
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13:03 | out is very, very clear. if you kind of look on the |
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13:06 | and don't lose your focus on, kind of blurry, it's not clean |
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13:11 | clear, it lacks acuity. And you can imagine now the way your |
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13:17 | organized is in these receptive fields where have very, very small receptive fields |
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13:24 | your forward vision right there in a right right there in the center of |
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13:29 | you're looking. But as you move and further out on the edges, |
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13:33 | have larger and larger receptive fields, enough to let me know that there's |
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13:36 | going on. But it doesn't give the clarity. And so when I |
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13:40 | something moving or something that catches my , I turned my head and I |
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13:45 | my phobia right at what I'm looking . All. Right. So the |
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13:50 | of convergence is responsible for the amount acuity, the more convergence you |
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13:58 | the less acuity you have. All in other words, the more photo |
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14:03 | receptors that are in that field, less accurate it can be so less |
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14:09 | . Right? So it's the The smaller the receptive field, the |
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14:15 | accurate or the more acuity I'm going have. All right. And so |
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14:21 | or photo receptive fields are representative representative the ganglion self, the one that's |
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14:29 | down at the end. Now, is coming back to one of these |
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14:34 | fields and kind of using this idea this bipolar cell being in the offer |
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14:38 | position. And this is what I'm of describing for you. So, |
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14:42 | what we have is we have a field and we're using we're saying we |
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14:45 | three um uh photoreceptors in our receptive . So you can see down here |
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14:50 | our ganglion cell. But really what have is we have an on center |
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14:54 | have an off center. All And so what's happening? He |
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14:57 | look, if light hits here in center, then what it does is |
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15:01 | turns on the on center and it this is bright and then it says |
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15:05 | here on the edge of it you know, this is not |
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15:08 | And so basically what it does, creates this contrast. And again, |
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15:12 | not going to ask you if you this. I'm just trying to show |
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15:15 | why we talk about this. All . Is that there's this complex networking |
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15:20 | the gangling, sorry, the ganglion , the bipolar cells and the photo |
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15:25 | cells so that your eye actually does or modulation of the signals even before |
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15:31 | gets to the brain. And so brain already knows. Okay, the |
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15:34 | hit the center of this field because turned on the ganglion cell that is |
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15:39 | for that center of the field and the way, we suppress the off |
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15:44 | . Yeah, this thank you. of like the innovation. Right? |
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15:53 | the question is this really is just lateral inhibition. And the answer is |
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15:57 | . It's very much like lateral And so there you want to have |
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16:02 | with this stuff. Go and look optical illusions. And there's there's there's |
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16:07 | one where it's like here's a bunch black squares, there's a white square |
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16:10 | here's a gray square in the What is this really? A gray |
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16:15 | ? And the answer is no, exact same color as the white stuff |
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16:18 | . It's just that it's because it's by black. Your eyes create this |
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16:23 | and says, oh, this is like the black. And so I'm |
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16:25 | to fill in the color as a perception because of these on center off |
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16:33 | optical illusions are you can have a with them for hours. We can |
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16:36 | do this because this is what your is doing all the time with |
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16:39 | I'm going to fill in the information on what I expect to see |
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16:44 | All right. So, the summary all that is we have photo receptor |
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16:50 | that have some characteristics. We have cells that are going to be stimulated |
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16:54 | the photo receptor cells and then we the ganglion cells that represent that uh |
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16:59 | receptive field. Okay. And what we're gonna do now is we're |
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17:02 | to move and we're gonna ask the , right. How do we turn |
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17:04 | these photo receptor cells? And how we respond a lot? How do |
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17:08 | turn on our eyes so that we see? All right. And |
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17:11 | the first thing we need to understand there is a pigment, this structure |
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17:15 | photo pigment. Alright. There's actually parts to it. And so we're |
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17:19 | to focus on the raw but this is occurring at the level of the |
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17:22 | . All right. And the reason focus on the road because that's where |
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17:24 | was most easily discovered. And basically , look in that rod we have |
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17:29 | series of discs that are found in rod portion. Alright. And they |
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17:33 | like a bunch of pancakes stacked on other and in the membrane of these |
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17:38 | as we have this protein this molecule has a receptor like structure and then |
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17:47 | in that receptor like structures some sort pigment that's behaving like a ligand. |
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17:53 | right. I was like, so, this isn't anything new. |
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17:56 | mean I've got a receptor and something's to it. Well, if I've |
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17:59 | , something's bad. So that means going to happen. All right. |
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18:03 | , the structure of the thing that like a receptor is called obscene. |
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18:07 | right. And there's lots of I mean, there's one that's found |
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18:10 | rod's Alright. We call that read . There's one in each of the |
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18:14 | cones that we have. We call photo options. All right. So |
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18:18 | just call them opposite molecules just to our lives easier because you have to |
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18:21 | it, right? And they're all to different wavelengths, meaning they respond |
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18:26 | a different wavelength of light. And reason for that is just because of |
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18:29 | amino acids that make them up. right. So what they're doing is |
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18:32 | at a certain wavelength you'll be able activate, say the S. |
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18:36 | whereas in a different wavelength you'll be to activate the income and you notice |
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18:40 | the massive amount of overlap. Please please do not memorize the wavelengths. |
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18:46 | , I'm not interested in you knowing . Okay, we'll talk about why |
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18:50 | is important in a second retinol is ligand portion and it's already there embedded |
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18:57 | the opposite. Now it can leave it can bind back up. But |
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19:01 | going to start with it bound up is literally taking a vitamin A molecule |
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19:05 | clipping it at half. And so you see is you have this aromatic |
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19:09 | in this long tail that goes with . All right. And so for |
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19:13 | vitamin egg you clip it to have get to retinol walls. All |
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19:18 | Yeah. The thing about retinol is bound up inside here and it's attuned |
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19:24 | stimulate whatever type of option molecule you're at. So if you're in a |
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19:30 | cone, it's bound up in there that it can cause the shape and |
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19:34 | change so that you're responding to that length of life. Right now, |
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19:40 | exists in two stages. There were different states. There's a active state |
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19:46 | an inactive state. All right. when you find it bound up like |
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19:50 | and in this particular shape, we'd that it's inactive. Now, we're |
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19:54 | to come back to that a couple slides to see what it looks |
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19:58 | When we're saying inactive, inactive. right. But I want to first |
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20:02 | the photo options and color perception. right. The thing about these, |
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20:07 | lot of people see, and this why I was trying to steer away |
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20:10 | the red, green and blue. ? Because red, green and |
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20:13 | When you think about a cone, thinking, okay, red cone must |
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20:16 | to red and green must respond to and blue response to blue. And |
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20:20 | vision is basically like a television set in the old day where you have |
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20:24 | different lights in whichever ones you dimmed no, that's not how it |
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20:28 | You can see here. I'm just use the red cause it's easy to |
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20:32 | here. The range of stimulation for red cone is fairly broad. It's |
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20:37 | from 400 to about 700. But the the massive or the greatest amount |
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20:42 | stimulation starts around here. And then is the maximum amount of stimulation. |
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20:46 | here is the least amount of Now notice what I said here, |
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20:50 | degree of stimulation. Think about a . If you're in idle, you're |
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20:54 | moving but your engine has a certain of RPMs going on, right. |
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20:59 | if you press on the gas, can make the RPMs go up. |
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21:02 | that's the degree of stimulation in terms your car. Right? And this |
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21:07 | kind of the same thing. The you're asking is, how much am |
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21:11 | stimulating this? And so uh photons different energy stimulate each rod or |
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21:18 | each cone and rod uniquely. And so if the wavelength, remember |
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21:25 | first day I talked about this at wavelength represents energy at different energies. |
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21:30 | going to get different types of So here at 500, I am |
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21:36 | of stimulating the blue cone. I'm the red cone more than I'm stimulating |
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21:41 | blue cone. And I'm stimulating the cone even more than the red and |
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21:44 | blue, all three of them are stimulated at different degrees and it's the |
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21:50 | of those three stimuli and how they being activated. That allows you to |
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21:56 | that color and the color that you're is a color between red or started |
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22:02 | green and blue. Now, here's fun stuff. All right. How |
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22:08 | colors do you think humans can perceive first asked the guys guys, how |
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22:14 | colors can guys? How many colors humans perceive? What do you |
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22:19 | 100. Three 100. 300. , ladies, How many colors do |
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22:26 | think? Thousands. All right. , here's the fun part guys. |
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22:33 | many colors can you name? I'm them because they were like right here |
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22:36 | the front. But I'm I could you guys six. You can name |
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22:38 | colors. Yeah. Right. how many colors can you name? |
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22:47 | . I heard I heard 1000 over . Someplace. Yeah. Right. |
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22:51 | mean. All right. I'm going have fun. All right. What |
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22:57 | jacket? Shirt? It's a What color? Jack is her |
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23:01 | Guys, ladies, they're going to maroon or something. She he's already |
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23:08 | maroon. Yeah. Well, it's it's true. I mean that |
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23:12 | and men see the same color as can actually identify colors better. I |
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23:17 | , that's it's a natural, it's natural phenomenon. Guys. We have |
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23:21 | eight colors that we know. Roy biv and And the only reason we |
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23:26 | those eight is because we took science third grade. All right. Ladies |
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23:30 | five Blues, Go teal turquoise cerulean , Aquamarine. That's five didn't even |
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23:42 | Navy. All right. I you know guys would look at this |
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23:49 | right here and we would say it's . Ladies would be like, oh |
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23:54 | corn flour. I'm not even sure even the right color. All |
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24:02 | But what I'm pointing out here is see lots of colors. The actual |
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24:06 | that we can see is in the of different colors. All right. |
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24:11 | the reason is is because you're fine these three receptors to be able to |
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24:17 | these different culture. Now notice here are the different wavelengths of visual |
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24:21 | So there's your Roy G biv. you see pink up there? |
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24:25 | but can you perceive pink? because pink is a form of |
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24:30 | That's very, very light. All . It's kind of a mixture of |
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24:33 | and red. That's just an So you don't sit there and |
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24:37 | okay, well it's Roy G biv that's good enough. It's really there's |
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24:40 | and there and this is even There are some women, not |
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24:45 | there's some women who have an extra And it allows them to see 10s |
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24:50 | millions of colours. All right. anyway, what I'm trying to show |
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24:57 | in this particular example that 5 It just shows you the different degrees |
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25:01 | stimulation. And so what color you'd perceiving as a result of that. |
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25:05 | again, using the Roy G biv at the bottom. The process of |
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25:10 | being able to perceive light is the of a process called photo transaction. |
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25:15 | right. This is a G protein receptor pathway. And so this is |
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25:19 | picture from your textbook. Right. I tried to color code everything so |
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25:23 | you can see the name. We something called Guano late cyclists. Alright |
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25:27 | late cyclists is sitting over here. job is to make cyclic GMP from |
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25:32 | . Alright. So what it does it takes a molecule drops off the |
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25:36 | phosphates and bends the last phosphate group that it's bound up and creates a |
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25:41 | or cyclic structure. That's where its comes from. So cyclic guana seen |
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25:47 | phosphate is cyclic GMP is good enough us. We have our photo pigment |
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25:51 | we've already learned about. Here's photo over here. You can see there |
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25:55 | the option portion inside there there is retina portion we have transducer. And |
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26:00 | is just a G protein. All . And it was named transducer because |
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26:04 | was the first one discovered discovered I , oh I'm trans inducing light energy |
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26:09 | a neural signal. That's where the came from. All right. |
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26:13 | Its job is when it's activated it another molecule called fossil diasporas. There |
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26:18 | many fossil di ASti races, but not going to name which one it |
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26:21 | . It's a fossil industries is the of fossil diocese races to take that |
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26:26 | GMP when it finds it when it's and D. C. D. |
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26:31 | it. In other words where I it was double bound basically what it |
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26:34 | . It breaks that bond. And now you have uh cycling G. |
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26:38 | . Sorry. You have GMP. from the cyclic GMP. That's what |
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26:41 | trying to show you. All And then why we care about all |
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26:46 | cyclic GMP and stuff is because we a channel. Alright. That's called |
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26:50 | cyclic nucleotide gated channel. Alright. basically when it's cyclic GMP is |
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26:56 | what it does it binds up to channel causes it to be open and |
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27:00 | that is open it allows sodium to into the cell. Now I'm gonna |
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27:05 | you to think about when we learned neurons. When sodium comes into the |
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27:09 | . What happens to the cell? d polarizes good and it becomes |
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27:16 | Right? That's the normal situation. we're dealing with a neuron and a |
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27:22 | receptor cells a type of neuron. what we have here is we're basically |
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27:26 | when this channels open sodium is coming and the and the cell is de |
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27:31 | and it's becoming activated. All right . There we go. So this |
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27:42 | a picture I drew years ago for class and I'm just it's the same |
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27:46 | that we just looked at with my . All right. So all the |
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27:49 | players are still there. I'm going go through again, I've just drawn |
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27:52 | all out so I can show you happening in the photos receptor cell in |
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27:58 | absence of light And when the light present. Alright. And so our |
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28:02 | stage is here in darkness. All , no light present. What's going |
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28:08 | ? Well, the one light cyclist always always always making cyclic GMP. |
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28:13 | so what that means is is the of cycling GMP inside the cell is |
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28:17 | be fairly high when you have a of cyclic GMP that's going to bind |
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28:22 | to that receptor that channel. So, you're just trying to show |
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28:25 | is bound up which caused it to some sodium comes in. And that |
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28:29 | there's lots of sodium inside the So, in darkness, we have |
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28:34 | of sodium inside the cells. So cells d polarized it's active. Can |
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28:40 | see in the dark? Can you it was pitch black? No |
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28:45 | No, you perceive darkness. So, something's fishy here. You |
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28:52 | when the cell is active? I'm darkness and the answer is yes. |
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28:58 | . So, what that means is fishy is happening downstream that we got |
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29:01 | deal with. And we'll get to moment. But I want to show |
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29:03 | what's happening in the light. Oh, first up, and this |
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29:08 | something that your book addresses. I want you to spend a lot of |
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29:12 | trying to understand this. But if is always coming into the cell. |
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29:16 | the inside of the cell will eventually full of sodium and then the cell |
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29:19 | stop being polarized. Right reach Well, we can't have that |
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29:24 | So, what we have is we a current. So basically you have |
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29:27 | pump. So as the sodium comes , you pump it back out and |
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29:30 | it just keeps it rolling so that cell remains deep polarized. Okay, |
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29:36 | what the dark current says. Oh, it will be but not |
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29:44 | now. Okay, you're getting ahead the story, which is okay. |
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29:49 | right. So, you can see this in the dark. I'm deep |
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29:53 | . So what am I doing? releasing neuro transmitter. All right |
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30:00 | let's talk about light. Here's our photon hits that retinal molecule. |
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30:06 | The retinal molecule is the one that's to light. Option is sensitive to |
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30:12 | retinol is doing. So, the we're asking here is okay, what |
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30:16 | happening when light comes in? what it does is it changes the |
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30:21 | of the retinal molecule. It's in cIS form and it's going to be |
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30:26 | into its transform. Alright. And we'll see what that turns into what |
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30:31 | looks like now if you have not to If you've not taken organic |
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30:35 | you don't know what cIS and trans . That's fine. So you can |
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|
30:38 | of see here, It's basically saying at the 11 carbon, it has |
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30:45 | crook, right? It's the shape a hook in the long tail and |
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30:51 | sitting there inside that opposite molecule. when light comes along, it changes |
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30:57 | shifts that that that bond so that now have a really, really straight |
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31:03 | . Now, you can think about this, well, I'm not active |
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31:06 | there's not like I'm inside my I'm inside the option and it's |
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31:10 | okay, I'm just kind of sitting . But when I change my |
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31:13 | I'm no longer comfortable inside the So I change the shape of option |
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31:17 | fit. Okay, And so what done is I've gone from an inactive |
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31:23 | to an active shape which causes the to be an inactive form and becomes |
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31:29 | . That kind of makes sense. right. And so the transform is |
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31:36 | allows everything to start moving in And what we're gonna need to do |
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31:42 | once we've converted into this form, could never re stimulate that. |
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31:46 | we're gonna have to change it back the cyst form before we can ever |
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31:50 | anything again. And so there's a process that allows that to happen, |
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|
31:54 | we're not going to go step by through. But I'm just gonna see |
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|
31:57 | there it is, right there. , so the first thing that happens |
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32:01 | comes in stimulates the retinol if it retinol, you don't activate or stimulate |
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32:08 | cell. So what you're doing is activating the retinol to retinol becomes active |
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32:12 | everything downstream turns on. All So here you can see I've turned |
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32:16 | on the trans has activated the system now it's going off and doing its |
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32:21 | . It's going to get converted back the cyst form. All right, |
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32:24 | what is the next step? the photo pigment which has been |
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32:29 | activates the transducer. Transducer is the protein. It kicks out a GDP |
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32:35 | replace it with a GTP once it uh replaces that that's its active |
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32:41 | So the changing shape of one changes shape of the other. Which allows |
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32:45 | bring in a new molecule that brings with it. That GTP activated alpha |
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32:53 | goes and activates Foster dia stories what fostering diasporas do? Well, it |
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32:58 | all that cyclic GMP and it basically chewing it up. Now. In |
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33:03 | this process, we're still making cyclic . But the rate at which we |
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33:07 | it down is faster than the rate we make it. And so what |
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33:10 | is the amount of cyclic GMP becomes and less and less inside the |
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33:16 | If you have less cyclic GMP inside cell, that means you have less |
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33:21 | GMP to bind to this receptor. that's what happens less cyclic GMP. |
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33:29 | there's like less there now. So means that receptor that channel closes when |
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33:34 | channel closes, sodium can't come If sodium can't come in the cell |
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33:40 | longer do polarize, it hyper See there's that term Okay and when |
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33:46 | hyper polarized you're no longer releasing So what you're doing is in the |
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33:54 | , you're activated and you're releasing neuro and you're stimulating. What's the next |
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33:58 | in the sequence? You remember bipolar ? So you're stimulating the bipolar cell |
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34:04 | the next step in the dark. in the light, what you're doing |
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34:08 | you're no longer stimulating the bipolar And so what happens is this is |
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34:16 | process here just doing the compare and . So in the dark I'm stimulating |
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|
34:20 | bipolar cell. But here I'm Well what we're releasing is an inhibitory |
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34:28 | . We're basically saying to the bipolar in the dark there's no light. |
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34:33 | do anything. So the bipolar cell sits there and go, okay nothing's |
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34:38 | on. But in the light what is is I'm not inhibiting the bipolar |
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34:44 | . So the bipolar cell naturally deep . It wants to be like the |
|
|
34:50 | . So it wants to be de all the time. And so what |
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34:52 | does is when nothing when nothing is to tell it to not be polarized |
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34:57 | polarizing that tells your brain light is and then it stimulates the ganglion cell |
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35:03 | and the ganglion cell says ah within field I have been stimulated by light |
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|
35:09 | it sends that signal onto the brain say this is where light has |
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|
35:13 | So your perception of light is a of light hitting the receptive field. |
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|
35:19 | it's a function of turning off the receptor cells. Now some of you |
|
|
35:25 | sitting there going on this stupid, don't they make it easy for |
|
|
35:28 | And here's the answer. I want to think about the day right |
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|
35:32 | Right? Right now we're in there's more darkness than there is |
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|
35:37 | But humans haven't always been. Most are not a species or an organism |
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|
35:43 | sits in one place, primarily We tend to follow our food and |
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|
35:48 | tends to follow the sun because that's all the other animals and the other |
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|
35:53 | are. So most of our life spent in light. And if I'm |
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35:59 | activating cells, that's more energy, ? If light is where I'd be |
|
|
36:06 | energy then I'd be spending more That means I have to eat |
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|
36:09 | And I already had enough. Me you right now. So it's easier |
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|
36:16 | activate cells when you have, you , for the shorter period of |
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|
36:20 | That's more energy efficient. So photo cells are active in the dark, |
|
|
36:26 | less energy to do that. I show you the math. But it's |
|
|
36:36 | . So I've already mentioned this, told you I'd be come back like |
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|
36:42 | kid getting blinded because he's staring at sun and basically says, look, |
|
|
36:47 | able to adapt to different levels of because I have cells that respond to |
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|
36:52 | differently. We've already talked about that adaptation is just adjusting to low |
|
|
36:56 | Which type of cells do a better of adjusting or being activated in low |
|
|
37:02 | the rods, right? But they longer to adapt. And so that's |
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|
37:07 | it's harder to it takes longer to to a dark room that it takes |
|
|
37:11 | adapt to a light space. Light is basically into the high light |
|
|
37:18 | Now, a lot of stuff in , I don't need to know any |
|
|
37:22 | it. You just don't understand what says. So, it says, |
|
|
37:25 | , here's my 11 cis retinal, turns in that trans retinol. What |
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|
37:29 | I do with that? Well, got to convert it back to the |
|
|
37:32 | retinal in order to make it So what I'm gonna do is I'm |
|
|
37:35 | boot out that trans retinal, I'm transport it into those um retinal pigmented |
|
|
37:42 | cells. And because those cells have in there basically blocking out light. |
|
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37:48 | so in there I can do these tiny molecular or chemical reactions to reshape |
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37:53 | and hide it from the dark or from the light and then I can |
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37:56 | it back once I got into the shape and then I can put it |
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37:59 | into the cell only to be activated and just repeat the process. All |
|
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38:04 | . So in essence I'm converting it I need to have the cyst form |
|
|
38:10 | . How long did it take? , for Raj, it takes about |
|
|
38:13 | minutes. For a cone. It about three minutes. All right, |
|
|
38:19 | , that's why it's harder. Or takes longer to adapt in the |
|
|
38:22 | Because remember, rod cells are basically out, everything is activated. And |
|
|
38:26 | , you're constantly trying desperately to get cyst forms back rods. It takes |
|
|
38:31 | or it takes more energy to get activated. So, it's really easy |
|
|
38:35 | convert them back. So, this here dark adaptation adaptation has different times |
|
|
38:43 | order to do that adaptation because of these steps that take place elsewhere. |
|
|
38:51 | other thing is that cones tend to their own retinol as well. |
|
|
38:55 | you don't have to send it to cell to get fixed. It's like |
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|
38:59 | your phone in, right? You get to have your phone for a |
|
|
39:01 | of days when they have to replace screen, right? That's in |
|
|
39:05 | what you're doing is like I broke retina. Can you go fix |
|
|
39:09 | It's like, sure I can fix for you. But you have to |
|
|
39:14 | . That's what the seller doing. , what is the pathway here? |
|
|
39:20 | right, there's a lot here to and I've tried to just break it |
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|
39:25 | to the very simple, right? , when light hits the eyes, |
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|
39:28 | hitting the photo receptor cells stimulates the cells stimulates the ganglion cells. The |
|
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39:33 | cells are sending impulses along their This is down action potential. And |
|
|
39:38 | those axons do is they form the nerve. And so the optic nerve |
|
|
39:44 | the axons as they converge and exit of the eye, you can see |
|
|
39:49 | they cross each other. There's something the optic eye asthma. All |
|
|
39:53 | The optic nerve, optical asthma. happening here is you're crossing fibers So |
|
|
39:59 | fibers that are found on the medial . Right? So you can see |
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|
40:05 | Well, sorry here and there are to go to the same side. |
|
|
40:10 | right. The fibers found on the here, but the medial side there |
|
|
40:14 | going to go to the same And the reason for this is to |
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|
40:17 | that the brain gets information from both and actually understand what's going on. |
|
|
40:25 | going to happen is the optic Iseman into the thalamus and it goes to |
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|
40:29 | specific location called the lateral gene ejaculate . The reason we named this is |
|
|
40:35 | we're going to see we've already seen other nuclei in the thalamus that RG |
|
|
40:41 | nuclei. All right. So this the lateral one. We're gonna see |
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|
40:45 | here in just a second and then there information is processed and then then |
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|
40:51 | on to the primary visual cortex which v one There we go a lot |
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40:57 | stuff here that you don't need to . Again, I'm throwing up here |
|
|
41:01 | just show you it's a complex All right. Here we talked about |
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|
41:05 | we talked about the cortex having six . Remember me saying at least |
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|
41:09 | twice, maybe three times. I know if this is just showing you |
|
|
41:12 | is just three layers. Right? , they're layer number one. There |
|
|
41:14 | layer two and three. Here's layer . Here's more layer four's there's five |
|
|
41:19 | six and so and so and so . All right. There are six |
|
|
41:23 | . And what I want to point here is just what we're doing here |
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|
41:26 | there's different areas in these court in cortex that process information separately. |
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|
41:33 | So I mentioned you colors is processing called blobs. Right. Remember |
|
|
41:40 | It's like you don't need to know blob is I don't know. The |
|
|
41:43 | is trying to identify a blob and a blob is hard enough but showing |
|
|
41:48 | up here there's a block in between blobs are the inter blobs. It's |
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|
41:54 | . Thanks. All right. what better blobs due process spatial |
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|
42:00 | So, color is the blobs spatial is in between them. All |
|
|
42:06 | We have different types of cells. of cellular cells and magnus cellular |
|
|
42:10 | So, this magnet cellular cells in with parvo cellular cells deal with high |
|
|
42:17 | black versus white. Right? So you're looking at something what you're doing |
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|
42:21 | your brain is trying to see how brightness is there and it creates this |
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|
42:25 | this contrast. So it can best it. So different areas within the |
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|
42:32 | do different things with that information. your eyes are not cameras and you're |
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|
42:37 | just recording movement and color and spatial and stuff like that. It's basically |
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|
42:44 | everything down processing that success in that separately and then it puts it back |
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|
42:49 | together for the idea of perception And what this is basically showing you. |
|
|
42:55 | is just showing you the five visual , right? And there are more |
|
|
42:59 | at least 20 regions of the cortex are known to identify vision. So |
|
|
43:07 | just kind of showing you some of . So we've already said that the |
|
|
43:10 | . One key thing here to remember that it represents your visual field. |
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|
43:15 | basically it's mapped out if you took retina and flattened it and basically you |
|
|
43:19 | see that different areas in there are in a map in v. |
|
|
43:26 | All right. Visual memory basically is to be in V two. That's |
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|
43:32 | shaped spatial position, size, color shape. So if I showed you |
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|
43:35 | object you'd be able to go, know what that is. I've seen |
|
|
43:37 | before. That's a and then whatever is, tennis ball. Okay, |
|
|
43:43 | three deals with the question of Right? Oh that thing is |
|
|
43:48 | And so I can see that this here and then a couple seconds later |
|
|
43:52 | object here they're related because it moved here to there. Can you believe |
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|
43:57 | something that you just naturally see things and you're like okay it moves but |
|
|
44:02 | brain breaks it down in terms of you know both vertical and horizontal movements |
|
|
44:08 | everything. And it basically says oh movement from that object. I saw |
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|
44:11 | here second ago. Now it's over , it's the same object, it's |
|
|
44:14 | moved. All right. Um Then have basically what's the orientation? Um |
|
|
44:21 | picked up an app on my phone other day because I was really really |
|
|
44:23 | . You've probably seen it if you any sort of game on your on |
|
|
44:27 | phone you've probably seen it that picked three the three D. Uh match |
|
|
44:32 | . Have you seen that game basically big pile of stuff and you're supposed |
|
|
44:35 | match things in there and pull it . If you see if you have |
|
|
44:39 | game you're not play for. I you've seen that uh that ad for |
|
|
44:43 | ? Right? So I picked it and basically what it is as you |
|
|
44:46 | see there's an object that might be upside down or twisted stuff. But |
|
|
44:50 | can identify? Well because of what's on before And then v. five |
|
|
44:56 | also again perception, emotion. And are just the basics. I mean |
|
|
45:00 | at the map. So you see a V. Seven V. Three |
|
|
45:03 | there's a VP that's not vice All right. But there's just there's |
|
|
45:09 | and more and more areas in Okay, so the idea here is |
|
|
45:15 | is not simply movement or me seeing and recording the movement. It's me |
|
|
45:20 | it down and breaking apart and my then putting it back together in the |
|
|
45:25 | of perception, ready to go and the air. You have questions about |
|
|
45:31 | stuff. Mm Okay. Yeah. have you guys, how do you |
|
|
45:47 | look at people's ears before? I I did in the other class. |
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|
45:50 | you look at something, you look the person next year, if you |
|
|
45:52 | see their ear, look how weird are. They're they're weird. You |
|
|
45:57 | at them, they're just like All right. And that shape is |
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46:02 | for a reason and we're going to to that. Hopefully at the end |
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46:05 | the class here to say, when you look at an ear, |
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46:07 | , it is weird looking, but has functionality to it. All |
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46:11 | It's not just like some random skin your your body is like a I |
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46:15 | know what to do with this. just it actually has shaped for a |
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46:18 | . Now what we're locked talking when talk about the year we typically think |
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46:22 | hearing, but the other half of job of the ear is equilibrium. |
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46:26 | right. And when I say you know when you get dizzy, |
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46:29 | what we're talking about the lack of ability to know what your position of |
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46:33 | head is in space. Okay, we have three parts to the |
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46:37 | We have the external ear and we the middle ear. So this really |
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46:41 | the external ear right here. There's middle ear. And then we have |
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46:44 | inner ear which is this weird looking in here. The external middle |
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46:49 | the job in a very basic is to take sound waves and transmit |
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46:55 | and then amplify them to the inner . All right. So their job |
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46:59 | to project to the inner ear. then once that sound wave gets to |
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47:03 | inner ear that the inner ear is for processing that sound wave. So |
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47:07 | have the perception of sound. All . So there's two structures in here |
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47:12 | we're going to look at and we just kind of point them out here |
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47:16 | . This thing that looks like a snail shell is called the cochlea that |
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47:22 | a role in hearing converting sound waves the neural impulses. And then this |
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47:27 | over here that looks like some sort mutant snail that has come out and |
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47:30 | devouring the inside of your head. is the vestibular apparatus that is responsible |
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47:35 | equilibrium. So you can see it's of divided into two parts All right |
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47:41 | in terms of the anatomy of the ear. This thing is called the |
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47:45 | or the oracle. Alright. Its is to collect sound and then direct |
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47:51 | into the ear canal or the or external acoustic or auditory meet us. |
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47:56 | see all three terms external auditory meet external acoustic meters, or the ear |
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48:02 | . Now in the ear canal, is responsible for directing sound of the |
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48:06 | panic membrane, you're gonna find hair you're going to find some unis glands |
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48:10 | the purpose of that is to catch sorts of horrible nasty things that are |
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48:14 | to get into that little time. hold in your head. Alright |
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48:18 | google is our friend. There's wonderful of people finding a little tiny spiders |
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48:23 | their ears. There's the one of cricket, you know, a guy |
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48:27 | complaining about his ear itching. Finally to see a doctor and there's a |
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48:30 | that had worked its way into its . This is just nasty stuff out |
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48:35 | . And this is why we have . All right, so, we |
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48:39 | see the nasty stuff because let's face , those things have like 20 million |
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48:45 | . You're gross. But we dig All right. Lastly we have the |
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48:50 | panic, membrane, tim panic. can think in terms of a |
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48:53 | It's basically like the skin of a that's been pulled over. So it |
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48:57 | the entire length of the acoustic meet . And it separates out the external |
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49:02 | from the internal ear And when sound hit it, it vibrates at the |
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49:07 | of those sound waves inside the middle . We have what is the tim |
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49:14 | cavity? Alright. And that's to it from the auditory tube. The |
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49:19 | tube has another name named after the named named It's called the eustachian |
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49:23 | basically station to where the auditory tube the middle ear up into the back |
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49:28 | the throat. You ever had your get all stuffy and clogged? What |
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49:31 | you do? Right, pop your . Right. And what you're doing |
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49:36 | basically your aquila, breaking the pressure the middle ear to the external |
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49:41 | which is what would be in your cavity as well as out here in |
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49:45 | external environment. All right. And reason we need to do that is |
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49:49 | if there's unequal balance of pressure, the vibration of the tim panic membrane |
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49:54 | going to be uh muted. And the idea is to create equal pressures |
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49:59 | either side. So the timpani membrane vibrate at the frequency that it |
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50:04 | Now in here, Right? We the tim panic membrane separates from the |
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50:11 | environment. But we have two little that are responsible for separating the middle |
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50:16 | from the internal ear. The one most important is the oval window. |
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50:22 | ? There's a membrane that sits over oval window. There's one that sits |
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50:25 | another that's called the round window. the oval window first, round window |
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50:28 | second. All right in here we three bones, the malice and the |
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50:34 | and the staples or the hammer. anvil and the stirrup based on what |
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50:39 | look like. The strip is the that looks like a stirrup. The |
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50:43 | two doesn't look like a hammer and anvil. But I think it's just |
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50:45 | way that they interact is how they them. All right. And so |
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50:49 | happens is you can see here that is associated with in tim panic |
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50:54 | The malice is associated also with the and the Incas associate with the steps |
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51:00 | the state is sitting over the oval . So when the tim panic membrane |
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51:06 | , the malice moves, the Incas and the staples moves. And these |
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51:10 | bones together serve to amplify that sound . All right now, why do |
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51:17 | need to amplify well? Because the ear is filled with fluid and that |
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51:23 | needs more energy to cause it to air. You don't need a lot |
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51:26 | energy to cause a membrane to move the air. But if you have |
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51:30 | on the other side, you have really work it. And so that's |
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51:34 | reason for the amplification is to amplify the strength of the sound wave. |
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51:40 | change the frequency, but amplify it that it gets transmitted to that oval |
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51:46 | . So when the Tampa nick membrane , the oval window moves and moves |
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51:50 | the same frequency. There's also some in there. They're called the tensor |
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51:54 | . An attempt for in this as tedious. Alright. And they sit |
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51:59 | those bones, the malice and the and the state please anyone who's been |
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52:03 | a loud concert. What happens when music comes on? It's really |
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52:07 | What do you do cover your And then after a while you take |
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52:13 | hands away, music sounds just Alright. Three, you cover your |
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52:17 | . That's a natural reflexive response to the ears. But you're muscles here |
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52:24 | responsible for d amplifying the amplifier. right there, the negative amplifier. |
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52:31 | if you're getting loud sounds, you're to still get amplification. So what |
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52:35 | want to do is you want to that amplification so the muscles contract and |
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52:38 | prevent those bones from moving quite so . Still get the same frequency, |
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52:42 | not about the amplitude. So they sound to sound normal, I guess |
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52:51 | loud. So then we get to inner ear and these are structures. |
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52:56 | two structures and this picture is not do any show you these two |
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53:01 | We're going to see it more on next slide. It's what we call |
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53:03 | bony labyrinth and that's really what you're here is the bony structures and then |
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53:08 | it are the member nous labyrinth. right now the bony labyrinth has within |
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53:14 | a bunch of cavities and in these there's fluid which is the fluid that |
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53:19 | have to move around in order to sound. All right. The fluid |
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53:25 | inside that is called parallel. If this fluid is very similar to the |
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53:30 | around your cells. So like interstitial . All right. The three structures |
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53:36 | the bony labyrinth include the coke All right. The one to the |
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53:43 | semicircular canals and in this area, in here where you can see is |
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53:50 | is called the vestibule. The memory's are inside each of these. |
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53:56 | when you look inside them, you're to see the bony parts. And |
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53:58 | there's the structures that are set apart membranes. And it's these member nous |
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54:06 | that are again filled with fluid. have a different fluid they call it |
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54:09 | lymph. That fluid is like the fluid so very different. It's not |
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54:16 | the fluid that you'd see surrounding the . Like the parallel these membrane tubes |
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54:23 | the bony labyrinth have names. We the cochlear duct which would be inside |
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54:27 | cochlea. It's this structure where you the hearing organ, it's called the |
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54:34 | of corti. So this is where gonna find the receptor cells that allow |
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54:38 | to perceive the sound waves inside the . You have these two structures called |
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54:44 | homosexual which we'll talk about on Tuesday week, they play a role in |
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54:49 | equilibrium or balance. And then the canals has a tube within its called |
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54:54 | semi circular duct. Um And these also organs of balance. So what |
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55:01 | want to focus on here is I'm to focus on the memories labyrinth and |
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55:05 | cochlear duck inside the cochlea. To understand sound, that's what we're |
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55:11 | today. Now to understand sound, need to first understand what it |
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55:15 | We looked at light, we said is photons, packets of energy is |
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55:20 | as wavelength. And it had this weird wavelength thing. Sound is simply |
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55:25 | molecules or molecules bouncing off each All right. So what happens is |
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55:30 | I'm speaking or projecting a sound, pushing air that air compresses against air |
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55:35 | here bounces off that air and then away. And so what you do |
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55:40 | you create a wavelength that basically So if you want to picture it |
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55:44 | you can take a picture rope and can just snap the rope and you |
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55:47 | watch the wavelength and that's what sound . It's basically that rare faction. |
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55:53 | compression. Alright. So basically as go up and that would be the |
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55:57 | . So here's the compression. There's rare faction has two characteristics. All |
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56:03 | . Oh also because this is a of energy as I'm I'm using energy |
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56:07 | move those molecules the further as to molecules collide and hit things, they |
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56:14 | energy is lost. And so the the sound travels, the less energy |
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56:18 | has until it dissipates. And so loses its amplitude. Right? So |
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56:23 | I whisper your talk me Right? when I yell, sound travels |
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56:31 | Right? So, characteristics of sound , they have a frequency that is |
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56:37 | in hertz. That's pitch. It's notes and low notes. Okay? |
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56:41 | when you hear frequency, think high versus low notes, pitch intensity is |
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56:46 | amplitude. That's how tall the wavelengths . All right. So, the |
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56:51 | the less intensive sound, the the more intense in sound. All |
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56:56 | . But it doesn't have to do pitch. You can have very loud |
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57:00 | notes, you know, very high notes. Right? And everything |
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57:05 | between. So, intensity amplitude decibels . All right. So, what |
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57:14 | looking at in our cartoons? here you can see here is our |
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57:18 | a There's our vestibule. There are semicircular canal. So we're gonna be |
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57:22 | here inside the cochlea. And you see it's a snail shell. It |
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57:26 | snail shell. It basically coils itself . Right? And you can imagine |
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57:31 | there, if you took a if you're looking at one of those |
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57:34 | , you can see that there's actually chambers separated by membranes. So in |
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57:40 | this is membrane that's membrane. And you have two chambers. This is |
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57:44 | picture of that unwound. All So what we're saying is it's not |
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57:48 | wound up, like if we unwind this is what looks like. And |
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57:50 | can see here here's our oval There's are staples. So, there's |
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57:54 | tube inside that goes up, goes the way to the top of the |
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57:59 | and then turns on itself and comes the way back down again. |
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58:02 | here it is. Going up to top. This is it coming back |
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58:05 | again and it comes all the way around to the round window. And |
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58:09 | can see there's fluid inside each of . Now, if we were to |
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58:14 | these things, we're going to call top tube. One that's from the |
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58:19 | window. We call that the scallop . The rest of the vestibular duct |
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58:24 | its name. All right. It's is bone but its floor is a |
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58:30 | . All right. The name of membrane? The vestibular memory. How |
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58:35 | . All right. So, I a vestibular membrane and then in down |
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58:40 | in the bottom I have the skeleton or the tim panic duct. |
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58:45 | So, here's a scallop, vestibular . Pani. It's one long |
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58:49 | We just basically say here at the we flip and that's called the helicopter |
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58:53 | . We flip and then we go other direction. So, sitting between |
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58:57 | scallop is stimulating the skeleton. Pani our cochlear duct also called the scalar |
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59:03 | . All right. So, you see I have a membrane have a |
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59:06 | . So, the roof of the panty is the basilar membrane which is |
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59:11 | , but it's really referring to that chamber. And so what we say |
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59:17 | the roof of the scallop media or cochlear duck is the is the basil |
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59:22 | is a vestibular membrane on the bottom here is the basilar membrane and then |
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59:28 | in the middle we're going to see our structure called the organ of |
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59:32 | And it's this structure here that plays role in hearing fluid in both |
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59:40 | fluid in the middle chamber. Out , parallel in here in the lymph |
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59:51 | at the spiral organ or the organ corti. This is our hearing organ |
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59:57 | . Here's a close up. You see what we have is we have |
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59:59 | unique structures called hair cells. These the receptor cells of hearing their mechanical |
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60:08 | . What they're looking for is they're for movement. Above them is another |
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60:15 | membrane. It basically over lies and in contact with these hair cells. |
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60:23 | then each of these hair cells are with a neuron. And basically what |
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60:29 | do is they go and they form is called the cochlear nerve. All |
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60:35 | . So, this would be the ganglion as they form the cochlear |
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60:40 | All right. This is just showing the arrangement. We can see that |
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60:45 | one row of what are called the hair cells there's are one row and |
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60:49 | is going the entire length. remember we unwound it make sure when |
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60:53 | . So we're basically saying the whole of that cochlear duct looks like |
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60:58 | So up here, this would be skeleton stimulate switch switches on itself comes |
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61:02 | to skeleton. Pani along the entire in that cochlear duck, we have |
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61:07 | structure. So this is coming out you and says there's one hair cell |
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61:11 | here and there's three hair cells over . This one hair cell. And |
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61:17 | there's the row of them going those are the mechanic receptors there. |
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61:21 | job is to actually detect the Their job is to detect movement inside |
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61:29 | cochlear duct and to tell us that where sound is occurring out here. |
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61:35 | it out here. We have the hair cells. Their job. |
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61:40 | I do have batteries. It's very frustrating. Where are my batteries? |
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61:50 | , I can feel it. I , nope. Well, I'm out |
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61:56 | batteries. I'll have to I'll have point over here Well, I'm gonna |
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62:04 | to do something. I'm not good this. This is why I stick |
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62:07 | the pointer over here. Those outer cells. Their job is to modulate |
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62:19 | degree of movement in there. All , so, what's happening is we're |
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62:25 | we're gonna kind of paint a big . We're gonna try to put it |
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62:27 | together. All right, So, we have here is we have this |
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62:34 | membrane on which these hair cells are up. Alright. And what's going |
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62:39 | happen is is when sound comes it hits that tim panic membrane which |
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62:44 | the malice, the Incas and the police to move, which causes the |
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62:48 | window to move back and forth. ? Which causes the fluid to move |
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62:54 | that tube. So, here, can see the oval window and that |
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62:58 | is now moving at the same frequency that sound way. All right, |
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63:05 | , you need to kind of use brains to think about this. All |
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63:08 | . Because it's not gonna be visually up here. Sound wave has a |
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63:11 | length to it. Right. That if it's a short wavelength it's going |
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63:15 | go up and then it's gonna come down in a very short length. |
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63:19 | if it's a long wavelength, it's go up and it's gonna come down |
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63:24 | a long distance. Right? where it's going up and coming down |
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63:28 | going to be dependent upon where or the degree of stimulation. All |
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63:37 | So, the oval windows vibrating the wave comes in and depending upon its |
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63:43 | , it's gonna hit at a different along that vestibular membrane? High notes |
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63:50 | closer to the front. Deep notes closer to the back and then the |
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63:56 | notes in between. And so, happening here? You're displacing the vestibular |
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64:02 | . I'm going to go back a here. So, if I'm a |
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64:05 | note, I would be displacing the over there. If I'm a low |
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64:08 | , I'd be displacing the membrane over . Okay, what does displacement of |
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64:12 | mean? Means membrane moves. So, I have my vestibular |
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64:16 | I have my basilar membrane down I've got the territorial membrane here. |
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64:20 | , when I'm displacing the membrane at particular location, that means I'm moving |
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64:25 | . If there's fluid down here, fluid is going to then push on |
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64:31 | basilar membrane so they both move together far so good in between a sectorial |
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|
64:43 | . This is just showing you the of the basilar membrane now. |
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64:48 | As the base color in the vestibular membrane moves first at a particular |
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64:54 | basal membrane moves at a different at same location. All the other places |
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64:58 | move just at that particular location. fluid inside moves. And what it |
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65:03 | is it causes those hair cells to back and forth. The territorial membrane |
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65:08 | move at all. They just basically there and it forces the fluid to |
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65:13 | of move in a circle over those cells. So, the hair cells |
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65:17 | basically move, waving back and forth the movement of the fluid and they're |
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65:21 | the movement of the fluid at that location. All right. If you |
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65:26 | visualize this, she's gonna be my memory for a second. Put your |
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65:29 | out. It's perfectly still see it move. It doesn't move at |
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|
65:35 | Right. And so, you can here, Here's the babies learn the |
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65:39 | membrane. Alright moving up and A little hair cells are sitting here |
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65:45 | the basilar membrane and as they move they push up against that textural membrane |
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65:49 | move down. So they're basically moving and forth in response to this movement |
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65:54 | going right here. When those hair move, what you're doing is you're |
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65:59 | those little tiny hairs on the the sterile cilia and the direction they |
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66:04 | basically opens and closes channels that causes polarization and the hair cells. And |
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66:10 | those hair cells move, I'm detecting movement and said, oh at this |
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66:15 | frequency these hair cells move. And the brain perceives sound because of movement |
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66:21 | that particular area. Go back Yeah. Oops. Wrong direction. |
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66:34 | you can see down here here, that basil er membrane or Sorry, |
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66:38 | particular memory? There's a basilar And where am I doing this? |
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66:42 | , if I have a high all that movement is occurring right |
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66:46 | If I have a low note, going all the way over there and |
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66:49 | that energy that goes through the Remember it has to go someplace and |
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66:53 | it moves back into the skeleton Remember we have the scallop is stepping |
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|
66:58 | the top. Cochlear duct in the skeleton panty on the bottom. So |
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67:02 | energy short cuts its way through. basically I'm going to go this way |
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67:06 | then I'm gonna go back to my window and a round window absorbs the |
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|
67:11 | . All right. You want to what that looks like. You guys |
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67:13 | see those stress toys where you're basically in? The eyes will bug |
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|
67:16 | Right? The reason it does that because the energy that you're using to |
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|
67:20 | it causes those little eyes gopal. that's what the round window does. |
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|
67:27 | . Only one person laughed at That means you guys are really, |
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67:31 | nervous about this. All right. , you think about the steps. |
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67:36 | hits my oracle travels through the auditory , right? Hits that tim panic |
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|
67:42 | cause it to vibrate. Cosmopolis. staples to vibrate, causes the oval |
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67:46 | to vibrate. It's all at the frequency. Right? So, it's |
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67:50 | note, Right? You know, whatever note you obviously when I'm |
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|
67:54 | I got notes going all over the . So you can just see how |
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67:57 | it's able to do this. But picture a single note. That single |
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68:00 | causes that vibration at that frequency and it travels to a specific location along |
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68:07 | stimuli membrane causes movement at that particular , causes the movement of the basilar |
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68:14 | , which causes the hair cells at particular location to move. Which then |
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68:17 | where you're gonna get that perception of . The sound then travels back to |
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68:21 | round window. So the energy is . So it's not just bouncing back |
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68:25 | forth and doing all sorts of weird inside that tube. Mhm. So |
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|
68:33 | that hair cell. What is the cell? It basically shows you here's |
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68:37 | stereo cilia. They're attached, there's large one in the front that's called |
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68:42 | . And then the series of hair attached to it seriously. And if |
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68:45 | bending towards or away from the penicillium the degree of opening of channels. |
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68:49 | you open towards the penicillium, you're up more. So you get greater |
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68:54 | polarization. And if you move away the penicillin, you get hyper |
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68:58 | So you get less signal. And when you're stimulating the cell, what |
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69:01 | basically doing is you're saying send a here. I mean from here that |
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69:06 | the brain this is where stimulation So that you can perceive the |
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|
69:10 | So notice you're not actually changing sound . What you're doing is you're detecting |
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69:15 | . It's a mechanic receptor, You're just looking for sound waves or |
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69:24 | . So the frequency is determined by on that membrane I'm hitting it. |
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69:34 | learned about dogs, dogs can hear a higher pitch, right? |
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69:38 | Because their membrane vibrates at those higher nearest their oval window, learn about |
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|
69:48 | . But the big ones, what they hear it? Very low |
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|
69:52 | Now, the reason for that is sound waves don't travel well in |
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|
69:55 | So the best communication they have is these larger wavelengths wet sound waves. |
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70:02 | they have uh their their inner ears detect at that lower frequency. We're |
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70:09 | of stuck in the middle with like of a lot of high frequency is |
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70:12 | of low frequency are kind of in middle, you know? And so |
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70:16 | frequency discrimination is dependent upon where that's particular part of the cochlear duct is |
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70:24 | stimulated in terms of amplitude. That's how much we shake that membrane. |
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70:31 | right. So it's soft sound will not so much energy. So you |
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70:36 | less vibration. A very loud sound the same frequency is very strong |
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70:42 | lots of energy. And so you that movement in the you know, |
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70:47 | would be greater movement. So you that greater movement. That's how you |
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70:52 | , something's loud or not. So the ear, right from these hair |
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71:04 | they're going to form the cochlear nerve is going to be formed the vestibular |
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71:10 | nerve ultimately. And what that's gonna is that that nerve goes into, |
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71:17 | me, goes into the medulla, goes into these nuclear called the cochlear |
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71:23 | . Alright information with the cochlear nuclei go over to the superior olive which |
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71:28 | you to localize sound and how it this is really, really awesome. |
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71:33 | we're not going to talk about No, I mean it's it's complicated |
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71:37 | engineer if you're an engineer and you , I've got a couple of engineers |
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71:40 | the upper classes. They get really because it's all circuits and its length |
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71:44 | circuits and how these nerve fibers or . Alright. But here, what |
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71:49 | doing is you're localizing sound and then go up to the inferior calculus in |
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71:53 | midbrain that helps you to do the of the lab sounds, right? |
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71:58 | do you know what I'm talking Right. So if you hear, |
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72:02 | , what do you do? U right. That would be reflected a |
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72:06 | sound. All right. And then there we go up to the |
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72:12 | that's the medial lenticular nucleus. And there you go to the primary auditory |
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72:17 | , which is where we are able process that sound and perceive it. |
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72:24 | , When you hear uh what are hearing? Horn or Professor making stupid |
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72:32 | . All right. Now, I you weird things. All right. |
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72:36 | two slides. And then we got . All right, So there you're |
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72:40 | at that here, it is a structure. You know, go and |
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72:42 | at your own ear if you're uncomfortable at other people's ears, right? |
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72:46 | if you're afraid to show your ear somebody else. All right. You |
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72:49 | see it's just weird. But the it has this weird shape is because |
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72:53 | sound waves hit it bounces off these in different ways and this is how |
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72:58 | able to localize sound and from where coming in the vertical plane. All |
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73:04 | . So basically how it bounces off going to change depending upon the direction |
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73:10 | of where it's hitting these things. right. That's what this is trying |
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73:14 | show you. All right, well about the horizontal plane? Alright. |
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73:20 | direction is it coming from? Well is now more dependent dependent upon uh |
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73:26 | delay between the two years. All . So when you have high frequency |
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73:32 | , what happens is you create what called a sound shadow. In other |
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73:35 | the noise hitting on say the sound coming from this direction, the sound |
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73:39 | on this side is going to be louder than the sound on that |
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73:43 | All right. And so your brain the intensities and so it says so |
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73:49 | softer on this side than that side it's coming from that direction. |
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73:53 | But there's also when you have these frequency noises, they travel you know |
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73:58 | have these different wavelengths and so there's delay. So in a high or |
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74:03 | frequency noises like sounds coming from this and it hits here first and then |
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74:08 | here second. And so that the perceives the timing difference and says oh |
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74:16 | the direction it's coming from now. know you're ready to get out of |
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74:20 | but I'm just gonna ask you you love your headphones, right? Yeah |
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74:23 | see you guys walking around, anyone have the three D. Headphones or |
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74:27 | they're really the virtual surround sound right? They're awesome. And what |
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74:33 | do is they take advantage of all different characteristics that the brain has and |
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74:38 | the frequency, distance and frequencies that you a perception of where it's coming |
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74:45 | . Kind of cool. All you guys, I will see you |
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74:48 | thursday. We will continue talking about ear. Hmm. Mhm. |
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